Salad Fingers

• Release date: 9 May 2004
• Credits: Drawn, animated and voiced by David Firth. Written by David Firth and Christian "Crust" Pickup. Music by Boards of Canada (in particular, the song "Beware the Friendly Stranger")

This episode introduces Salad Fingers and his love of touching rusty spoons and other various rusty objects. He explains how touching any form of rust—including spoons, a doorbell panel, and a kettle—stimulates him ("The feeling of rust against my salad fingers is almost orgasmic"), and that he holds a particular love of spoons. Salad Fingers walks to the house of a strange young boy to see if he has any rusty spoons; the child screeches two times, at which point Salad Fingers leaves, after asking to caress a rusty kettle that is on a table beside him.

• Release date: 15 July 2004
• Credits: Drawn, animated and voiced by David Firth. Written by David Firth and Christian "Crust" Pickup. Music by Boards of Canada and David Firth.

Salad Fingers has a get-together with his "friends"—finger puppets—whom Salad Fingers introduces as Hubert Cumberdale, Marjory Stewart-Baxter and Jeremy Fisher. He appears to believe that his "friends" are real, living beings. Wondering what his friends taste like, he briefly inserts them into his mouth, exclaiming that Marjory Stewart-Baxter tastes like "sunshine dust", while Hubert Cumberdale tastes like "soot and poo". Salad Fingers then tells them that he has a fish cooking in the oven and speaks a nonsensical phrase in French: "Allô Nabilah, Comment t'appelles-tu? Qu'est-ce qu'il y a?" This roughly translates to: "Hello Nabilah, What's your name? What's up (or What's the matter)?" (Nabilah is a popular first name in Algeria).

In the next scene, a frightened child responds to Salad Fingers's call for help. Salad Fingers cannot reach the fish cooking in his oven and asks the child to get it for him. As the child reaches into the oven, Salad Fingers sees a rusty nail jutting out of the wall and reaches to caress it, causing the oven door to close with the child still inside. Salad Fingers then impales his finger on the spike and begins bleeding, blissfully saying "I like it when the red water comes out."

Salad Fingers turns pale and passes out. Apparently dreaming, Salad Fingers walks through a large meat locker singing "Somewhere Over the Rainbow" to himself. While inside, he meets a full-size Hubert Cumberdale, who screams a distorted electronic noise at him. When Salad Fingers awakens he sits in a pool of his own blood. The oven smokes as Salad Fingers states, "That fish smells about done," presumably forgetting the fact that it was the smoke from the child trapped in the oven that he'd forgotten about when 'dozing off'.

• Release date: 1 August 2004
• Credits: Drawn, animated and voiced by David Firth. Written by David Firth and Christian "Crust" Pickup. Music by Boards of Canada, Brian Eno and a yoga flute.

Salad Fingers is playing with nettles and has irritated blisters all over his hands. He then comes across an empty perambulator, which he refers to as a "nettle carrier" and then leaves with it. A deformed armless man wearing an apron labelled "BBQ" appears and chases after Salad Fingers, screaming and babbling unintelligibly. Salad Fingers is sitting on the floor at his home and brushing the nettle over his nipple, which makes him lactate, and says "It seems... Nettles... have made the milk... drop out... from inside my teat!", when the armless man runs to Salad Fingers' house and begins to bang his head on the door. Salad Fingers daydreams of "happy times" (in which he and a life-sized version of the Hubert Cumberdale puppet are getting hair-dried). Eventually, Salad Fingers comes outside and finds the man dead on the floor, his head bloodied. He names the man "Milford Cubicle", despite the man's name tag reading "Harry". Believing that the man is alive, Salad Fingers drags "Milford" inside and hangs him on a meat hook on the wall. Salad Fingers then plays a merry tune on the flute, showing odd dexterity for having his hand covered in nettle sores. He then offers "Milford" a "warm glass of milk", which presumably is the milk that came out of his teat when he milked himself using the nettles.

• Release date: 20 August 2004
• Credits: Drawn, animated and voiced by David Firth. Written by David Firth, Christian "Crust" Pickup, and Jimi Mwng. Additional character design by Jimi Mwng. Music by Boards of Canada, Aphex Twin and David Firth.

Salad Fingers wears a beret and declares that he is going to try to find France. However, he is oddly frightened by a mutated boy with disproportionately large eyeballs that has been "watching him for a while". Salad Fingers becomes uncomfortable with the child's proximity and begins to leave. The boy, who speaks only in growls and grunts, approaches Salad Fingers, having apparently fallen in love with him. Salad Fingers holds out his hand to stop the boy from coming closer, but the boy licks his hand, much to Salad Fingers' disgust and fear. Inside his house, Salad Fingers sees a grey woodlouse coming out from a hole in the wall. He addresses the bug as "Bordois" and his "little sister". After asking what "she" has been collecting, he acts as though the bug gives him a response. Salad Fingers announces his enjoyment in the bug's body and goes to touch it, accidentally crushing it and looking at it in curiosity which turns to disgust. He then says to Bordois that she's "gone flat" and become "all gooey", and that he "shalln't play with [her] again, until [she's] had a wash." Salad Fingers then hears a knock on the door, which he opens to find a "grubby tap" attached to a string on the ground. Salad Fingers becomes excited about this "gift" and begins to fantasize about taps. He attempts to fetch it, but it is drawn away on the string as bait. He is caught in a bear trap which causes him to lose blood and consciousness while savouring the desanguination blissfully. He wakes up in a cage, and enjoys rubbing the rusted bars. The grotesque boy approaches the cage and holds out a ring (on which is mounted a human tooth) as if proposing marriage. Salad Fingers becomes distraught, states "I don't like this game" and announces that he is "going home now". This angers the boy, who makes an unintelligible noise that sounds like "You're my wife now." A rope appears, hanging down from the ceiling, which Salad Fingers pulls to draw down a curtain. When the curtain lifts, the boy, seeing that Salad Fingers has disappeared, begins to cry. The episode closes with Salad Fingers, wearing his beret, flying away gleefully on a giant tap, presumably to France.

• Release date: 25 November 2004
• Credits: Designed, animated, voiced and written by David Firth. Additional writing and the voice of Mable by Christian "Crust" Pickup (who also plays MC Devvo). Music by Boards of Canada, Aphex Twin and David Firth.

Salad Fingers talks to an apparently broken and disconnected phone, asking the operator to connect him to his "old pal Charlie" so he can invite him to a picnic, but only garbled noises are heard. Whilst describing the picnic fare, Salad Fingers rubs his stomach in hunger, then claims to have been rudely disconnected. Hubert Cumberdale is on one of the fingers on Salad Fingers' other hand, but he seems dismayed to see him. Instead of referring to him as Hubert, he calls him "Barbara Logan-Price", and gives him a "friend-hat", which is a miniature captain's hat.

In the next scene, Salad Fingers wears a bridal train and talks to himself in a mirror, declaring "You look so beautiful" with Rhubarb by Aphex Twin playing in the background. He then goes outside for his picnic, which is attended by a strange crow (which appears in other David Firth cartoons) that makes garbled noises and a little girl with scars on her face, a filthy, stained pink dress and orange hair. Salad Fingers asks the orange-haired girl a question and answers it for her (as he seems to think that only he can speak), ending with "replied Mable". Salad Fingers calls her his new playmate and compliments her on her dress, and as he does this, Marjory Stewart-Baxter is seen in the window, jealous. Salad Fingers offers "Mable" some "Pease Pudding", which he feeds to her with a dirty, rusty spoon. The crow then swoops down and steals Salad Fingers's spoon.

Salad Fingers and the little girl giggle and she says that the crow must like spoons too. The shock of the girl speaking to him, thus meaning the girl is indeed real, not a figment of his imagination, drives Salad Fingers to temporary insanity, hallucinating, hearing screeching, distorted noises, and seeing the girl (complete with empty eye sockets in front of a vortex) saying, "What's wrong, Mr. Fingers? Do you not like my mouth-words? Naughty mouth".

• Release date: 24 July 2005
• Credits: Drawn, animated and voiced by David Firth. Written by David Firth and Christian "Crust" Pickup. Music by Boards of Canada, Chris Gladwin and David Firth.

The episode begins with Salad Fingers walking about his house. He sees Hubert Cumberdale on top of a cupboard, and instructs the finger puppet to come down at once. Hubert turns into a black, viscous, and apparently caustic fluid and oozes down the cupboard. A silhouette is then seen walking through the house and Salad Fingers asks if somebody is there; it is, in fact, the Jeremy Fisher puppet on his finger. Salad Fingers remarks that he thought Jeremy was out "fighting the Great War". Jeremy Fisher/Salad Fingers responds in garbled gibberish which Fingers can't understand, musing that Fisher seems "to have adopted a strange dialect."

Another perspective shot shows Jeremy Fisher (now with arms) handing Salad Fingers a toy horse. Salad Fingers is pleased with the present, and remarks on the pleasing texture. He then eats Jeremy Fisher and immediately forgets, wondering "Where have you gotten to?" He begins to play with the toy horse while making "neigh" sounds, walks outside with it, and goes to an abandoned toilet with which he initiates a conversation. Suddenly, the mood changes and the music becomes sinister; he grows concerned and he begins defending himself, saying "You've got the wrong bloke, squire." He then flushes the toilet to "wash those bad thoughts away".

Upon arriving home, Salad Fingers gasps and sees himself sitting inside. The Salad Fingers inside appears to be hallucinating, seeing the "outside" Salad Fingers as a life-size Jeremy Fisher. The "inside" Salad Fingers speaks in a slightly different voice and also has rougher text showing what he is saying. The conversation starts off just like the earlier one with Jeremy Fisher, but goes on to include accusations that Jeremy Fisher has been "tailgating [his] daughter with aspirations of deflowering her rose". This appears to be the other "side" of the conversation Salad Fingers had into the toilet.

The inside Salad Fingers is now seen with the Jeremy Fisher finger puppet. Fisher never responds verbally, but at one point unfastens a clasp over his mouth from which green ooze bubbles and drips to the floor. Salad Fingers caresses Fisher's hair and remarks that he never did "sample the delights of your flavor", a reference to when he tasted his other two "friends" Hubert Cumberdale and Marjory Stewart-Baxter in episode two. He begins putting the finger puppet in his mouth, but the scene quickly changes to a bloody scene of the "inside" Salad Fingers eating the "outside" Salad Fingers' head/brains, suggesting that Salad Fingers is actually experiencing the personalities he invents. The episode ends with an external shot of the house panning back to reveal the toilet, possibly implying a sinister connection, or past trauma involving the fixture.

• Release date: 28 January 2006
• Credits: Drawn, animated and voiced by David Firth. Written by David Firth, Christian Pickup and Jimi Mwng. Music by Boards of Canada, Chris Gladwin and Brian Eno.

As Salad Fingers is digging holes outside with his finger puppets, occasionally tasting the sand (which he calls "floor sugar"), he finds the decomposing torso of an old corpse. Salad Fingers immediately "recognizes" the cadaver as "Kenneth," his "younger brother" who is back from the previously mentioned "Great War" on shore leave. Salad Fingers pulls the gruesome, dismembered corpse out of the hole, saying it was rude of him to leave for "the Great War" without him, but promises to draw him a hot bath.

The next scene shows Salad Fingers turning a cog which pulls a clothesline, drawing Kenneth out of a wardrobe, now dressed in a white dinner jacket. He starts to talk about life with the women of the great war. Salad Fingers has prepared a dinner of sand for his guest, saying "I—hope you like... SAND". At one point Kenneth slumps forward, prompting Salad Fingers to suppose that he's sleepy and props Kenneth up by inserting a "wooden dent-rail" into his empty socket. He also spills some tea, which resembles the black caustic goo from the previous episode, on Kenneth's hand. Salad Fingers tells Kenneth of his life, keeping busy with "every shift I can... [and] sing[ing] at all the functions". There is a flashback in which Salad Fingers measures the distance from his door to a tree named "Mr. Branches" with a clickwheel and subsequently teases it for its slow movement.

It is now evening, and Salad Fingers is with Kenneth outside near the same hole he found him in. He cries over the fact that Kenneth has to go "back to the ghastly trenches". He salutes Kenneth and sings "We'll Meet Again" for him, after exclaiming, somewhat futilely, "I only ask that our creator return you unspoilt from the cruel hand of war". He then kicks Kenneth back into the hole. A dreamlike sequence follows in which Salad Fingers sings the same song, in a white dress, on a stage in front of an audience of a theatre. After singing a few strains, he complains to the pianist – who is shown as the silhouette of a marionette, with strings attached – that the key is wrong, walks off the stage, and the screen fades to black.

In this episode Salad Fingers mentions the Scottish town of Cowdenbeath, indicating he is aware of real-life places.

• Release date: 22 September 2007
• Credits: Drawn, animated and voiced by David Firth. Written by David Firth and Christian "Crust" Pickup. Music by Boards of Canada, Lustmord and dyzv0r

Salad Fingers is sitting in his armchair, trying to tune his radio which he calls "Roger." If he is lucky, Salad Fingers says he may chance upon a broadcast from "Croxley", which so happens to be a small town in Hertfordshire. "Croxleyheath" also occurs in Shore Leave. After feeding Roger his "sustenance" (which seems to be marbles, peas, rocks or beans), it begins to emit a strange, piercing frequency. A gurgling sound comes from Salad Fingers' own stomach, insinuating upset in reaction to the "unpleasant frequencies" coming from the radio. He decides to wait out the tormenting event in his "safety cupboard."

When in the cupboard, Salad Fingers begins to converse with his hands. One hand enacts "Penny Pigtails," the other a market vendor. The "market vendor" refuses to sell raspberry jam to "Penny Pigtails" on the grounds that her legs are "made of cotton" and "far too long" (an event that Salad Fingers finds most upsetting). After Salad Fingers cries for a bit, "Penny Pigtails" discovers a long strand of hair, which Salad Fingers rubs over his eyeball, apparently causing him great pleasure although it makes his eye red and inflamed. After emerging from the cupboard, he tapes the hair to a wall with four other hairs of assorted colours that he has collected. Salad Fingers speaks to the hairs, calling them "beautiple" and "a gay little quintette". Next, he goes to bed with the Hubert Cumberdale puppet. Before going to sleep, Salad Fingers sings "Three in the Bed," and instructs Hubert Cumberdale to "roll over"; as a result, the finger puppet is sent off the bed into a bowl of a filthy, brown substance (likely a chamberpot). Salad Fingers orders Hubert Cumberdale to "scrub that muck off at once!" as he doesn't want any "dirty immigrants" in his house.

Later that night, the radio begins to emit strange sounds again and wakes up Salad Fingers. Salad Fingers approaches it warily and threatens Roger with expulsion from the house. The radio replies it was rude of Salad to take his hair. The radio speaks in a static voice, instructing Salad Fingers to return its hair, as well as to tidy the house. Salad Fingers declares that he "shan't, can't and won't", on the grounds that it isn't "his turn" and that it is an extremely unpleasant job. The radio continues to torment him, causing him to eat all of the hairs from his quintet, tape and all, and return to his cupboard in tears.

• Release date: 26 May 2011[8]
• Credits: Directed, drawn, animated and voiced by David Firth. Written by David Firth and Christian "Crust" Pickup. Music by Markus Fjellström.

Salad Fingers is holding a piece of torn newspaper, imagining it is a letter from the Great War (presumably from his "brother") and reading it aloud to himself. As he reads, a tentacular branch snakes in through the door to Salad Fingers' bedroom. Salad Fingers picks up the branch and bites off the tip, resulting in something sobbing "Daddy, that really hurt!" off-screen. Salad Fingers goes to the window and sees the branch-tentacle being retracted into the tree outside. He walks out to the tree, calling it "Mr. Branches" and has a conversation with it about its injury, apparently forgetting it was he himself that bit it. The tree cries, calling Salad Fingers "Daddy" and asking to be let inside, but Salad Fingers refuses until it "grows out of those branches". The tree wraps a branch around Salad Fingers' waist.

Salad Fingers wakes up in his room, very pale and his stomach growling. Salad Fingers worries that he may be dying and taps out an S.O.S. on the metal fire grate beside him. Suddenly a strange gooey black mass bursts out of his stomach, causing him to pass out. This mass, and the goo that surrounds Salad Fingers on a puddle on his bed, bears a strong resemblance to the 'tea' in 'Shore Leave', and the goo that Hubert Cumberdale turns into in 'Present'.

When he wakes up, he is overjoyed, and believes he has given birth to a daughter whom he names Yvonne. Sitting in a wheelchair and appearing to feel better despite his wound, he pulls back the skin of one finger revealing a strange solid tip and dips it in ink to write a "letter," or at least what he thinks is one, since he reads it aloud, consisting only of scribbles. It says he cannot attend the Great War as he is still feeling "under the weather". He keeps Yvonne (which appears to be wrapped in a bundle of newspapers) down in a pit and tells her off for not doing her exercises. When Yvonne refuses to respond to Salad Fingers' coaching, he addresses Marjory Stewart-Baxter, expressing his disappointment in 'their' child.

The scene then switches back to Salad Fingers lying on the floor, pale, with his stomach still wounded, and seems to be pumping air into his chest, suggesting that he's relapsed into illness. He tells Yvonne he may be too ill to care for her and speaks for her as he usually does for his other inanimate characters, saying "That's a shame; you were doing a first-rate job". He then taps another message on the fire grate, requesting a home for "a meddlesome child".

Salad Fingers is then outside in his wheelchair with Yvonne in a bucket, looking healthier once again, telling her that "good old Aunty Bainbridge" has agreed to look after her. He arrives at the house from episode 1, where the small, yellow-skinned humanlike creature with big eyes lives. Salad Fingers refers to the creature as "Aunty Bainbridge" and asks for a hug, but the creature takes a step back and makes an odd wailing noise, as it did in 'spoons'. Salad Fingers recalls some memories of Aunty Bainbridge "all in faded days".

Salad Fingers then appears to forget his reason for visiting, and, noticing the bucket of black ooze on his lap, claims he has come to clean the windows, apparently forgetting who/what Yvonne is. Using the bundle/Yvonne, he smears the windows with black ooze as the yellow creature looks on. Job done, Salad Fingers begins to eat a sandwich, while Aunty Bainbridge returns to the house.

• Release date: 24 November 2013
• Credits: Written, drawn, animated and voiced by David Firth with additional attribution to Christian Webb and Jimlad Hollis

Salad Fingers is making preparations for Hubert Cumberdale's birthday. He addresses "Milford Cubicle", still hanging from the meat hook he was placed upon in Episode 3, trying to persuade the now-heavily decayed corpse to take a bath for Hubert Cumberdale's birthday. A knock on the door leads Salad Fingers outside, only to encounter a long, thick metal pole stretching upwards further than the eye can see. Perplexed and irritated by the pole, which he attempts to question, he goes back indoors and causes Milford to fall from his hook while berating him. He reveals the ability to widen his irises and cause his teeth to move, making a music boxlike tune, by moving his hand at the side of his head as though turning a handle. When this fails to rouse his lifeless friend, he decides to leave the house, leaving "Horace Horsecollar", the toy horse that appeared in Episode 6, "in charge".

The scene cuts to Salad Fingers walking through a misty forest full of leafless trees, revealing the search for a doctor as his motive to Hubert Cumberdale. He finds a vessel, perhaps a skip or broken pram, full of rubbish and starts rummaging around inside it. He finds a grotesque doctor puppet, which is self-animated and growling with gnashing teeth, that has bent hooks and springs for hands. He refers to the puppet as "Dr. Papanak", and lies down on a large slab resembling a tombstone for an examination (seemingly forgetting that the doctor was meant to examine "Milford Cubicle"). Salad Fingers initially seems to relish the examination, until Dr. Papanak bites into the side of his head. He throws the puppet away in fear, only for it to sprout knives and latch onto a nearby horse closely resembling "Horace Horsecollar". Dr. Papanak tears away savagely at the horse's side. Salad Fingers's fear fades away on seeing this; he tries to comfort the horse, acknowledging that the doctor is hurting it, but tells it to try and be still whilst the doctor eats its blood. The horse is shown weeping a tear down its face but makes no movement or resistance.

The scene fades out, and returns to Salad Fingers, awake and still lying on the tombstone. The forest is now leafy, and an entire new tree has sprouted up through a crack in the slab between Salad Finger's legs. Salad Fingers looks older, is unshaven, and his clothes are partially torn and muddied. He speculates that he has been asleep "for six Mondays". There is no sign of the horse or of Dr. Papanak, although Hubert Cumberdale is seen lying on the ground, also peculiarly aged, and surrounded by twigs. Salad Fingers returns home (the great pole is missing) to find multiple horses in his house, including one that resembles the horse attacked by Dr. Papanak and which has had its wound patched shut. Accusing his toy horse Horace of inviting too many guests, he searches through his cupboards and drawers to find many horses improbably crammed in, and is distressed to discover Milford Cubicle as a skeleton. He drives the horses out, imagining them to have eaten him, only to encounter the mysterious pole he had seen earlier outside his house has returned.

While accusing the pole of being involved in the previous events, Salad Fingers loses focus when he spots, a little way away from him, a group of people gathered around a table. Referring to them as "the whole platoon" (another ambiguous war reference), he approaches to reveal that each of the five guests is a deformed version of himself (not looking aged and unshaven as he does), each eating brains and bodily organs while groaning or performing repetitive and deranged actions. At this point, he appears to forget that the party was for Hubert, and nervously assumes the birthday seat for himself. Suddenly, the pole lowers itself into the ground to reveal a wrapped up present on the top of it, which he excitedly unwraps; only one of the clone-guests looks at him while he does this. He opens the present and finds a hat made from what is clearly Milford Cubicle. His BBQ apron, face, and skin can be clearly seen on it. He says "I shall wear it from here to the grave. What a truly special day." He puts it on while atmospheric music plays. The camera then begins to zoom back, until the screen slowly fades to black.

Notes: On 28 June 2013 Firth posted on his site Fat-Pie that a "brand new episode of Salad Fingers" would become available upon listening to the latest episode of his audio sketch Waller FM. The name of the episode was revealed by Firth himself in a YouTube interview.[9]

• Release date: 30 January 2019
• Credits: Written, directed, drawn, animated and voiced by David Firth.

Salad Fingers on bag, 2008

Salad Fingers appears to be sitting on the ground, talking to his brother, though a mirror. Salad Fingers reveals to the brother his collection of little finger puppets, and finds out that Marjory Stewart-Baxter didn't get a haircut. As punishment, Salad Fingers started biting the puppet's hair off, until Salad Fingers started to choke, dropping everything to the ground. Salad Fingers also asks Hubert Cumberdale if he finds the situation amusing, and congratulates Jeremy Fisher as the best behaved, and that Jeremy Fisher will become first in the bathtub tonight. Underneath Hubert Cumberdale, tears start to appear, as Salad Fingers says that he never will become a real boy.

Salad Fingers then goes to his home, taking Hubert Cumbertale to his desk. Salad Fingers starts nettling human flesh onto Hubert Cumberdale's body. Once finished, Salad Fingers announced that he created a new and improved Hubert Cumberdale. Hubert ended up becoming alive, standing on its feet saying it is ready for life. Salad Fingers falls in love with the improved Hubert and holds it in its hands, as the improved Hubert says he's a big boy now. Salad Fingers then puts the improved Hubert into bed. Salad Fingers goes to a mirror to speak with his brother again, as their mother appears sitting in the chair behind them. Salad Fingers then gets ordered to bring the mother a bowl of food, as Salad Fingers is unable to give her the food though the mirror, while the brother claims that Salad Fingers wants the mother to starve.

Salad Fingers goes outside with Improved Hubert, where he spoke with his brother again though water on the ground. Later on, Salad Fingers is seen cooking, while his mother is ordering him how to cook though a mirror. Once finished, Salad Fingers was forced by the mother to eat the disgusting food he created. After eating the food, Salad Fingers ends up throwing up all the food he ate, laying on the ground barely awake. Improved Hubert also comes around, implementing that he will clean the barf up. While Salad Fingers has his mirror speaking to his brother, the brother finds out about the Improved Hubert, which Salad Fingers describe as his own "Flesh Boy, the most beautiful boy in the world". The brother ended up pushing his hand though the mirror, grabbing the Flesh Boy and stealing it from Salad Fingers, which shocks and saddens Salad Fingers.

In the middle of the night, Salad Fingers goes outside and enters another dimension, through a substance. Salad Fingers is greeted in an upside down dark world. Salad Fingers ends up getting inside the upside down house. Finding his brother asleep, and his Flesh Boy inside of a jar. Salad Fingers was about to grab the jar, but the brother wakes up. Salad Fingers grabs the jar, looking at his brother, which opened his mouth, revealing his teeth to be made out of rusty nails. As the mother appears, breaking the mirror and laughing. Salad Fingers sees a black substance on the ground, to which he throws the jar inside, as Salad Fingers followed the jar, getting inside too.

The brother pushed his hand inside too, but Salad Fingers blocked it with his hand. As the mother starts shouting at Salad Fingers though the little mirror. Salad Fingers starts breaking it into pieces, which did not stop the mother from shouting and calling Salad Fingers names. Salad Fingers started punching the glass until it was silent. Flesh Boy appears next to Salad Fingers, and Salad Fingers takes the Flesh Boy and rubs its head against the broken glass. Salad Fingers grabs the Flesh Boy, and licks the glass off from Flesh Boy's head.

In the end, Salad Fingers takes a little piece of the glass, in which the mother is still speaking. Salad Fingers rubs his blood against the glass, and places the glass with the blood into a little box.