The Pillowman

Katurian, a writer of short stories that often depict violence against children, has been arrested by two detectives, Ariel and Tupolski, because some of his stories resemble recent child murders. When he hears that his brother Michal has confessed to the murders and implicated Katurian, he resigns himself to being executed but attempts to save his stories from destruction. The play contains both narrations and reenactments of several of Katurian's stories, including the autobiographical "The Writer and the Writer's Brother", which tells how Katurian developed his disturbed imagination by hearing the sounds of Michal being tortured by their parents.

Katurian

A writer of gruesome short stories often involving children. His disturbed imagination was the result of having heard his brother being abused when they were younger. Consequently, he killed his parents and looked after his brother. He is shocked by his arrest.

Michal

Katurian's brother, who is "slow to get things" following his years of abuse at the hands of his parents. He is also taken into jail along with Katurian.

Tupolski

The lead detective and the "good cop" in the interrogation. Cold and uncaring, he sees himself as detached from the people he aims to save, shocking his younger partner Ariel.

Ariel

A brutal and violent detective who has a vendetta against anyone who commits crimes against children because of abuse in his own past. He ends up being more sympathetic toward Katurian and his stories than Tupolski is.

Minor characters

include the parents/foster parents, The Little Jesus (girl), and a boy.

"The Little Apple Men"

Told briefly in I.i, and re-enacted in the first child murder. A young girl, whose father mistreats her, carves a set of little men out of apples. She gives them to her father, telling him to save them rather than eat them. He scoffs at her, and eats several. The apple has razor blades inside, which kill the father. At night the remaining apple men accuse the girl of killing their brothers, and jump down her throat to kill her.

"The Three Gibbet Crossroads"

Told in I.i. A man wakes up in an iron gibbet, aware that he has committed the crime he is being punished for, but unaware of what the crime was. He sees two other gibbets, one marked Murderer and the other marked Rapist. Several people come by who have sympathy for the murderer and the rapist, but express disgust for the first man after reading the sign that identifies his crime. Still ignorant of his crime, the man is shot by a highwayman.

"The Tale of the Town on the River"

Told in I.i, and reenacted in the second murder. A young boy, mistreated by his parents, offers a strange dark rider a piece of his meal. Touched, the rider presents him a gift: he chops off the child's toes. The conclusion of the story relates that the rider was the Pied Piper on his way to Hamelin to take away the children. Since he crippled the boy, the latter could not keep up with the other children, and was the only child in town to survive.

"The Pillowman"

Told in II.i. The Pillowman visits people on the verge of suicide because of the tortured lives they have suffered. He travels back in time to the person's childhood and convinces them to commit suicide, thereby avoiding the life of suffering. This task saddens the Pillowman, however, and he decides to visit his own younger self, who readily commits suicide. This relieves the Pillowman's sadness, but also causes all the children he saved to live out their miserable lives and eventually die alone.

"The Little Green Pig"

Told in II.i. Katurian's most juvenile story, but also the only one devoid of violence. A green pig, who enjoys his peculiar colouring, is mocked by the other pigs. The farmers use a special permanent paint to make the pig pink just like all the others. The pig prays to God to keep his peculiarity, and can not understand why God ignored his prayers. Soon after, however, a magic green rain falls that makes all the other pigs green, and since the little pig retains his pink colour, he is once again "a little bit peculiar".

"The Little Jesus"

Reenacted in II.ii, and originally thought to be the source for the third murder. A young girl believes that she is the second coming of Jesus, and goes about blessing unsavory characters, to the dismay of her parents and the annoyance of others. When her parents are killed in a horrific accident, she is sent to live with abusive foster parents. Annoyed with her pretensions of divinity, the foster parents complete her performance of Jesus' life by torturing her, crucifying her, and burying her alive so that she might rise again in three days. She does not but three days later a man walks through the woods close to the girls grave. He fails to hear the scratching of her nails on the wood on her coffin, and does not see the fresh grave because – like a man the girl tried to heal – he is blind.

"The Writer and the Writer's Brother"

This story is partially autobiographical. A boy, raised by loving parents who encouraged him to write, wrote happy stories for many years. Then, at night, he begins hearing sounds of torture from the next room, and as a result he began to write more disturbing stories. One night, a note is slipped under the door, claiming that the boy's brother has been tortured nightly for seven years as part of an artistic experiment to get the boy to become a great writer. He kicks in the door, only to find his parents, who were playing a trick on him, just pretending to be torturing a child. However, when he returns years later, he discovers his brother's dead body hidden under the mattress, clutching the manuscript of a beautiful story, better than any of his, which he burns. Later in Act II Katurian tells Michal that in the story, the character Michal was the true "writer" of the title, whereas his own character was merely the brother.

"The Shakespeare Room"

Michal mentions this story to illustrate the fact that Katurian's work, in general, tends to be dark and twisted. Unlike the others, it is not narrated, acted out, or summarized in great detail. Michal gives the following brief synopsis of the story: instead of being the literary genius the world thinks him to be, William Shakespeare does not pen his own plays; instead, whenever he wants something written, he jabs a little pygmy woman who he keeps in a box and she, in turn, composes a play for him (Shakespeare takes the credit).

"The Face Basement"

An unnamed, sadistic character chops off the faces of his (undescribed) victims, puts them in a jar, and keeps them in his basement. As with "The Shakespeare Room", this story is mentioned by Michal only in passing.

The Pillowman stemmed in part from McDonagh's experience composing fairy tales, with names such as The Chair and the Wolfboy, The Short Fellow and the Strange Frog, and The Violin and the Drunken Angel, early in his writing career. Attempting to rewrite fairy tales he remembered from childhood, he realized that "there's something dark about them that doesn't quite come through."

In a conversation with Irish drama critic Fintan O'Toole in BOMB Magazine in 1998, McDonagh retold the Brothers Grimm version of Little Red Riding Hood. The wolf's stomach is filled with rocks and sewn with green wire, leading to the wolf's death. McDonagh's comment – "I would love to write something as horrific as that if I could" – indicates a potential inspiration for the story "The Little Apple Men" in The Pillowman.[1]

This play has been described as borrowing from Closet Land (1991), an independent film written and directed by Indian filmmaker Radha Bharadwaj, which starred Madeleine Stowe and Alan Rickman.[2] Commenting on this, Bob Mielke, Ph.D, Professor of English at Truman State University, said that "plot elements of Closet Land persist in another narrative host body, another way in which this text persists and haunts (if you will) our culture."[3][4]

The original London and Broadway productions of the show featured music composed by Paddy Cunneen.[5]

First version

It received its first public reading in an early version at the Finborough Theatre, London, in 1995 in a season that included Shopping and Fucking by Mark Ravenhill.[6]

Premiere

The play had its world premiere on 13 November 2003 at the Royal National Theatre, directed by John Crowley. The original production starred [7]

• David Tennant – Katurian
• Jim Broadbent – Tupolski
• Nigel Lindsay – Ariel
• Adam Godley – Michal

London Revival

The play is set to receive a London West End Revival in 2021 at the Duke of York's Theatre, directed by Matthew Dunster. This production will star [8]

• Aaron Taylor-Johnson – Katurian
• Steve Pemberton – Tupolski

New York

The play opened on Broadway on 10 April 2005 at the Booth Theatre and closed on 18 September 2005. Directed by John Crowley, the cast starred:[9]

• Billy Crudup – Katurian
• Jeff Goldblum – Tupolski
• Željko Ivanek – Ariel
• Michael Stuhlbarg – Michal

Chicago

The play ran at the Steppenwolf Theatre from 14 September 2006 to 12 November 2006. Directed by Amy Morton, the cast starred:[10]

• Jim True-Frost – Katurian
• Tracy Letts – Tupolski
• Yasen Peyankov – Ariel
• Michael Shannon – Michal

Paris

The play opened on 23 March 2012 at the Théâtre Aleph, directed by Raphaël Joly. The cast starred:

• Simon Copin – Katurian
• Thomas Öhlund – Tupolski
• Pauline Cescau – Ariel
• Antoine Pluche – Michal
• Solène Jimenez – A boy / A girl
• Paul Lenormand – The Father
• Ségolène Cavalière – The Mother

Vilnius, Lithuania

The play opened at Jaunimo teatras (Youth Theatre) on 27 January 2006 directed by Jonas Vaitkus . Critically acclaimed The Pillowman played its final performance on 31 October 2015.

• Sergejus Ivanovas – Katurian
• Vidas Petkevičius – Tupolski
• Aleksas Kazanavičius – Ariel
• Arnoldas Jalianiauskas – Michal

Iran

The play opened on 24 May 2013–18 July 2013 at the Iranshahr Theater. Directed by Aida Keykhaie/Mohammad Yaghoubi.

• Ahmad Mehranfar – Katurian
• Payam Dehkordi – Tupolski
• Ali Sarabi – Michal
• Navid Mohammadzadeh – Ariel

Ireland

Opening on 24 March 2015–19 April 2015 the play was held at the Lyric Theatre, Belfast. Directed by Andrew Flynn.

• Peter Campion – Katurian
• David McSavage – Tupolski
• Michael Ford-Fitzgerald – Michal
• Gary Lydon – Ariel

Seoul

The play opened on 1 May 2007 at the LG art center, directed by Park, Geunhyong. This cast starred:

• Choi, Minsik – Katurian
• Choi, Jongwoo – Tupolski
• Yi, Deyon – Ariel
• Yun, Zemun – Michal

Hong Kong

The staging Chinese: 小心！枕頭人; lit. 'Be careful! Pillowman' first opened on 26 March 2008 at the Hong Kong Fringe Theatre, followed by a revival on 24 June 2008 at the McAulay Studio, Wan Chai Arts Centre, directed by Eric Ng. This cast starred:

• Paul Sheehan – Katurian
• Michael Pizzuto – Michael
• Reuben M. Tuck – Tupolski
• Damien Barnes – Ariel

Mexico

Scotiabank Theatre, Mexico City, 2008.

• Alfonso Herrera – Michael

• Erwin Veytia – Katurian

Argentina

Season 2008: "Lola Membrives" Theatre, Capital Federal, Buenos Aires. July 2008 to October 2008.

Season 2009: "Multiteatro" Theatre, Capital Federal, Buenos Aires. February 2009

• Pablo Echarri – Katurian
• Carlos Belloso – Michal
• Carlos Santamaria – Tupolski
• Vando Villamil – Ariel

Brisbane, Queensland, Australia

The season ran from 18 March 2009–4 April 2009 at the Sue Benner Theatre, Metro Arts. Directed by Michelle Miall, the cast included:[11]

• Steven Rooke – Katurian (received Matilda Award Commendation for best actor)
• Norman Doyle – Tupolski
• Robert Thwaites – Ariel
• Chris Vernon – Michal (received Matilda Award Commendation for best actor in a supporting role)

The production received Matilda Award Commendation (2009) for Best Director, Best Emerging Artist, and the Matilda Award for Direction.[12]

Ankara, Turkey

The play opened on the 2011 season directed by İlham Yazar and will keep playing on 2013 season at the Turkish State Theatre, Ankara.

• Murat Çidamlı – Katurian
• Mesut Turan – Tupolski
• Tolga Tekin – Ariel
• Emre Erçil / Buğra Koçtepe – Michal

Genoa, Italy

The play opened on 1 May 2013, at the Teatro Stabile in Genoa. It has been directed by Carlo Sciaccaluga.

• Aldo Ottobrino – Katurian
• Andrea Nicolini – Tupolski
• Enzo Paci – Ariel
• Alberto Giusta – Michal

• Closet Land

• McDonagh, Martin (2003). The Pillowman (First ed.). London: Faber. ISBN 0-571-22032-0.

• The Pillowman at the Internet Broadway Database
• The Pillowman at the Internet Broadway Database
• The Insider review
• New York Times review
• Victoria Times-Colonist review