Shigir Idol

The sculpture was discovered on January 24, 1894 at a depth of 4 m (13 ft) in the peat bog of Shigir,[4] on the eastern slope of the Middle Urals, approximately 100 km (62 mi) from Yekaterinburg. Investigations in this area had begun 40 years earlier, after the discovery of a variety of prehistoric objects in an open-cast gold mine.

It was extracted in ten parts. Professor D. I. Lobanov combined the main fragments to reconstitute a sculpture 2.8 m (9.2 ft) high.[7]

In 1914, archaeologist Vladimir Tolmachev proposed a variant of this reconstruction by integrating the unused fragments. His reconstruction suggested that the original height of the statue was 5.3 m (17.4 ft).[7]

Later, some of these fragments were lost, so only Tolmachev's drawings of them remain.[8]

The initial radiocarbon dating carried out by G. I. Zajtseva of the Institute of the History for the Material Culture in Saint-Petersburg, confirmed by the Geological Institute of Russian Academy of Sciences in Moscow, gave an age of around 9,500 years. In the 1990s, when this first radiocarbon dating was carried out, scholars suggested that the dating was incorrect, because they believed that the hunter-gatherers who inhabited the area 9,500 years ago would have been incapable of crafting and decorating such a massive object.[9]

A later German analysis gave an age of 11,500 years.[10][9] It is the most ancient wooden sculpture of its kind known in the world. Typically, wood degrades in most environments and does not endure for archaeological discovery so readily as other materials such as stone and metal. A decorated antler was found near the Shigir Idol and dated to the same period, giving credence to the estimated age of 11,500 years.[8]

Some of the lower faces on the sculpture are visible in this image

The sculpture is carved from larch. As identified from the annual rings, the tree was at least 159 years old. Stone tools were used for carving the markings. The top portion is a head with a face with eyes, nose, and mouth. The body is flat and rectangular. Geometrical motifs decorate its surface, including zigzag lines and depictions of human faces and hands.[9] Horizontal lines at the level of the thorax may represent ribs, and lines broken in chevrons cover the rest of what often is described as the body;[10] however, along with the face at the top, several faces are visible at various points along the sculpture.[11] The arrangement resembles a totem pole.[12]

Scholars have proposed various theories about the carvings' meaning. Svetlana Savchenko, a researcher at the Sverdlovsk Regional Museum, suggested that the decoration tells the creation myth those who carved it believed in.[7] Other researchers at the museum have suggested that the markings could have served as a navigational aid or map.[7] Professor Mikhail Zhilin, an archaeologist at the Institute of Archaeology in Moscow, guessed that the statue could depict mythological creatures such as forest spirits.[13] Archeologist Peter Vang Peterson, of the National Museum of Denmark, speculated that the idol could serve as a warning not to enter a dangerous area.[12]

Scholars noted that the Shigir Idol's decoration was similar to that of the oldest known monumental stone ruins, at Göbekli Tepe in Turkey.[3]

The ornamentation on the sculpture was carved using three different sizes of chisels. In addition, following his 2014 examination of the sculpture,[14] Professor Zhilin discovered another face in the sculpture and asserted that the faces were carved last of all, using tools made from the lower jaw bones of a beaver, with sharpened incisor teeth. A beaver jaw tool from the same period was found at the Beregovaya 2 site.[15]

The discovery upended scholars' views on when humans began making ritual art, as opposed to the kind of realistic art seen in the Lascaux caves.[9] Scientists had previously believed that complex art comparable to the Shigir Idol began in sedentary farming populations in the Middle East around 8,000 years ago.[9]

Professor Zhilin stated that the sculpture was made from the phytoncidic larch, then preserved in turf, a bog, that had an acid anaerobic environment, which kills microorganisms and also has a tanning effect.[7] Scientists suspect that many more statues like the Shigir Idol existed, but that they did not benefit from the same unusual conditions and therefore were not preserved.[13]

• List of stone age art

• Zhilin, Mikhail; Savchenko, Svetlana; Hansen, Svend; Heussner, Karl-Uwe; Terberger, Thomas (April 2018), "Early art in the Urals: new research on the wooden sculpture from Shigir", Antiquity, 92 (362): 334–350, doi:10.15184/aqy.2018.48
• Where did the Shigir Idol walk? (in Russian)
• A multifaceted idol (in Russian)