The Dude (Quincy Jones album)
The Dude is a 1981 studio album released and recorded by Quincy Jones. Jones utilized a lengthy list of studio musicians to perform the tracks.
| The Dude | ||||
|---|---|---|---|---|
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| Studio album by | ||||
| Released | March 26, 1981 (US) (LP) October 25, 1990 (US) (CD) | |||
| Recorded | 1981 | |||
| Studio | Westlake Audio (Los Angeles, California) | |||
| Genre | ||||
| Length | 41:02 (CD) (LP) | |||
| Label | A&M | |||
| Producer |
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| Quincy Jones chronology | ||||
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| Singles from The Dude | ||||
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| Review scores | |
|---|---|
| Source | Rating |
| Allmusic |   [1] |
| New York Times | (favourable)[2] |
| Pitchfork | (8.1/10)[3] |
Three singles were released from the album in the USA, all of which charted on the U.S. Top 40. "Just Once" and "One Hundred Ways" feature vocalist James Ingram's debut and reached No. 17 and 14, respectively, on the Billboard Hot 100. The album gained moreover heavy dance airplay for lead single "Ai No Corrida", which reached No. 28 on the Top 40. The album also contains "Razzamatazz" which reached No. 11 on the UK Singles Chart in the United Kingdom, one of Jones's few hits in that country.
The Dude was nominated for twelve Grammy Awards (including Album of the Year) and won three at the 24th Grammy Awards: for Best Instrumental Arrangement; Best R&B Performance by a Duo or Group with Vocal; and Best Instrumental Arrangement (Accompanying Vocalists). It also earned Ingram three Grammy nominations for Best New Artist, Best Male Pop Vocal Performance (for "Just Once") and Best Male R&B Vocal Performance (for "One Hundred Ways"), which he won.[4]
Track listing
| No. | Title | Writer(s) | Lead vocalist | Length |
|---|---|---|---|---|
| 1. | "Ai No Corrida" | Chaz Jankel, Kenny Young | Dune (aka Charles May) | 6:18 |
| 2. | "The Dude" | Quincy Jones, Rod Temperton, Patti Austin | James Ingram | 5:35 |
| 3. | "Just Once" | Barry Mann, Cynthia Weil | James Ingram | 4:32 |
| 4. | "Betcha' Wouldn't Hurt Me" | Stevie Wonder | Patti Austin | 3:33 |
| 5. | "Somethin' Special" | Temperton | Patti Austin | 4:03 |
| 6. | "Razzmatazz" | Temperton | Patti Austin | 4:20 |
| 7. | "One Hundred Ways" | Kathy Wakefield, Ben Wright, Tony Coleman | James Ingram | 4:19 |
| 8. | "Velas" | Ivan Lins, Vítor Martins | n/a | 4:05 |
| 9. | "Turn On the Action" | Temperton | Patti Austin | 4:17 |
| Total length: | 41:02 | |||
Personnel
Personnel adapted from album's liner notes.[5]
- Quincy Jones – Producer (all tracks), Vocal Arrangements (1-4, 7), Rhythm Arrangements (1, 3, 4, 8), Synth Arrangements (1, 4, 6), Backing Vocals (2)
- Patti Austin - Lead Vocals (4-6, 9), Backing Vocals (1-6, 9), Vocal Arrangements (1)
- Tom Bahler - Backing Vocals (1, 5)
- Michael Boddicker – Voice Synthesizer (2)
- Robbie Buchanan - Acoustic Piano & Synth Strings (3)
- Mike Butcher - Engineer (8)
- Lenny Castro - Handclaps (2, 9)
- Ed Cherney - Assistant Engineer (all tracks)
- Casey Cysick - Backing Vocals (6, 9)
- Paulinho da Costa – Percussion (1-6, 8, 9), Mouth Percussion (1)
- Chuck Findley - Trumpet (1, 3, 5-7, 9)
- David Foster - Electric & Acoustic Piano (3)
- Jim Gilstrap - Backing Vocals (1, 2, 5)
- Bernie Grundman - Mastering
- Herbie Hancock – Electric Piano (1, 5, 6, 9)
- Jerry Hey – Trumpet (1-3, 5-7, 9), Horn Arrangements (1-3, 5-7, 9), Synth Arrangements (1, 4, 6, 9), String Arrangements (6, 9)
- Craig Hundley - Beam-microtonal Tubulons
- Kim Hutchcroft - Saxophone (1-3, 5-7), Flute (2, 3, 5-7)
- James Ingram – Lead Vocals (2, 3, 7), Backing Vocals (2)
- Michael Jackson - Backing Vocals (2)
- Louis Johnson – Bass (1, 2, 4, 5, 7, 8), Handclaps (1, 2, 4, 9)
- Abraham Laboriel - Bass (3, 9)
- Yvonne Lewis - Backing Vocals (6, 9)
- Steve Lukather - Guitar (1, 3-7, 9), Guitar Solo (1, 6)
- Johnny Mandel - String & Synth Arrangements (3, 7, 8)
- Charles May - Lead Vocals (1)
- Greg Phillinganes – Synthesizer (1, 3-6, 8, 9), Electric Piano (2-4, 7-9), Handclaps (1, 4), Synthesizer Solo (7)
- Bill Reichenbach Jr. – Trombone (1, 3, 5-7, 9)
- John Robinson – Drums (all tracks), Handclaps (1, 2, 4, 9)
- Bruce Swedien - Engineering & Mixing (all tracks)
- Rod Temperton – Rhythm & Vocal Arrangements (2, 5, 6, 9), Synth Arrangements (5, 6, 9)
- Toots Thielemans - Guitar, Harmonica, & Whistle (8)
- Ian Underwood – Synth Programming (1, 3-9)
- Gerald Vinci - Concertmaster (3, 6-9)
- Lalomie Washburn - Backing Vocals (2)
- Ernie Watts - Saxophone (1-3, 5-7), Flute (2, 3, 5-7), Tenor Sax Solo (1, 2, 7, 9), Alto Sax Solo (5)
- Larry Williams – Saxophone & Flute (2)
- David J. "Hawk" Wolinski - Clavinet (1, 9), Mini-Moog (5), Bass Synthesizer (6), Synth Programming (5, 9)
- Stevie Wonder - Synthesizer (2, 4), Rhythm Arrangements (4)
- Syreeta Wright - Backing Vocals (2)
Charting History
Album
| Chart (1982) | Peak position |
|---|---|
| U.S. Billboard 200 | 9 |
| R&B | 1 |
| Jazz | 1 |
| Australia (Kent Music Report)[6] | 63 |
| Year End Chart (1982) | Peak position[7][8][9] |
|---|---|
| U.S. Billboard 200 | 25 |
| R&B | 9 |
| Jazz | 6 |
Charting Singles
| Title | Chart positions | ||||||||
|---|---|---|---|---|---|---|---|---|---|
| US |
US R&B |
US Dance |
US AC |
AUS [6] |
GER [10] |
UK [11] | |||
| "Ai No Corrida" | 28 | 10 | 5 | - | 74 | 28 | 14 | ||
| "Just Once" (w/ James Ingram) | 17 | 11 | - | 7 | - | - | - | ||
| "Razzamatazz" (with Patti Austin) | - | 17 | - | - | - | - | 11 | ||
| "One Hundred Ways" (with James Ingram) | 14 | 10 | - | 5 | - | - | - | ||
| "Betcha Wouldn't Hurt Me" | - | - | - | - | - | - | 52 | ||
Certifications
| Region | Certification | Certified units/sales |
|---|---|---|
| United States (RIAA)[12] | Platinum | 1,000,000^ |
|
^ Shipments figures based on certification alone. | ||
Notes
- "Just Once" was featured in the 1982 film The Last American Virgin.
- "One Hundred Ways" was sampled by MF Doom for the track "Rhymes Like Dimes," from his debut solo album, Operation: Doomsday.
- "Velas" was sampled by Jodeci on their 1996 single "Get On Up",[13] as well as by producers Shut Up and Dance for the track "Waking Up," which appeared on Nicolette's first album, Now Is Early. The track was also featured as background music on The Weather Channel.[14]
References
- Staff, Rovi. "Quincy Jones: The Dude". allmusic.com. Allmusic.
- Holden, Stephen (April 26, 1981). "TWO TASTEFULLY OPULENT RELEASES". nytimes.com. New York Times.
- Mlynar, Philip (January 17, 2018). "Quincy Jones The Dude". pitchfork.com. Pitchfork.
- Gonzales, Michael A. 'The Dude': Remembering Quincy Jones’ Most Important Album Ever Ebony. April 5, 2016
- The Dude (booklet). A&M. 1981.
- Kent, David (1993). Australian Chart Book 1970–1992 (illustrated ed.). St Ives, N.S.W.: Australian Chart Book. p. 161. ISBN 0-646-11917-6.
- "Top Billboard 200 Albums of 1982". www.billboard.com. Billboard Magazine. Retrieved April 4, 2020.
- "Top R&B/Soul LPs of 1982". www.billboard.com. Billboard Magazine. Retrieved April 5, 2020.
- "Top Billboard Jazz Albums of 1982". www.billboard.com. Billboard Magazine. Retrieved April 5, 2020.
- "German Chart - Quncy Jones". charts.de. Retrieved August 8, 2014.
- "UK Single Official Charts Companyrmation". Official Charts Company. Retrieved August 11, 2012.
- "American album certifications – Quincy Jones – The Dude". Recording Industry Association of America. If necessary, click Advanced, then click Format, then select Album, then click SEARCH.
- Jodeci. “The Show, The After-Party, The Hotel” (Album Notes). Uptown Records / MCA Records. 1995.
- "Local forecast music by artist (Q) / Audio / TWC Classics". twcclassics.com. Retrieved January 27, 2020.
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