Summer Sun

Summer Sun was recorded in Nashville, United States. The album was mixed at Shelter Island in New York.

Georgia Hubley's mother, Faith Hubley, died right before the band started working on the album. The Hubley family piano went into Yo La Tengo's practice space in Jersey City, and became the center piece for the sound of the album.[1]

On the album's style, The A.V. Club reviewer Keith Phipps notes that "Summer Sun finds Yo La Tengo in a twilight mood, interspersing instrumentals and one elongated jam (the tellingly titled 'Let's Be Still') between atmospheric, quietly ingratiating pop songs."[2]

Professional ratings

Aggregate scores
Source	Rating
Metacritic	77/100[4]
Review scores
Source	Rating
AllMusic	[5]
Christgau's Consumer Guide	A[6]
Entertainment Weekly	B[7]
The Guardian	[8]
Mojo	[9]
NME	8/10[10]
Pitchfork	6.0/10[11]
Q	[12]
Rolling Stone	[13]
Spin	B[14]

Summer Sun has received a favorable reception from critics, though with several reviewers seeing it as a natural come-down from the heights of their previous records. It holds an approval rating of 77 out of 100 on Metacritic.[4]

Mojo called the album "A set of busy beautiful whispers; 62 minutes of exquisite suspended animation"[9] Alternative Press called it Yo La Tengo's "most challenging album to date".[15] Uncut wrote, "From the edge of the sea, back to the fringes of sleep, Summer Sun is uncommonly lovely".[16]

Greg Milner of Spin wrote: "Summer Sun sometimes sounds like a band treading water at low tide, but obsessively exploring the contours of a moment is what Yo La have been about from day one."[14] AllMusic's Heather Phares called it "an album that's as settled and smooth as the previous one was inventive and eclectic. [...] But, even though Yo La Tengo can still run circles around other groups even when they're running in place, compared to their best work Summer Sun is merely pleasant."[5] PopMatters' Adrien Begrand wrote" "As good as Summer Sun is, and it's very good, it just doesn't quite have the timeless, magical quality that ...And Then Nothing had."[17]

Eric Carr of Pitchfork opined that the album "marks Yo La Tengo's first album since their 1986 debut, Ride the Tiger, to lack invention altogether."[11] Andrew Unterberger of Stylus Magazine echoed similar sentiments, writing "Summer Sun, while constantly very good, is never creative, inspiring or great. And sorry, guys, we've just come to expect better of you. It's more of a compliment than anything else, honestly."[18] Even more negative was Michael Chamy of The Austin Chronicle, writing "Most of Summer Sun is underwhelming to downright cringe-inducing."[19]

As of 2006, sales in the United States have exceeded 70,000 copies, according to Nielsen SoundScan.[20]

All tracks are written by Yo La Tengo unless otherwise noted.

Additional personnel

• Roy Campbell Jr. – trumpet ("Beach Party Tonight", "Don't Have to Be So Sad", "Let's Be Still")
• Daniel Carter – tenor saxophone ("Beach Party Tonight"), alto saxophone ("Don't Have to Be So Sad") and flute ("Let's Be Still")
• Katie Gentile – violin ("Tiny Birds")
• Tim Harris – cello ("Tiny Birds")
• Sabir Mateen – alto saxophone ("Beach Party Tonight"), tenor saxophone ("Don't Have to Be So Sad") and flute ("How to Make a Baby Elephant Float", "Let's Be Still")
• Paul Niehaus – pedal steel guitar ("Take Care")
• William Parker – upright bass ("Beach Party Tonight", "Nothing But You and Me", "Don't Have to Be So Sad", "Let's Be Still", "Take Care")

Technical

• Phil Morrison – sleeve photography
• Alex Kirzhner – sleeve layout
• Alex the Great – recording
• Greg Calbi – mastering