Splinter (band)

Splinter, who had worked together at various times in the Newcastle and London music scenes, first came to the attention of Harrison through Mal Evans, a longtime assistant to The Beatles and latterly a scout for Apple Records.[1][2] Harrison was impressed with one of their songs, "Lonely Man", which he felt would be ideal for a film he was producing, based on the stage play Little Malcolm and His Struggle Against the Eunuchs. Harrison and his then bride of two weeks Patti Boyd attended the play's opening in 1966.[2][3]

Harrison initially intended to sign Splinter to Apple Records and held sessions at Apple Studio in central London to work on the song;[4] Harrison associate Pete Ham also participated in these sessions, held in mid-1973.[5] Plans were made for "Lonely Man" to be released as an Apple single and Splinter were shown performing the piece in the Apple film. However, Bill Elliot was featured on an Apple single (#1835) "God Save Us" b/w "Do the Oz" both written by Lennon/Ono and under the moniker of "Bill Elliot and The Plastic Oz Band" on the A side. The B side was the "Elastic Oz Band". Elliot was also featured on the 45rpm picture sleeve.

But as Apple fell apart, Harrison decided to establish his own record label, setting up offices in London on Royal Avenue and in Los Angeles. Once Harrison heard more Splinter material he invited them to record an album.[1][6] Work on this spanned 17 months, with the majority of the sessions taking place at Harrison's Friar Park studio, FPSHOT.[4] Also during this period, Purvis and Elliot co-wrote the song "Kyle" with Gary Wright, another friend of Harrison's who contributed to the lengthy sessions for Splinter's album.[7] ("Kyle" appeared on the 1974 Spooky Tooth album The Mirror.)

On their Dark Horse Records debut album, The Place I Love, Harrison produced all the songs and played a variety of instruments, including electric and acoustic guitars, dobro, bass guitar and harmonium.[8][9] As well as Wright, other musicians included Alvin Lee, Billy Preston, Jim Keltner, Klaus Voorman, Willie Weeks and Mel Collins.[8] The album was so heavy with George Harrison's participation it was rumoured this was secretly Harrison's new band.

Most of the songs were written by Purvis, with Elliott co-writing lyrics on "China Light" and "Costafine Town".[10] "Costafine Town" was an international hit single, reaching the top ten in Australia[8] and South Africa, and the top 20 in the United Kingdom.[11] Both this single and the album also charted on the Billboard charts in the United States.[12] The follow-up single, "Drink All Day", was banned in the UK by the BBC for the inclusion of the word "bloody".[3]

In preparing for Splinter's second album, Harder to Live, Harrison arranged for them to record at A&M Studios in Los Angeles during the late spring and early summer of 1975.[13] The band were unable to use the studio time, however, due to Purvis suffering from hay fever, apparently brought on by the LA smog.[13] Since Harrison was in town working with fellow Dark Horse acts such as Keltner's band Attitudes, he instead used the pre-booked studio time to record his own album, Extra Texture.[14][15] This would be Harrisons last Apple album.

Harrison only participated on one track on Harder to Live – a new version of "Lonely Man".[16] The original recording from 1973 remains unreleased, apart from its appearance in the Little Malcolm movie. The song was co-produced by Harrison and Tom Scott, and featured Harrison on guitar.[16][17] "Lonely Man" was a hit in Japan,[17] and in recording a version of the song in Japanese, Splinter became the first western artists to sing in that language. They were helped to achieve this by Japanese actor and singer Masatoshi Nakamura. The Japanese single credited the song as written by B Pervis/M Evans. Another set of musicians provided backing: Chris Spedding, Waddy Wachtel and John Taylor. Recently the film "Little Malcolm" has been released on DVD and Blu-ray in the UK.

Also during this period, Splinter won the Outstanding Song Award at the 1976 Yamaha World Popular Song Festival, held at the Budokan in Tokyo, with their song "Love Is Not Enough". This performance was released on an album that documented this annual song festival. As a result of this success, "Love Is Not Enough" was released as a single in Japan. This first version was produced by Tom Scott, and is a different arrangement from the one that subsequently appeared on Two Man Band.

Splinter toured America briefly as an opening act for Duran Duran and other 80s British bands touring at the time.

Although the duo of Purvis and Elliott continued to perform together until 1984,Two Man Band was the last Splinter album released in most countries and their final album on Dark Horse Records.[9] Harrison is credited as co-executive producer, and played some of the guitar.[18] The main production duties were entrusted to Norbert Putnam. This album had two singles released "Round & Round" b/w "I'll Bend for You". The latter was a non-LP track and lastly "Motions of Love" as double sided promo single in 1977. "Motions" did get released in 1978 with a B side of "I Need Your Love".

After Two Man Band, Splinter recorded two more albums that were each released in just two countries. The first of these, Streets at Night, was issued only in Japan, in 1979. Purvis and Elliott produced and arranged this album themselves. Streets at Night featured Alan Clark, who played keyboards, synthesizers and clavinet.

During this period, Splinter were associated with the Japanese music TV station NTVM, and worked with the Japanese rock band Godiego. A single of Splinter singing the Godiego song "Ghandara" (associated with the TV show Monkey) was released, and they also appeared on a compilation album, Our Favourite Songs, a set led by members of Godiego. A single "Danger Zone" b/w "Swear to God" was released in the UK in 1979 on Barn Records.

The final Splinter album was Splinter, which was released in the UK in 1980 on the Bellaphon label. The album was also issued in Japan the following year under the title Sail Away, with a song called "Pigalle" used in place of "All That Love".

Splinter finally split up in 1984. In recent years, Purvis has re-emerged as a performer and composer, working for a British cancer research charity.[9]

In 2019 both members of Splinter, realising their recordings were not on the market and had not been for some considerable time, decided to commence a Legacy Project, thus ensuring that unreleased material will be made available to fans. There is an official website www.splinterlegacy.com and a new album titled "Never Went Back", to be issued Worldwide in October 2020. This album is a straightforward acoustic album, capturing the duo in the studio as they would have been heard live in concert. There are plans under this legacy project to release live albums and further unreleased material from the 1980s.

• The Official Splinter Legacy Website
• Information on Splinter at Tom Brennan's Splinter Library
• Rarebird's Splinter reviews (source for this article)