Sam Esmail

After graduating the AFI Conservatory in 2004, Esmail struggled to find work and held odd jobs. He worked as an assistant editor for a few years and was eventually able to establish a career as a post-production supervisor of behind-the-scenes features and television specials;[22][23][24] his work included helping to edit episodes of reality television shows for Lifetime and A&E and stand-up specials for Comedy Central, HBO's documentary series Tourgasm and HBO First Look,[25] and "the making of" features for The Fast and the Furious franchise, as well as supervise the 2010 A&E documentary The Battle for Late Night.[26]

When not working as a full-time editor, Esmail worked on writing screenplays.[7] Frustrated with his career, Hollywood, and its films, Esmail began writing his own feature films.[6] His screenplay, Sequels, Remakes & Adaptations landed on 2008's Black List, a yearly survey of over six hundred production companies and film executives of the "most liked" motion picture screenplays not yet produced.[20] After this, he was able to find representation in Hollywood and began working more as a screenwriter;[27] he wrote another screenplay that also landed on the Black List the following year and co-wrote the horror film Mockingbird with writer Bryan Bertino, which was released in 2014.[16]

He wrote seriously for years before stopping to focus on his passion, directing. He began writing his own feature-length directorial debut, Comet, which was released by IFC Films in 2014.[28] Comet premiered at the Los Angeles Film Festival and had a limited box office release.[7]

Originally intending it as a follow-up feature film to Comet, Esmail began working on the technological thriller Mr. Robot in the late 2000s, inspired in part by the 2008 financial crisis and the Arab Spring.[19][29] He has said that the main character, Elliot, is a "thinly-veiled version" of himself;[30] like Elliot, Esmail also suffers from social anxiety and is from Washington Township in New Jersey.[8][13] He was later inspired to take what he had written and create a pilot for what he imagined would be a four-or-five season show.[31] He shopped his projects around to many different television networks and began developing the show with USA Network in 2014.[32]

Mr. Robot premiered on the USA Network on June 24, 2015. Esmail is the creator, executive producer and head writer of the series.[33] Beginning with season two, Esmail also directed all episodes of the show; in total he directed thirty-eight of its forty-five episodes.[2] The first season of the show was critically acclaimed and Esmail himself was nominated for two Emmys, among other awards. The following three seasons of the show premiered in July 2016, October 2017, and October 2019, respectively.

In a 2015 interview, Esmail explained the influence of his experiences as a first-generation American on his work, saying, "I tend to write about alienated figures who can't connect with others and who are kind of distant from American culture. It's not something I am consciously doing but it's something that happens to be infused inside me because of my experience growing up in America."[34]

Following the wide recognition of Mr. Robot, Esmail formed his own production company, Esmail Corp. In February 2019, it was announced that Esmail had signed his company to a four-year exclusive deal with Universal Content Production with whom he had already produced Mr. Robot, Homecoming, and Briarpatch.[35]

Esmail was one of the executive producers and director of the Amazon Video series Homecoming, starring Julia Roberts and Bobby Cannavale. He received strong reviews for his direction of the show, which premiered in November 2018.[36] In 2018, Esmail worked on creating the television show Briarpatch with journalist and producer Andy Greenwald, who previously hosted the Mr. Robot aftershow Hacking Robot on USA. The show, which Esmail executive produces, was picked up by USA Network in 2019.

In 2019, it was announced that Esmail was developing a limited series with Emmy Rossum for the NBCUniversal streaming service Peacock based on the Los Angeles pseudo-celebrity Angelyne.[37] Esmail is also developing a series for the Battlestar Galactica franchise for NBCU.[38] Other projects in various stages of production include a mini-series based on the 1927 sci-fi classic Metropolis, a movie centered on the Bermuda Triangle, and the ensemble comedy False Alarm written by Black Monday producers Rob Turbovsky and Matteo Borghese.[39][40][41] He is also producing a scripted podcast series for the UCP Audio network called This End Up.[42] With screenwriter Andy Siara, Esmail is developing the television series The Resort, a darkly comedic anthology which features true crime stories that took place at resorts.[43] In February 2020, it was announced that Esmail would develop one of the initial projects for Condé Nast's new Wired Studio; called Tell Tale Heart, his film is based on the 2019 Wired article of the same name.[44] Later that month, it was also announced that Esmail would be producing a new television series with Homecoming collaborator Julia Roberts based on the Slow Burn podcast's coverage of the Watergate scandal.[45] In September 2020, Esmail sold two dramas to ABC.[46]

Since 2018, Esmail has been developing a film with Universal Pictures and Mr. Robot star Rami Malek based on the memoir American Radical: Inside the World of an Undercover Muslim FBI Agent by Tamer Elnoury and Kevin Maurer; the story centers on a Muslim FBI agent working for the agency post-9/11.[47] Two years following the initial announcement, in September 2020, it was announced that screenwriter Nazrin Choudhury is attached to pen the film.[48] Esmail and Malek are also working together on another undisclosed project.[31]