The Baby of Mâcon

In the mid-17th,[1] the court of Cosmo Medici gather to watch a play. The town of Mâcon is plagued with a curse that has made every woman barren and brought famine to the land. A woman is in labour signifying the first birth in many years which the midwives initially believe is a false labour due to The Mother's advanced years and general ugliness. However she does give birth to a healthy baby boy. Her husband, The Father, immediately seeks to profit by selling potions to cure impotence. However the elder Daughter (Julia Ormond) of the couple is taken with the child and sees potential to use him to make herself rich.

Years later The Daughter successfully passes the child off as her own claiming him as a virgin birth to protect her own virtue. Various precious gifts are given to The Baby of Mâcon and a cult develops around him. The Daughter sells The Child's blessings of fertility in exchange for livestock and riches. She keeps The Mother and The Father imprisoned, along with The Child's Wet Nurse and a young girl chosen by her to be her father's sexual slave.

The Bishop, sensing a threat, considers The Daughter blasphemous and The Bishop's Son (Ralph Fiennes) believes that either she is a virgin and The Child is not hers, or The Child is hers in which case The Daughter is a whore. Frustrated, The Daughter uncages her parents to show The Bishop's Son she is still a virgin but he refuses to believe her mother is the mother of The Child. The Daughter then takes The Bishop's Son to the farm where she keeps her livestock and offers her virginity to him. The Child stumbles across them and prevents The Bishop's Son from taking The Daughter's virginity by using his power to urge a sacred bull to gore The Bishop's Son. He warns The Daughter not to kill the bull as even he will not be able to protect her from the consequences. The Daughter kills the bull and the townspeople discover her. Sensing opportunity The Bishop says she is unfit to be The Child's mother and takes custody of him.

The Bishop auctions off The Child's fluid with many suspecting he is being tortured to produce holy tears and blood which sell at high prices. At night, The Daughter sneaks into The Child's room and suffocates him for abandoning her.

The Bishop orders her executed, however the laws of the town expressly forbid the execution of a virgin. To circumvent this Medici makes a suggestion to The Bishop that The Daughter be raped. The Bishop dispenses holy pardons to members of The Militia allowing them to rape The Daughter. The scene is to take place in a curtained off canopy bed behind which the actress playing The Daughter acts out screams. However the actors in the scene actually rape her while Medici and the court, stationed outside, gleefully count off the rapists. After she is raped by 208 men she is sentenced to execution only for it to be discovered that she is already dead from the trauma.

The townspeople gather to bury the body of The Child. Fearful to be without his powers they begin to gently strip his relics and eventually viciously dismember him hoping that his body will bring them good fortune.

Famine falls once again onto the city of Mâcon. The cast members take a bow and the rest of the court turns around and bows to the camera, acknowledging that they too are performers.

The film was screened out of competition at the 1993 Cannes Film Festival.[3] Jonathan Rosenbaum of the Chicago Reader, however, noted that he "watched it to the end out of a sense of duty, not with pleasure or any hope of edification", while also describing the action as "lushly and rather beautifully filmed (by Sacha Vierny)".[1]

• The Baby of Mâcon at IMDb
• The Baby of Mâcon at Rotten Tomatoes