Sahib

Sahibzada is a princely style or title equivalent to, or referring to a young prince.[2] This derivation using the Persian suffix -zada(h), literally 'born from (or further male/female descendant; compare Shahzada) a Sahib', was also (part of) the formal style for some princes of the blood of Hindu and Muslim dynasties in the Indian sub-continent, e.g.:

• Babu Saheb is a term used to denote the ancient noble rajput kshatriyas (warrior sons of a king) in northern Indian states of Bihar, Jharkhand, Uttar Pradesh, and Bengal
• The sons of a ruling Nawab of Arcot (the head of the family; political pensioners, the only princely title still recognized by the Indian Republic) are styled: Sahibzada (personal name) Khan Bahadur, not Nawabzada (literally 'son of the Nawab').
• The sons of Guru Gobind Singh are known as Sahibzaadey
• In Bahawalpur, Pakistan, the younger sons of the ruling Nawab/Amir are styled: Sahibzada (personal name) Khan Abassi; but the Heir Apparent: Nawabzada (personal name) Khan Abassi, Wali Ahad Bahadur.
• In Baoni, the younger sons and other male descendants of the ruling Nawab, in the male line, were styled Sahibzada (personal name) Khan Bahadur, while the Heir Apparent was: Nawabzada (personal name) Khan, Wali Ahad Bahadur; either could be personally promoted to Nawab.
• In Bhopal, the grandsons of the ruling Nawab were styled: Sahibzada (personal name) Khan, while the Heir Apparent was the Wali Ahad Bahadur, the younger sons: Nawab (personal name) Khan Bahadur.
• In Jaora, more distant male relatives of the ruling Nawab then the sons (who were Nawabzada) were styled: Sahibzada (personal name) Khan.
• In Khudadad, Tippu Sultan's short-lived Muslim empire, the grandsons and other male descendants of the sovereign Padshah bahadur were styled: Sahibzada (personal name), until in 1860 the colonial (British) Indian Government extended to them the existing style for sons of the ruling Nawab: Shahzada (personal name) Sahib.
• In Malerkotla, where the Heir Apparent was Nawabzada (personal name) Khan Bahadur, the younger sons of the ruling Nawab were styled: Sahibzada (personal name) Khan Bahadur.
• In Savanur, where sons of the ruling Nawab were Nawabzada, the other male descendants in the male line: Sahibzada (personal name) Khan Sahib, and the more remote male descendants of the ruler: Sardar (personal name) Khan Sahib.

This could be further combined, e.g.:

• In Hyderabad, a mainly Muslim state of the Nizam, every son of the ruler was fully styled Walashan Nawab (personal title), Sahibzada Mir (personal name) Khan Bahadur; in the case of the Heir Apparent, all this was followed by The Prince of Berar, with the style of His Highness, normally reserved for ruling princes with at least an 11 (later 9) guns-salute;
• In Loharu, where the Heir Apparent was Nawabzada Mirza (personal name) Khan, both the younger sons, and male descendants, of a ruling Nawab, in the male line, were styled: Sahibzada Mirza (personal name) Khan.
• In Sachin, the grandsons and other male descendants of the ruling Nawab, in the male line, were styled: Sahibzada Sidi (personal name) Khan Bahadur, while the Heir Apparent was Nawabzada Sidi (personal name) Khan Bahadur, Wali Ahad Sahib, and the other sons: Nawabzada Sidi (personal name) Khan Bahadur.
• In Bengal, male members of Muslim zamindari families with distant connections to ruling or formerly ruling royal families, were styled Sahibzada if the head of the family was called sahib. It could be affixed to more titles or family names.
  • In Murshidabad (present title-seat of the royal house of Bengal), the other sons and male descendants of the reigning Nawab, in the male line: Sahibzada Sayyid (personal name) Mirza;
• In Hangu, the grandsons of the male line of the ruling Sahib are styled as Sahibzada (personal name) Noor.

• In Palanpur, the younger sons of the ruling Nawab, and other male descendants in the male line, were styled Sahibzada (personal name) Khan; but the Heir Apparent: Nawabzada (personal name) Khan, Wali-ahad Sahib.
• In Junagadh, younger sons of the ruling Nawab and other male descendants in the male line, were styled ' Sahibzada' and (personal name) Khanji Babi.

• Jam Sahib (Gujarati: જામ સાહેબ), is the title of the ruling prince of Nawanagar, now known as Jamnagar in Gujarat, an Indian princely state.

The term is used exclusively to refer to any white European on the Indian subcontinent, throughout Rudyard Kipling's 1901 novel Kim. Kim is ethnically a 'sahib', but was raised as a low-caste native boy. Most sahibs in the novel are British, but there is also a Russian and a Frenchman.

The term is used in a similar manner in George Orwell's essay "Shooting an Elephant", which is used to accentuate his isolation in Colonial Burma. (now Myanmar).

The term is used throughout the children's novel A Little Princess by Frances Hodgson Burnett.

In Herman Cyril McNeile's 1920 novel Bulldog Drummond, an Indian magician was performing tricks in front of a crowd and drew attention to a mysterious box.

• 'You don't mean the fourth dimension, do you?' demanded a man incredulously.
• 'I know not what you call it, sahib,' said the Indian quietly. 'But it is the power which renders visible or invisible at will.'

E.M. Forster also employed the term in his 1924 novel A Passage to India. His Anglo-Indian characters refer to the Collector as Burra Sahib, implying the respect felt for him.[3]

The following dialogue in Dorothy Sayers's 1926 novel Clouds of Witness shows what the term implied in British society at the time.

• Coroner: "What kind of a man was Captain Cathcart?"
• Duke of Denver: "Well – he was a Sahib and all that. I don't know what he did before joining up in 1914. I think he lived on his income; his father was well off. Crack shot, good at games, and so on."

It is noteworthy that the character referred to had never been in India and had no connection with India.

It is used in Agatha Christie's 1934 novel Murder on the Orient Express in a similar way.

• "About Miss Debenham," [Colonel Arbuthnot] said rather awkwardly. "You can take it from me that she's all right. She's a pukka sahib."
• Flushing a little, he withdrew.
• "What," asked Dr. Constantine with interest, "does a pukka sahib mean?"
• "It means," said Poirot, "that Miss Debenham's father and brothers were at the same kind of school as Colonel Arbuthnot."

In Bruce Marshall's The World, the Flesh and Father Smith, the protagonist serves as a military chaplain in the trenches of WWI and gives absolution to soldiers and officers about to go into battle. A major tells him: "God's a bit hard on a chap at times. Still, I am sure God's too much of a Sahib to run a fellow in for ever and ever just because he got messed up with a bit of fluff" (i.e. had casual affairs with women).

Later, the same major is mortally wounded. As the priest is about to administer last rites, the major says: "It's all right, Father; I still think God is a Sahib".[4]

Jim Davis uses the term in a 1983 Garfield comic strip in which Garfield refers to Jon Arbuckle as "sahib" after Jon asks Garfield to retrieve his newspaper,[5] and again in a 1989 strip after Jon asks Garfield to go outside and see if it's still raining.

The term is frequently used throughout the short stories of Robert E. Howard, mostly by Indian or Arabic characters—e.g. a Sikh manservant addresses the guests of his employer as "sahib" in The Noseless Horror.