Teddy Pendergrass

In 1972, Harold Melvin and the Blue Notes released their first single, a slow, solemn ballad entitled "I Miss You". The song was originally written for The Dells, but the group passed on it. Noting how Pendergrass sounded like Dells lead singer Marvin Junior, Kenny Gamble decided to build the song with Pendergrass, who was only 21 at the time of the recording. Pendergrass sings much of the song in a raspy baritone voice[2] that would become his trademark. The song also featured Blue Notes member Lloyd Parks singing falsetto in the background and spotlighted Harold Melvin adding in a rap near the end of the song as Pendergrass kept singing, feigning tears. The song, one of Gamble and Huff's most creative productions, became a major rhythm and blues hit and put the Blue Notes on the map. The group's follow-up single, "If You Don't Know Me by Now", brought the group to the mainstream with the song reaching the top 10 of the Billboard Hot 100, while also reaching number one on the soul no. 1 singles chart. Like "I Miss You" before it, the song was originally intended for a different artist, fellow Philadelphian native Patti LaBelle and her group Labelle but the group could not record it due to scheduling conflicts. Pendergrass and LaBelle developed a close friendship that would last until Pendergrass's death.

The group rode to fame with several more releases over the years including "The Love I Lost", a song that predated the upcoming disco music scene, the ballad "Hope That We Can Be Together Soon", and socially conscious singles "Wake Up Everybody" and "Bad Luck". One of the group's notable singles was their original version of the Philly soul classic "Don't Leave Me This Way", which turned into a disco smash when Motown artist Thelma Houston released her version in 1976. By 1975, Pendergrass and Harold Melvin were at odds, mainly over financial issues and personality conflicts. Despite the fact that Pendergrass sang most of the group's songs, Melvin was controlling the group's finances. At one point, Pendergrass wanted the group to be renamed "Teddy Pendergrass and the Blue Notes" because fans kept mistaking him for Melvin. Pendergrass left the group in 1975, and the Blue Notes struggled with his replacements. They eventually left Philadelphia International and toiled in relative obscurity, until Melvin's death in 1997. As of 2014, a version of the group still tours the old school circuit, performing as Harold Melvin's Blue Notes.

In 1977, Pendergrass released his self-titled album, which went platinum on the strength of the disco hit "I Don't Love You Anymore". Its follow-up single, "The Whole Town's Laughing at Me", became a top 20 R&B hit. Although not released as singles, the uptempo album tracks "You Can't Hide from Yourself" and "The More I Get, The More I Want", as well as the ballad "And If I Had" were also hits. The debut album was quickly followed by Life Is a Song Worth Singing, in 1978. That album was even more successful with its singles "Only You" and the classic million selling number 1 R&B hit "Close the Door". The latter song firmly established Pendergrass as the top male sex symbol in music. The album's popularity was furthered by the disco hit "Get Up, Get Down, Get Funky, Get Loose", the ballad "It Don't Hurt Now", and the mid-tempo classic "When Somebody Loves You Back". That double platinum number-one R&B triumph was followed up in 1979 by two successes, the albums Teddy (which stayed at number 1 on the Billboard R&B chart for 8 weeks and was named the 2nd biggest R&B album of the year), and the live release Live Coast to Coast. Hits off Teddy included the classics "Come Go with Me," the legendary erotic ballad "Turn Off the Lights", and the uptempo album cut "Do Me". With his sex appeal at an all-time high after his 1979 tour, Pendergrass took a more mellow approach on his 1980 album TP. It included the classic number two R&B hit "Love TKO", the Stephanie Mills duet version of "Feel the Fire" and the Ashford & Simpson composition "Is It Still Good to You". Between 1977 and 1981, Pendergrass landed five consecutive platinum albums, which was a then record-setting number for a rhythm and blues artist.

Pendergrass's popularity became massive at the end of 1978. With sold-out audiences packing his shows, his manager – the renowned Shep Gordon, who was known for his innovative approaches to publicizing his artists – soon noticed that a huge number of his audience consisted of women of all races. Gordon devised a plan for Pendergrass's next tour to play to just female audiences, starting a trend that continues today called "women-only concerts". With four platinum albums and two gold albums, Pendergrass was on his way to being what the media called "the black Elvis", not only in terms of his crossover popularity but also due to him buying a mansion akin to Elvis's Graceland, located just outside his hometown of Philadelphia. By early 1982, Pendergrass was perhaps the leading R&B male artist of his day, equaling the popularity of Marvin Gaye, and surpassing Barry White and all others in the R&B field. In 1980, the Isley Brothers released "Don't Say Goodnight (It's Time for Love)" to compete with Pendergrass's "Turn Off the Lights," which sensed Pendergrass's influence on the quiet storm format of black music.

On March 18, 1982, in the East Falls section of Philadelphia on Lincoln Drive near Rittenhouse Street, Pendergrass was involved in a car crash. It appeared that someone had tampered with the brakes of the new Rolls-Royce Silver Spirit of which he had just taken delivery. The car hit a guard rail, crossed onto the oncoming lane, and hit two trees. Pendergrass and his transgender passenger, Tenika Watson, who attested to the fact that Pendergrass was sober and uncomprehending as to why the brakes did not function, were trapped in the wreckage for 45 minutes. While Watson walked away from the collision with minor injuries, Pendergrass suffered a spinal cord injury, leaving him a tetraplegic, paralyzed from the chest down.[4][5]

Pendergrass got well-wishes from thousands of his fans during his recovery. In August 1982, Philadelphia internationally released This One's for You, which failed to chart successfully, as did 1983's Heaven Only Knows. Both albums included material Pendergrass had recorded before the crash. The albums completed his contract with Philadelphia International. By the time Pendergrass decided to return to the studio to work on new music he had struggled to find a recording deal. Eventually signing a contract with Asylum Records and completing physical therapy, he released Love Language in 1984. The album included the pop ballad "Hold Me", featuring a then-unknown Whitney Houston. It reached No. 38 on the Billboard album chart and was certified Gold by the RIAA.

On July 13, 1985, Pendergrass made an emotional return to the stage at the historic Live Aid concert in Philadelphia in front of a live audience of over 99,000 and an estimated 1.5 billion television viewers.[6] It was the 35-year-old's first live performance following the accident. Pendergrass tearfully thanked the audience for keeping him in their well-wishes and then performed the Diana Ross classic "Reach Out and Touch (Somebody's Hand)." In 1988, Pendergrass scored his first R&B number-one hit in nearly a decade when the song "Joy", from his album of the same name, was released. A video of the song enjoyed heavy rotation on BET. It was also his final Hot 100 charted single, peaking at number 77. The album was certified Gold by the RIAA that same year. Also, Pendergrass's voice was heard on the jingles of a then local Philadelphia radio station, WSNI-FM. Pendergrass kept recording through the 1990s. One of the singer's last hits was the hip-hop leaning "Believe in Love", released in 1994. In 1996, he starred alongside Stephanie Mills in the touring production of the gospel musical Your Arms Too Short to Box with God.[7] In 1998, Pendergrass released his autobiography entitled Truly Blessed.[8]

Pendergrass did a concert at the Wiltern Theater in Los Angeles, California, on February 14, 2002, entitled "The Power of Love". The concert became the album From Teddy, With Love, which was released on the Razor & Tie record label later that year. It was his second (after Live! Coast to Coast) and final live album. Clips of the concert, in particular his performance of his comeback song "Joy" can still be seen on YouTube.[9] In his later years, Pendergrass's "Wake Up Everybody" has been covered by a diverse range of acts from Simply Red to Patti LaBelle and was chosen as a rallying cry during the 2004 Presidential campaign by Kenneth "Babyface" Edmonds to mobilize voters. In addition, Little Brother, Kanye West, Cam'ron, Twista, Ghostface, Tyrese Gibson, 9th Wonder, DMX and DJ Green Lantern have utilized his works.

In 2006, Pendergrass announced his retirement from the music business.[10] In 2007, he briefly returned to performing to participate in Teddy 25: A Celebration of Life, Hope & Possibilities, a 25th anniversary awards ceremony that marked Pendergrass's crash, but also raised money for his charity, The Teddy Pendergrass Alliance, and honored those who helped Pendergrass since the accident.[11]