Single coil guitar pickup

Sketch of Rickenbacker "frying pan" lap steel guitar from 1934 patent application

In the mid-1920s George Beauchamp, a Los Angeles, California guitarist, began experimentation with electric amplification of the guitar. Originally using a phonograph pickup assembly, Beauchamp began testing many different combinations of coils and magnets trying to create the first electromagnetic guitar pickup. He wound his earliest coils using a motor out of a washing machine, later on switching to a sewing machine motor, and eventually using single coiled magnets.

Beauchamp was backed in his efforts by Adolph Rickenbacker, an engineer and wealthy owner of a successful tool and die business. Beauchamp eventually produced the first successful single coil pickup. The pickup consisted of two massive "U" shaped magnets and one coil and was known as the "horseshoe pickup". The two horseshoe-shaped magnets surrounded the strings that passed over a single core plate (or blade) in the center of the coil.

The Gibson Guitar Corporation introduced the "bar pickup" in 1935 for its new line of Hawaiian lap steel guitars. The pickup's basic construction is that of a metal blade inserted through the coil as a shared pole piece for all the strings. A pair of large flat magnets were fastened below the coil assembly.

In 1936 Gibson introduced the ES-150, its first electric Spanish styled guitar. The ES-150 was outfitted with the bar pickup. Jazz guitar innovator, Charlie Christian, began playing an ES-150 in the late 1930s with the Benny Goodman Orchestra. This caused the popularity of the electrified guitar to soar. Due to Christian's close association with the ES-150 it began being referred to as the "Charlie Christian Model" and Gibson's now famous bar pickup as the "Charlie Christian pickup" or "CC unit".

The P-90 is a single coil pickup designed by the Gibson Guitar Corporation.[1] These pickups have a large, flat coil with adjustable steel screws as pole pieces, and a pair of flat alnico bar magnets lying under the coil bobbin. The adjustable pole pieces pick up the magnetism from the magnets. Moving the screw closer or further away from the magnet determines signal strength, thus tone as well. There are two variations of P-90 pickup that differ mainly by mounting options:

Gibson P-90 soap bar

• Soap bar casing has true rectangular shape and the mounting screws are contained within the coil perimeter, positioned between the pole pieces, between strings 2-3 and 4-5, thus creating irregular and somewhat unusual pattern. Occasionally, they are mistaken for pole pieces; thus, the P-90 is sometimes erroneously said to have eight pole pieces. The "soap bar" nickname most probably comes from its predominantly rectangular shape and proportions resembling a bar of soap, and the fact that the first P-90s on the original Gibson Les Paul Model of 1952 were white.

P90 dog ear

• Dog ear is a casing type with extensions at both sides of pickup that somewhat resemble dog's ears. These are extensions of the predominantly rectangular cover that encompass the outlying mounting screws. Dog-ear P-90 pickups were commonly mounted on Gibson's hollowbody guitars like the ES-330 and occasionally on solid body models like the Les Paul Junior. The same pickups were also available on Epiphone models (since Gibson was building Epiphone guitars in the 1950s) and the design is best remembered for its appearance on the hollow body Epiphone Casino of the mid to late 1960s.

Two pickups on a Telecaster

The Fender Telecaster features two single coils. The neck pickup produces a mellower sound, while the bridge pickup produces an extremely twangy, sharp tone with exaggerated treble response, because the bridge pickup is mounted on a steel plate. These design elements allow musicians to emulate steel guitar sounds, making it particularly appropriate for country music.

Pickups are selected with a three-position switch, and two wiring schemes exist:

• Vintage: 1) neck pickup with treble cutoff for a bassier sound; 2) neck pickup only; 3) bridge pickup only.
• Modern: 1) neck pickup only, with no treble cutoff; 2) neck and bridge; 3) bridge pickup only.

The Fender Esquire has a variation to the Vintage wiring scheme by using the scheme on a single pickup. This gives a treble cutoff in the first position, normal in the middle position, and a tone control cutoff in the third position.

Stratocaster pickups, viewed along the neck profile. Note that the poles are of different heights.

The traditional Stratocaster design guitar features three single coils. The guitarist can control which pickup or combination of pickups are selected with a lever switch. The pickup positions are usually referred to as the bridge, middle and neck pickups based on their proximity to those parts of the instrument. The neck pickup typically has the lowest output, with the most mid-range and bass response, whereas the bridge pickup has the higher output (because the strings at the bridge move less) and the greatest treble response, with a slight twang to it. The sound of the middle pickup is similar to that of the neck pickup, albeit with slightly less bass and more treble. However many players, such as Ritchie Blackmore, find it somewhat of an obstruction to the picking hand, so loosen the mounting screws such that it lies flush with the pickguard.

Modern Stratocasters have five-position pickup selector switch. Positions 1, 3 and 5 activate only one pickup (bridge, middle or neck respectively), while positions 2 and 4 activate a combination of two pickups (bridge and middle, or middle and neck, respectively). Some pickup sets have a reverse wound and reverse polarity middle pickup that when in combination with the normal bridge or neck pickups will cancel electromagnetic interference (noise/hum) which single coil pickups suffer badly from. The sonic effect of positions 2 and 4 is sometimes referred to as a "quack" or "notch positions", and some guitar notation includes directions to use these pickup combinations. One example is "Sultans of Swing" by Dire Straits which is played in position 2 (bridge and middle).