The Phenix City Story

When the film was released in 1955, Bosley Crowther, film critic for The New York Times, gave it a positive review, writing, "In a style of dramatic documentation that is as sharp and sure as was that of On the Waterfront--or, for a more appropriate comparison, that of the memorable All the King's Men--scriptwriters Crane Wilbur and Dan Mainwaring and director Phil Karlson expose the raw tissue of corruption and terrorism in an American city that is steeped in vice. They catch in slashing, searching glimpses the shrewd chicanery of evil men, the callousness and baseness of their puppets and the dread and silence of local citizens. And, through a series of excellent performances, topped by that of John McIntyre as the eventually martyred crusader, they show the sinew and the bone of those who strive for decent things."[6]

Film critic Bruce Eder wrote, "One of the most violent and realistic crime films of the 1950s, The Phenix City Story pulses with the bracing energy of actual life captured on the screen in its establishing shots and key scenes, and punctuates that background with explosively filmed action scenes. Director Phil Karlson showed just how good he was at merging well-told screen drama with vivid verisimilitude and leaving no seams to show where they joined. Filmed on location in Alabama with a documentary-like look, the movie captured the ambiance and tenor of its Deep South setting better than almost any other fact-based movie of its era."[7]

Ray Jenkins, one of the two reporters who covered the Phenix City story for the Columbus Ledger, whose coverage won the 1955 Pulitzer Prize for Meritorious Public Service, has contended that the film departed significantly from reality. Jenkins writes, "For starters, the film was a rush job intended to capture public interest while the story was still unfolding. As a result, the film leaves the impression that the local mafia that ran the vice industry in Phenix City killed Albert Patterson. Subsequent indictments and trials demonstrated beyond doubt that the assassination was politically motivated. Also, the film depicts an inflammatory scene in which the mob kills a young black girl and tosses the body onto the lawn of the Patterson home as a warning. Nothing remotely like this episode actually happened."[8]