Rose Lindsay

She was introduced to Norman Lindsay in 1902 by Julian Rossi Ashton, and began modeling for Lindsay that same year.[1][3] She became his principal model and later his lover, and after his marriage ended she joined him in London in 1910.[1] She was Lindsay's business manager and most recognizable model, as well as being the printer for most of his etchings.[3] In 1913 a pen-and-ink drawing she had posed for called Crucified Venus was shown at the Society of Artists' exhibition in Melbourne, but the Melbourne committee removed it from public view due to scandal over its eroticism.[1][4] However, Julian Rossi Ashton, who was the president of the Society of Artists, said he would withdraw all the New South Wales paintings from the exhibit unless Crucified Venus was shown again, and it was put back up within the week.[1] Rose also modeled for Julian Rossi Ashton, Harold Cazneaux, Sydney Long, Dattilo Rubbo, and Sydney Ure Smith.[1] In 1926 Rayner Hoff sculpted a statue of her.[1] Pictures of her are in Australia's National Portrait Gallery.[5]

Rose was a skilled printmaker working with an etching press.[1][6][7] In the 1960s Rose compiled seven albums of hundreds of pencil sketches and proof etchings by Norman Lindsay, an almost complete record of his etchings from the early 1900s until the 1950s.[8]

Rose wrote two autobiographical books in her seventies. Ma and Pa (1963)[2] and Model Wife (1967)[9] were later republished in a single volume as Rose Lindsay: A Model Life (2001).[1]