The Pinkprint

Parts of the album were recorded at Jungle City Studios (pictured).

In 2013, Minaj stated that she would begin writing material for the project later that year, after production was completed for her first feature film The Other Woman (2014). Minaj noted that there were currently no featured artists on the record, and commented that she was "just enjoying [the] creative process".[2] Recording sessions for the album took place at Jungle City Studios New York, NY; Evdon Studios, Toronto, Canada; Glenwood Recording Studios, Burbank, CA; Luke's In The Boo, Malibu, CA; Record Plant, Hollywood, CA, Conway Recording Studios, Los Angeles, CA; and Eightysevenfourteen Studios, Los Angeles, CA.[3] In November 2013, Minaj described the project as "next level", "very different from anything I've done", and made clear that she just experimented with pop music but never had the intention to continue with the genre. She also stated that she is still "hungry" and just because she's had a successful career that wouldn't stop her from giving the fans what they wanted.[4]

During the recording process Minaj recorded two songs that were inspired by Irish Celtic singer-songwriter Enya; Minaj stated that the songs contain "airiness and the whimsicalness" that reminded her of Enya. In 2014, singer-songwriter Skylar Grey wrote and recorded a demo version of a song entitled "Bed of Lies" and the song was later sent to Minaj who wrote and recorded verses of her own to the song.[5] In August 2014, Minaj's manager informed her that Beyoncé wanted to make a remix of "Flawless" with her and in return she would feature on The Pinkprint. Minaj said that she wrote her verse in New York and Beyoncé visited her in the studio and encouraged her.[6][7] During the album's production, Minaj worked with a variety of people including Dr. Luke, Ester Dean, Boi-1da and Detail. Minaj also hoped to have guest features from Rihanna and Drake.[8]

In September, Minaj stated that "it was her best album to date" saying she had grown as a writer and was able to speak about topics that she had felt uncomfortable sharing two years ago.[9] Later that month, Minaj characterized the album as consisting of "raw talent, emotion, hard spitting and everything that people have come to love about Nicki Minaj".[10] In November 2014, Minaj revealed she had recorded 25 songs for the album, stating she would find a song that "sits" with her and then mold that track for a while until she was satisfied; she continued to say her biggest problem during the recording process was cutting songs from the final track listing as each track was "special" to her.[11] In November 2014, Minaj described the record as "personal" and an "emotional rollercoaster" to MTV News.[12]

Speaking on the album's musical style, Minaj stated that the album would "focus on rap" and "feed the core rap fan", whereas Pink Friday: Roman Reloaded explored more prominent elements of dance music.[13] In April 2014, Minaj told MTV News "the tracks on [my next album] are back to my hip-hop roots. And I don't think it's something that I'm necessarily trying to do [but] as soon as I started working on my new album, that's just the songs that I've been writing". Minaj stated the album's lyrics touch upon themes of her family, loss, death and her struggle with guilt.[14] The Pinkprint opens with the autobiographical song, "All Things Go", which was described as a sequel to Minaj's song "Autobiography" off her Sucka Free mixtape in 2008.[15] A mid-tempo ballad,[16] which slowly unfolds and contains "heavy beats and heavy bass" along with "subtle synths".[15] The lyrics discuss a wide range of personal issues Minaj has faced, from reflecting on fame and the speed in which her life has moved, to strained relationships with her family including the murder of her cousin Nicholas Telemaque, to her relationship with her mother and her own child which references an abortion.[15] "I Lied" is a ballad that contains a torpid production that does not change tempo. Lyrically, the song revolves around a "complicated regret" in which Minaj admits she denied her love for a man in order to stop him from breaking her heart.[15] "The Crying Game" features initially uncredited vocals from British musician Jessie Ware, before being officially credited at a later date. The song mixes "sombre balladry with downbeat guitar loops" and is described as one of the album's most emotional songs. During the song, Minaj alternates between "devastating verses and pensive crooning" whilst Ware adds "haunting" and "soulful" vocals to the chorus.[15] During an interview for Malcom Music Ware revealed how the collaboration came about, saying that she wrote the song with Pop Wansel with her own album Tough Love (2014) but ultimately felt that it didn't fit the album. Wansel subsequently sent the song to Minaj who recorded her own vocals to turn the song into a collaboration between Ware and Minaj. Initial pressings of the album did not list Ware as being featured; something Ware added was a mistake and later corrected.[17]

"Get on Your Knees" features vocals from American singer Ariana Grande. Minaj raps in a "trance-like" style as she demands things from her male partner, which hints at oral sex, and is described as a "fetish obsession with seeing their man on all fours".[15] "Feeling Myself" features singer-songwriter Beyoncé, and is built over a West Coast synth, driving bass and drums along with bells and whistles incorporated into the production.[15] "Only" is a hip-hop song that features guest appearances from Drake, Lil Wayne, and Chris Brown who sings the chorus of the song. The song contains an "icy" production that sits "ominously" underneath dirty lyrical metaphors.[15] "Want Some More" features lyrics that see Minaj stroking her own ego and check anyone who dares to doubt her worth. During the song, Minaj makes references to Eminem, Kanye West and Lil Wayne and states she is her "only competition".[15] "Four Door Aventador" has humming and low-key production with lyrics revolving around mafia imagery. The song is compared to the work of The Notorious B.I.G.[15]

"Favorite" features American R&B singer Jeremih and is a return to a "romantic narrative" following the four previous songs which features Minaj bragging. The song is lyrically sexually explicit and sees Jeremih singing about wanting to be Nicki's favorite. Minaj raps about wanting to be the "primary role in a man's life".[15] "Buy a Heart" features rapper Meek Mill, who sings the hook of the song.[15] "Trini Dem Girls" is a dancehall track that features a guest appearance from rapper LunchMoney Lewis. The song contains echoing handclaps and a "Diwali Riddim" with a "blaring" chorus.[15] "Anaconda" is a hip-hop and pop-rap song[18] that heavily samples "Baby Got Back" by Sir Mix-a-Lot. The song's lyrical content is described as "raunchy" and noted for containing a "heavy dose of 2014 sex lingo".[15] "The Night Is Still Young" is a pop song with verses revolving around a routine night out at a club.[15]

The lead single, "Pills n Potions" is a slow-burning piano ballad that contains prominent elements of hip hop, R&B and pop.[15] The song opens with a sparse, haunting drum beat, while Minaj sings the pre-chorus in a feather-like near-whisper. As the song's pre-chorus repeats, an echo effect is added to her vocals, and "blooming" chants are sung to create the song's chorus. The song's lyrics revolve around someone who has wronged her but she still loves.[15] "Bed of Lies" features guest vocals from singer-songwriter Skylar Grey and is a slow-tempo song built over triumphant production, pianos, rolling drums and booming bass. The song opens with Grey's chorus and a restrained keyboard set before Minaj begins to rap about an ex-lover.[15] "Grand Piano" is the final song on the album's standard version and is the only song on the album that features no rapping from Minaj. The song is a ballad that contains pianos and violins, with lyrics revolving around Minaj "feeling stupid" and feeling "played" by a former lover.[15]

"Pills n Potions" was released as the lead single from the album on May 21, 2014. Minaj announced the release at the 2014 Billboard Music Awards.[19] The song peaked at number 24 on the US Billboard Hot 100.[20]

"Anaconda" was released as the second single from the album on August 4, 2014.[21] The song samples Sir Mix-a-lot's "Baby Got Back" and peaked at number two on the Billboard Hot 100, becoming Minaj's highest-charting single in the US at the time.[20] It topped both the Hot R&B/Hip-Hop Songs and the Hot Rap Songs charts for six weeks.[22] Additionally, the song peaked within the top ten in countries including Australia, Canada, Ireland, New Zealand and the United Kingdom.

"Only", which features Drake, Lil Wayne and Chris Brown, was released as the third single from the album on October 28, 2014.[23] The song peaked at number 12 on the Billboard Hot 100 and topped the Hot R&B/Hip-Hop Songs.[20]

"Bed of Lies" featuring Skylar Grey was released as the fourth single from the album on November 16, 2014. Minaj debuted the song at the 2014 MTV Europe Music Awards. The song peaked at number 62 on the Billboard Hot 100.[20] "

"Truffle Butter" featuring Drake and Lil Wayne was released separately from the album to iTunes and Spotify on January 23, 2015, after initially being an iTunes exclusive bonus track, and was serviced to US radio on March 3, 2015 as the fifth single from the album.[24] The song peaked at number 14 on the Billboard Hot 100.[20]

"The Night Is Still Young" was officially released in the UK on April 12, 2015 and later in the US on April 28, 2015, as the sixth single from the album, and has peaked at number 31 on the Billboard Hot 100.[25]

"Trini Dem Girls", featuring LunchMoney Lewis, was released on September 1, 2015 as the seventh and final single from the album.[1]

The album was officially announced to be titled The Pinkprint with the premiere of the track "Lookin Ass" along with its Nabil Elderkin-directed music video on February 12, 2014.[26] Its title reportedly references The Blueprint (2001) by Jay Z, to which Minaj replied that "I think everybody knows how obsessed I am with Jay Z. He's always been my favorite rapper", also adding that, "He did such a great job of creating this Blueprint brand for male rappers and I wanted to do that [for] female rappers to be able to pattern themselves with what I've done one day".[27] During an interview with Complex magazine, Minaj was asked if Jay Z's The Blueprint inspired the title to The Pinkprint and what similarities there were, which Minaj replied saying;

I have no idea what he was doing before The Blueprint dropped. It’s not that literal. People keep asking me about Jay’s The Blueprint and they think I’m doing something like that. I made reference to The Blueprint because Jay is the biggest rapper of our time. The name of the album was inspired by Jay but not the body of work. I do think that it’s going to create new rules, though, in [the way] that [The Blueprint did].[28]

On November 2, 2014, Minaj released the album's artwork, which was created by Joe Perez's design studio, who works for Kanye West's creative team DONDA, who had previously designed artwork for Lil Wayne and 2 Chainz.[29] It displays a "sandy" textured pink "splatter" with a thumbprint placed in the middle of a black background on the standard version and a white background for the deluxe version.[30] On December 1, 2014, the track listing was released to the public, and confirmed collaborations with Ariana Grande, Beyoncé, Drake, Lil Wayne, Chris Brown, Jeremih, Meek Mill, LunchMoney Lewis, Jessie Ware and Skylar Grey.[31]

Minaj (left) and Ariana Grande (right) performing "Get On Your Knees" in 2015 at the T-Mobile Arena Grand Opening in Las Vegas.

In August 2014, Minaj confirmed that the album would be released in the fourth quarter of the year.[32] In September 2014, Minaj announced through her Twitter account that the album would be released on November 24, 2014.[33] In late October, her management announced that the album had been rescheduled for release on December 15.[34] The album was made available for pre-order on iTunes on December 3, 2014 with the intro track "All Things Go" as an instant download. The standard version of The Pinkprint features sixteen songs,[35] while the deluxe version is packaged with three additional tracks.[36] American retailer Best Buy packaged the latter edition with a smaller version of Minaj's 2015 calendar.[37] "Truffle Butter" and "Wamables" are respectively included as the twentieth songs on the iTunes Store and Japanese pressings of the record.[36][38] A fifth deluxe variant (distributed by American retailer Target and the United Kingdom) lists "Mona Lisa" and "Put You in a Room" as the twentieth and twenty-first tracks, although most of the tracks on this version are abbreviated to fit the exclusive material.[39] During the first week of retail availability, it was discovered that physical deluxe versions of The Pinkprint were unintentionally shipped worldwide with an instrumental version of "Anaconda" instead of the original track.[40]

In contrast to the vibrantly-colored wardrobe and hairpieces she had become associated with earlier in her career, Minaj embraced a more understated image during the first promotional runs for The Pinkprint. She opined that "You can either continue doing costumes or you can just say, 'Hey guess what? This will shock them even more. Doing nothing will shock them even more'".[41] On August 24, 2014, Minaj performed “Anaconda” at the VMAs. She also performed at that year's iHeartRadio Music Festival on September 19. On November 9, 2014, Minaj performed a medley of “Super Bass”, “Anaconda”, and “Bed of Lies” at the EMAs, and also hosted the show. On November 23, 2014, Minaj performed “Bed of Lies” at the AMAs. On December 6, 2014, Minaj appeared as a musical guest on an episode of NBC's Saturday Night Live alongside host James Franco. She performed three songs from the album: "Bed of Lies", "Only" and "All Things Go". She also participated in a few skits.[42] During album release week, Minaj visited a few talk shows in promotion for the album. On December 15, Minaj appeared on The Ellen DeGeneres Show for an interview and also performed "Bed of Lies".[43] On December 16, Minaj appeared on The Today Show for an interview and another performance.[44] That same night, she appeared on The Tonight Show Starring Jimmy Fallon for an interview.[45] On December 18, Minaj appeared on 106 & Park as the show's final guest artist to discuss the album and the show's legacy.[46] On December 19, Minaj appeared on The Real for an interview.[47] On January 18, 2015, MTV aired My Time Again, a documentary filmed during the final stages of the making of The Pinkprint, which featured behind the scenes clips of Minaj in the studio and in rehearsals, and interviews with Minaj and footage of her with her family.[48] In May 2015, she performed "The Night Is Still Young" and "Hey Mama" at the 2015 Billboard Music Awards. Minaj also opened the 2015 MTV Video Music Awards with a performance of "Trini Dem Girls", then "The Night Is Still Young" and "Bad Blood" with Taylor Swift.

Minaj supported the album with a 17-date European tour which commenced on March 16, 2015 in Stockholm, Sweden and stopped off in Ireland, the United Kingdom, Norway, Germany, France, Belgium and the Netherlands before ending on April 12, 2015 in Glasgow, Scotland. Trey Songz was the opening act.[49]

Professional ratings

Aggregate scores
Source	Rating
AnyDecentMusic?	6.6/10[50]
Metacritic	70/100[51]
Review scores
Source	Rating
AllMusic	[52]
Billboard	[53]
Cuepoint (Expert Witness)	A−[54]
Entertainment Weekly	C[55]
Los Angeles Times	[56]
NME	5/10[57]
Pitchfork	7.5/10[58]
Rolling Stone	[59]
Spin	7/10[60]
USA Today	[61]

The Pinkprint received generally positive reviews from critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, the album received an average score of 70, based on 25 reviews.[51] Billboard magazine's Niki McGloster called it "her best album to date. Minaj was finally able to out-rap herself and purge issues she's struggled with in private in her most exposed fashion yet".[53] Sheldon Pearce of The A.V. Club thought that The Pinkprint is "the closest Nicki Minaj has ever gotten to balancing her tendencies".[62] Randall Roberts from the Los Angeles Times wrote that throughout the album, "she's intent on channeling her talent to explore and document her many moods. The combination is often, if not always, intoxicating".[56] In Cuepoint, Robert Christgau commended most of her vulnerable ballads and their "narrative arc", but felt the album is defined more so by the bonus tracks, particularly "Shanghai" and "Win Again", where "Minaj returns to her triumphalist mode prepared to embrace the role of a 32-year-old woman ready for love—even, in both songs, the motherhood she reflects on as the record begins."[54] Pitchfork editor Meaghan Garvey said the last series of songs, including the bonus tracks, comprise "a thrilling, confounding six-song set that elevates The Pinkprint from an occasionally transcendent break-up album to something far more intriguing," and added "the album presented Minaj in her most unexpected role yet: a human being."[58]

In a less enthusiastic review, Spin magazine's Brennan Carley felt the more emotionally vulnerable songs were counterintuitive to the album's success: "Minaj forces herself into her own box, muting her own strengths and songwriting abilities in favor of excising her emotional demons."[60] Jon Caramanica of The New York Times, who found the album to be "full of compromises and half-successes", wrote that Minaj is a less impressive rapper on the more sincere songs where her flow is more measured and plain-spoken: "As a rapper, she’s capable of grand technical feats, rapid cadence switching and complex rhyme patterns, but generally she puts those fireworks to the side when diving deep into her feelings."[18] Kyle Anderson of Entertainment Weekly was more critical and panned the ballads as "ponderous".[55] Ott Kagovere of Eesti Ekspress was also critical and commented on the deluxe editions with 21 tracks and claimed it was "too tiring". He also mentions Minaj being "uninteresting" on this album.[63]

The Pinkprint debuted at number 2 on the US Billboard 200, with 244,000 album-equivalent units (with 198,000 coming from pure sales and 46,000 combined track-equivalent units and streams) in its first week behind Taylor Swift's 1989 which was spending its sixth week at number one.[75][76] The album was streamed 16.8 million times across all on-demand streaming services in the United States during its first week.[77][78] In its second week on the chart, the album stayed at number two moving an additional 156,000 units, which included 105,000 pure sales.[79][80] The Pinkprint held the number two position for three weeks before falling to number three on the Billboard 200.[81] As of December 2015, the album has sold 682,000 copies in the United States.[82] In February 2016, the RIAA certified the album double platinum, for combined album sales, on-demand audio, video streams, and track sales equivalent of two million album-equivalent units.

Notes[3]

• ^{^[a]} signifies a co-producer
• ^{^[b]} signifies an additional vocal producer
• Some initial physical copies of the album missed out Jessie Ware on "The Crying Game" due to a printing mistake.[17]
• "Want Some More" contains additional vocals by Jeremih.
• "Shanghai" contains additional vocals by Yung Berg.
• "Buy a Heart" contains excerpts of "Stay" performed by Henry Krinkle and "Un-Thinkable (I'm Ready)" performed by Alicia Keys.
• "Anaconda" contains a sample of "Baby Got Back" performed by Sir Mix-a-Lot.
• "Grand Piano" contains interpolations from "Rush Rush", written by Peter Lord and performed by Paula Abdul.
• "Truffle Butter" contains a sample of "What They Say" performed by Maya Jane Coles.
• In order to fit more songs on the disc, the majority of the tracks on the physical international deluxe version are shortened edits, and appear in their full length on the standard version of the album.

Credits adapted from AllMusic.[89]

• List of Billboard number-one rap albums of 2015

• Official website
• The Pinkprint at Discogs (list of releases)