Sylvie Guillem

Guillem was born on 23 February 1965 in Paris. As a child, she trained in gymnastics under the instruction of her mother, a gymnastics teacher.[3]

In 1977 at age 11, she began training at the Paris Opera Ballet School where Claude Bessy, then director of the school, immediately noticed her exceptional capacities and potential, and in 1981 at age 16, she joined the company's corps de ballet.[3] Initially she hated dancing, preferring gymnastics, but after taking part in her show she found she loved performing.[4]

In 1983, Guillem was awarded the Special Prize of the Youth Organization of Varna in junior division at the Varna International Ballet Competition,[5] which later in the year earned her her first solo role, dancing the Queen of the Dryads in Rudolf Nureyev's staging of Don Quixote.[3] On 29 December 1984, after her performance in Nureyev's Swan Lake, she became the Paris Opera Ballet's youngest-ever étoile, the company's top-ranking female dancer.[3] In 1987, she performed the lead role in William Forsythe's contemporary ballet In the Middle, Somewhat Elevated with one of her favourite partners, Laurent Hilaire.

In 1988, she was given the title role in a production of Giselle staged by the Royal Ballet to celebrate Nureyev's 50th birthday. Her performance was a success, and in the following year she left Paris for London, to become a freelance performer and one of the Royal Ballet's principal guest artists.[3] Her desire to work independently from a company gained her the nickname "Mademoiselle Non".[6] In 1995, Guillem created the dance television program, Evidentia, which won several international awards. In 1998, she staged her own version of Giselle for the Finnish National Ballet, and in 2001 restaged the ballet for La Scala Ballet in Milan.[3]

In 2001, she became the first winner of the Nijinsky Prize for the world's best ballerina, although in her acceptance speech she criticised the "supermarket culture" of such awards. In the same year, she controversially appeared nude and without make-up in a photo-shoot for French Vogue.[7]

In 2003, she directed the central section of a Nureyev tribute program, but was criticised for having the dancers perform in front of a giant projected backdrop of Nureyev, which the audience found distracting.[8] By 2006, she had moved from ballet to contemporary dance, working with such performers as Akram Khan as an Associate Artist of the Sadler's Wells Theatre in London.

In March 2015, Guillem embarked on an international farewell tour titled Life in Progress, featuring works by Khan, Russell Maliphant, Mats Ek and Forsythe.[9][10]

The tour concluded in Japan,[11][12] and she gave her final performance live on Japanese television on 31 December 2015, performing Maurice Béjart's Boléro as the clock counted down to midnight. The performance ended right at the stroke of midnight on 1 January 2016.[13]

As of 2006, Guillem was in a long-term relationship with photographer Gilles Tapie.[14]

She is a supporter of environmental group Sea Shepherd.[15] She is a total vegan, saying, "I do not want any animal to die for me".[2]