The Greek Tycoon

The film opened to negative reviews, for the jet set films of the time were losing audience attention and box office receipts. Audiences had stopped caring about the stories of rich and famous people such as had interested them in the 1960s, in the time of movies like The Carpetbaggers and Where Love Has Gone. In the end, the blockbuster films and special-effects films of the late 1970s attracted more viewers than the films about the decadent rich.

Vincent Canby of The New York Times called the film "as witless as it is gutless" and said it "recalls a sort of newspaper journalism you don't see much anymore — the Sunday supplement recapitulation of a famous murder, divorce or other scandal, put together, from morgue clips, and filled out by the writer with breathless speculation about what really might have happened and what really might have been said, always with more exclamation points than are absolutely necessary. It's the literature of vultures who have no interest in tearing into something of the first freshness."[10]

Roger Ebert gave the film 2 stars out of 4 and wrote, "'The Greek Tycoon' was not made without a certain style, and it cost a lot of money, but watching it is somehow like witnessing a multimillion-dollar cinematic edition of the National Enquirer." Ebert went on to state, however, that "I must give credit where due: The role of the tycoon is wonderfully well-acted by Anthony Quinn, and the movie's good moments are all his."[11]

"Hege" of Variety said, "It's a trashy, opulent, vulgar, racy $6.5 million picture. You've watched the headlines, now you can read the movie."[1]

Gene Siskel of the Chicago Tribune awarded 3.5 stars out of 4 and wrote, "This one is easy to review. 'The Greek Tycoon,' a film a clef about Jackie Kennedy and Aristotle Onassis, is a lot of fun and it's great looking. And surprise—it's not tasteless." He also called Quinn "superb. He's vulgar, cunning, brutal, funny — a Zorba as captain of a multinational business. Everything about the character is correct."[12]

Kevin Thomas of the Los Angeles Times wrote that "surprisingly enough, once past the obligatory gestures to the lavish jet set genre to which 'The Greek Tycoon' inevitably belongs, we're actually able to forget Quinn and Miss Bisset's real-life counterparts and become involved and even moved by a stormy-tender romance between two dramatic people. Writer Mort Fine, working from a story by him and others, and director J. Lee Thompson, who has a knack for drawing fine performances from actors regardless of a film's level or scope, has brought out the very best from Miss Bisset and especially Quinn."[13]

Jack Kroll of Newsweek called it a "foul and sleazy film" that "is so awful you hate to use it to raise an ethical issue, but it does make you wonder just when sleaze curdles into slander - moral if not legal. You don't know whom to feel sorrier for, the bedeviled Jackie Onassis or the beautiful Jackie Bisset. Jackie O can't help being an American obsession, but Jackie B should have known better than to sign on this yacht of fools."[14]

Gary Arnold of The Washington Post called the film "definitely on the blah side ... Producer Allen Klein and the hirelings responsible for 'The Greek Tycoon' lack the courage of their own tastelessness."[15]

TV Guide rated the film one star and commented, "If you can't guess who the characters are in this, you must have been living on Mars for the last few decades . . . If scenery, greenery, and lavish living are what you like to see, you may enjoy The Greek Tycoon. If honesty, drama, and real feelings are more to your taste, read a book."[16]

Time Out London called the film a "glossy travesty" and added, "Upmarket exploitation pics tend to make it (ie. profit) on the merest smell of money, sex and scandal, and this effort just reeks."[17]

The film opened at number one in the United States and Canada and was number one the following week as well.[18]