Round Midnight (film)

In 1950s New York, Dale Turner is an accomplished saxophone player barely getting by playing at local jazz clubs and struggling with substance abuse, particularly of alcohol. After talking with a fellow musician who is currently disabled by illness, Dale decides to try to improve his life by traveling to Paris and making a living playing at the Blue Note jazz club until his luck gets better.

Turner arrives in Paris and is befriended by Francis, a struggling French graphic designer specializing in film posters and who lives with his daughter, his marriage having broken up. He idolizes the musician and tries desperately to help him escape alcohol abuse. With time, and after Francis allows Turner to move in with him and his daughter, Turner manages to put himself on his own feet again and starts to get by without a reliance on alcohol. He eventually decides it is time to go home to New York to see his old friends and to re-acquaint himself with his own daughter.

Francis accompanies Dale, and the music community in New York is ready to accept the musician back. He writes a song dedicated to his daughter in the hope of strengthening their relationship after much time apart. He invites her to the club to hear its debut, but manages to confuse her true age and tells the audience she has just turned 16; she is actually 15, and she makes note of this to Francis, who is seated next to her in the audience. Later in the week, when Dale tries to further his bond with her by sharing a meal at a local diner, an old drug dealer recognizes him there, re-introduces himself and implies his supplies are still available to Dale.

Francis tries to intervene a few times to keep Dale protected from his old suppliers, and attempts to keep up with all of them. When Francis eventually leaves and returns to Paris and his daughter, he receives a telegram from Dale's music manager saying that the musician has died in a local hospital.

Round Midnight was filmed in Paris and New York City. It was produced by Irwin Winkler.

Tavernier defied the film studio by insisting that real-life jazz tenor saxophonist Dexter Gordon play the role of Turner. Gordon, who himself played with Bud Powell in Paris in the early 1960s (and earlier in their careers), helped to revise and rewrite the script. The supporting cast is likewise composed of jazz musicians (mainly from the generation which followed Gordon and Powell) such as Herbie Hancock, Bobby Hutcherson, John McLaughlin, and Wayne Shorter, among others who perform the music throughout the film. The musicians are joined by actors François Cluzet, Gabrielle Haker, Sandra Reaves-Phillips, Lonette McKee, and Christine Pascal.

The score for the film was composed by Hancock. The soundtrack was in two parts – Round Midnight and The Other Side of Round Midnight – released under Dexter Gordon's name and featuring his last recordings, although he does not appear on all tracks. Both albums were produced and arranged by Hancock.

Round Midnight received a 100% rating at Rotten Tomatoes.

• Round Midnight at IMDb
• Round Midnight at Rotten Tomatoes
• Round Midnight at Box Office Mojo