Rubén Blades

Blades was born July 16, 1948, in Panama City, Panama. He is the son of Cuban musician and actress Anoland Díaz (real surname Bellido de Luna), and Colombian Rubén Darío Blades, Sr., an athlete, percussionist and graduate of the Federal Bureau of Narcotics in Washington, D.C. His mother's great-uncle, Juan Bellido de Luna, was active in the Cuban revolutionary movement against Spain[5] and was a writer and publisher in New York City. Blades's paternal grandfather, Rubén Blades, was an English-speaking native of St. Lucia who came to Panama as an accountant. His family is uncertain how the Blades family ended up in St. Lucia, but when his grandfather moved to Panama, he lived in the Panamanian Bocas del Toro Province. Ruben Blades thought that his grandfather had come to Panama to work on the Panama Canal, as he tells in the song "West Indian Man" on the album Amor y Control ("That's where the Blades comes from") (1992). He explains the source and the pronunciation (/ˈbleɪdz/) of his family surname, which is of English origin, in his web show Show De Ruben Blades (SDRB).[6]

In Blades's early days, he was a vocalist in Los Salvajes del Ritmo and also a songwriter and guest singer with a professional Latin music conjunto, Bush y sus Magníficos. His strongest influence of the day was the Joe Cuba sextet and Cheo Feliciano, whose singing style he copied to the point of imitating his voice tone and vocal range.[7]

Blades earned degrees in political science and law at the Universidad Nacional de Panamá and performed legal work at the Bank of Panama as a law student. After graduating in 1974, he moved to the U.S. and stayed with his exiled parents in Miami, Florida, before moving to New York City. Andy Harlow said that "he used to sleep on my couch while he worked at Fania (Records); used to say "I write songs, too."

His first recording in the United States of America was the solo album "De Panamá a New York" with the Pete Rodriguez Orchestra, which included original compositions such as "Juan Gonzalez", "Descarga Caliente" and "De Panamá a New York", which were recorded in New York City by Alegre Records in 1970.[8] He then returned to Panamá and finished his degree.

Blades began his career in New York City writing songs while working in the mailroom at Fania Records. He was perceived as a talented songwriter who still had to develop a singing style of his own. The mailroom job was a good opportunity to stay close to the company until the right opportunity came along. Soon Blades was working with salseros Ray Barretto and Larry Harlow. Shortly thereafter, Blades started collaborating with trombonist and bandleader Willie Colón. They recorded several albums together and participated in albums by plena singer Mon Rivera and the Fania All Stars.

Blades's first notable hit was a song on the 1977 album Metiendo Mano that he had composed in 1968: "Pablo Pueblo", a meditation about a working-class father who returns to his home after a long day at work. The song later became his unofficial campaign song when he ran for president of Panama. The Colón and Blades recording on the same album of Tite Curet Alonso's composition, "Plantación Adentro", which dealt with the brutal treatment of Indian natives in Latin America's colonial times, was an enormous hit in various Caribbean countries. He wrote and performed several songs with the Fania All Stars and as a guest on other artists' releases, including the hits "Paula C", written about a girlfriend at the time; "Juan Pachanga", about a party animal who buries his pain for a lost love in dance and drink; and "Sin Tu Cariño", a love song, featuring a bomba break. The latter two songs feature piano solos by Puerto Rican pianist Papo Lucca.

In 1978, Blades wrote the song "El Cantante"; Colón convinced him to give the song to Colón's former musical partner, Héctor Lavoe, to record, since Lavoe's nickname was already "El Cantante de los Cantantes" ("the singer of singers"). Lavoe recorded it that same year, and it became both a big hit and Lavoe's signature song; a biographical film, El Cantante about Lavoe took the same title. (The film El Cantante, starring executive producer Marc Anthony and then wife Jennifer López told a fictionalized version of this story, in which Blades tells Lavoe he wrote the song for him.)

The Colón and Blades album Siembra (1978) became the best-selling salsa record in history. It has sold over 25 million copies, and almost all of its songs were hits at one time or another in various Latin American countries.[9] Its most famous song was "Pedro Navaja", a song inspired by the 1928 song "Mack the Knife"; it tells the story of a neighborhood thug who is killed by a street walker who knows him (he stabs her, she shoots him, they both die, a bum finds them, and takes his belongings). The song inspired a 1980 Puerto Rican musical, La verdadera historia de Pedro Navaja, and a 1984 Mexican film, Pedro Navaja, neither of which had Blades' involvement. Blades wrote and sang a sequel song, "Sorpresas", (surprises) on his 1985 album, Escenas, which revealed that Pedro had survived the incident and was still alive.

Blades became dissatisfied with Fania and tried to terminate his contract, but was legally obliged to record several more albums. Maestra Vida and its follow-up Canciones del Solar de los Aburridos are highlights.

In 1982, Blades got his first acting role, in The Last Fight, portraying a singer-turned-boxer vying for a championship against a fighter who was played by real-life world-champion boxer Salvador Sánchez. In 1984, he released Buscando América, and in 1985, Blades gained widespread recognition as co-writer and star of the independent film Crossover Dreams as a New York salsa singer willing to do anything to break into the mainstream. Blades also began his career in films scoring music for soundtracks. Also in 1985, he earned a master's degree in international law from Harvard Law School. He was also the subject of Robert Mugge's documentary The Return of Rubén Blades, which debuted at that year's Denver Film Festival. He also recorded a segment for the prestigious 60 Minutes, interviewed by Morley Safer.

In 1984, Blades left Fania, and signed with Elektra, although Fania continued to release recordings compiled from their archives for some years afterwards. Blades assembled a top-notch band (known variously as Seis del Solar or Son del Solar) and began touring and recording with them. His first album with them, Escenas included a duet with Linda Ronstadt (1985), won Blade his first Grammy Award, for Best Tropical Latin Album. He then recorded the album Agua de Luna, based on the short stories of famed writer Gabriel García Márquez, in 1987. The next year he released the English-language collaboration Nothing But the Truth with rock artists Sting, Elvis Costello, and Lou Reed whose song "The Hit" aka its main chorus "Don't Double Cross the Ones You Love", would appear in the opening and closing credits of Sidney Lumet's 1990 crime drama Q & A; also in 1988 he released the more traditionally salsa Antecedente, again with Seis del Solar, which again won a Grammy Award.

During the 1990s, he acted in films and continued to make records with Seis/Son del Solar. In 1994, he mounted his unsuccessful Panamanian presidential bid, founding the party Movimiento Papa Egoró. The album that followed this experience, La Rosa de los He also made the award winning music such as Pena and Amor y Control and His brother did 2 Vientos, won the 1997 Grammy for Best Tropical Latin Performance, and all its songs were by Panamanian songwriters, recorded using all Panamanian musicians. In 1996, Blades along with Son Miserables performed "No Te Miento (I Am Not Lying [to you])" for the AIDS benefit album Silencio=Muerte: Red Hot + Latin produced by the Red Hot Organization. In 1997, Blades headed the cast of singer/songwriter Paul Simon's first Broadway musical, The Capeman, based on a true story about a violent youth who becomes a poet in prison, which also starred Marc Anthony and Ednita Nazario. His many film appearances include The Milagro Beanfield War (1988), The Two Jakes (1990), Predator 2 (1990), Mo' Better Blues (1990), Color of Night (1994), and Devil's Own (1997). He also guest-starred in an amusing episode of The X Files titled, "El Mundo Gira" ("As The World Turns"). He played immigration agent (la migra), Conrad Lozano, who works with Mulder and Scully to solve unexplained murders involving both rural California migrant workers and the Mexican folklore of El Chupacabra. In 1999, he played Mexican artist Diego Rivera in Tim Robbins' Cradle Will Rock. In the 2003 film Once Upon a Time in Mexico, starring Johnny Depp, Antonio Banderas, and Willem Dafoe, he played the role of a retired FBI agent.

Blades's 1999 album Tiempos, which he recorded with musicians from the Costa Rican groups Editus and Sexteto de Jazz Latino, represented a break from his salsa past and a further rejection of commercial trends in Latin music. Ironically, the album won a Grammy Award for Best Latin Pop Album. Blades was inducted into the International Latin Music Hall of Fmae in 2001.[10] Even more eclectic was the 2002 album Mundo with the 11-member Editus Ensemble and bagpiper Eric Rigler, which incorporated instruments from around the world. Mundo won the Grammy Award for Best World Music Album, and was also nominated for a Latin Grammy Award for Album of the Year. The same year, Blades guested on world music artist Derek Trucks' album, Joyful Noise. In 2003 he followed Mundo with a web site free-download project. Blades was presented with the Founders Award at the 2005 ASCAP Latin Awards.[11] In 2004, he put his artistic career on hold when he began serving a five-year appointment as Panama's minister of tourism. Beginning in June 2007, however, Blades turned some of his attention back to his artistic career, presenting an online TV show titled Show de Ruben Blades (SDRB) on his website.

In November 2005 he received an honorary degree from the Berklee College of Music.[12]

In May 2007 Ruben Blades was sued by his former bandmate, Willie Colón for breach of contract. This led to a series of suits and countersuits that lasted over five years. A book titled Decisiones detailing the inside story of this legal battle was written by Blades' former agent, Robert J. Morgalo and published in 2016 in English and Spanish website. The court documents can be read here and full transcripts of depositions and court rulings can be seen here

In the middle of 2008 he took a leave of absence for a mini-tour in Europe, backed by the Costa Rican band Son de Tikizia. When his government service was completed in June 2009, he reunited the members of Seis del Solar for the 25th anniversary of Buscando América in an ambitious tour of the Americas.[13]

Blades performing

In June 2011, Blades was given the Harry Chapin Humanitarian Award by ASCAP and WhyHunger.

In 2014, Blades was the closing act for the Festival Internacional Cervantino in Mexico.[14]

In 2015, Blades' album Tangos won a Grammy award for Best Latin Pop Album.[15]

Blades has expressed his interest in making another run for president of Panama in 2019, and has noted that he might limit his future performing activities in order to do so.[16][17]

In 2015, Blades was cast in the regular role of Daniel Salazar in the AMC post-apocalyptic drama Fear the Walking Dead,[18][19] a companion series to The Walking Dead. Blades first appears in the second episode "So Close, Yet So Far".

In 2017, Blades performed as one of the featured artists for Puerto Rico in Lin-Manuel Miranda's charity single "Almost Like Praying" to raise money for victims of Hurricane Maria.

In September 2018, Blades was appointed as NYU Steinhardt Dean's Inaugural Scholar-in-Residence at New York University.[20]

Wikiquote has quotations related to: Rubén Blades

• Official website (in Spanish)
• Rubén Blades at IMDb