Size Isn't Everything

The album marked the Bee Gees's return to Polydor Records after their three-album contract with Warner Bros. Records.[3] The album was recorded following a time of considerable strain for the Gibb brothers. Maurice had only recently managed to overcome his long-term struggle with alcoholism and Barry Gibb's wife and prematurely newborn daughter both suffered ill health. Barry himself was also scheduled to have back surgery. Subsequently, on 6 March 1992, the brothers' father, Hugh Gibb, died, the day after the birthday of their late brother Andy, who had died in 1988. The album was dedicated to Hugh. Work on the album began in 1992.[4]

The first track "Paying the Price of Love" has numerous "alternate mixes" available in different releases. "Kiss of Life" is an energetic rock/dance hybrid with an impressively complex vocal line involving distinctive Robin and Barry's solo vocals as well as the group's vocals. "Omega Man" and "Above and Beyond" feature lead vocals by Maurice Gibb. On "Haunted House", Barry commented in an interview with Q magazine, "I guess you could say the song's about divorce". According to Robin, "Heart Like Mine" was inspired by Enya's moody songs, and he gets some of the slow dreamy feel of her music. "Blue Island" was dedicated to the children of the former Yugoslavia and according to Barry that the song was the nicest track they had ever written.[3]

"For Whom the Bell Tolls" became the biggest hit on Size Isn't Everything. The last track, "Decadance" was a new remix of the classic No. 1 hit "You Should Be Dancing", which was included only on the European version of the album. The unison scream of the line ("My baby moves at midnight") by Barry at 2:20 was first sung to the public back in 1989, towards the end of the One for All Tour in Melbourne.[3]

Professional ratings

Review scores
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On 9 August 1993, the album's first single, "Paying the Price of Love", was released in the UK and peaked at No. 23. The album peaked at No. 33 in the UK in late September. It then disappeared from the charts, only to return in December 1993 when the album's second single, "For Whom the Bell Tolls", became a UK top five hit.[5] The album again peaked at No. 23. In all, the album spent sixteen weeks inside the UK Top 100 and was certified gold by the BPI for sales of over 100,000 copies. A third single, the ballad "How to Fall in Love, Part 1", was released on 4 April 1994 in the UK, peaking at No. 30.[1] This made Size Isn't Everything the first Bee Gees album to contain three UK top 30 hits since 1979's Spirits Having Flown and many consider this album their strongest post-disco album.[6]

Reaction to the album in the US was less successful,[7] where the album peaked at No. 153 and spent only three weeks inside the whole Billboard 200.[8] The single "Paying the Price of Love" only reached No. 74 in the US during the fall of 1993,[9] presumably because by 1993, The Bee Gees were an adult contemporary group and this single was too heavy for AC stations with its hip-hop influenced percussion.[10] The European hit single, "For Whom the Bell Tolls", bubbled under on Billboard's Hot 100 at No. 109.[11]

Reception of the album was mixed around the world, though it is notable that it was one of the most successful Bee Gees albums in Argentina, peaking at No. 1 due to the big success of "For Whom the Bell Tolls" there.[12] Worldwide sales of the album are estimated to be over 700,000 copies.[13] According to Barry, when asked on American breakfast shows why the album was called Size Isn't Everything, he explained that the Bee Gees have never been hyped and that they have always had to prove themselves musically, so the title came from that idea.[12][14]

All tracks were written and composed by Barry, Robin & Maurice Gibb.[15]

• Barry Gibb – lead, harmony and backing vocals, rhythm guitar[15]
• Robin Gibb – lead, harmony and backing vocals[15]
• Maurice Gibb – backing and harmony vocals, keyboards, synthesizer, guitars; lead vocals ("Omega Man" and "Above and Beyond")[15]

Additional personnel[15]

• Alan Kendall – lead guitar
• Tim Moore – keyboards, synthesizer, programmer
• Tim Cansfield – lead guitar
• George "Chocolate" Perry – bass guitar
• Trevor Murrell – drums
• Ed Calle – saxophone
• Luis Jardim – percussion
• Gustav Lezcano – harmonica ("Blue Island")
• Slash - guitar [16] (uncredited)
• Steve Howe - acoustic guitar ("Haunted House"; uncredited)[17]