The Pleasure Principle (song)

After arranging a recording contract with A&M Records in 1982 for a then-16-year-old Janet, her father Joseph Jackson oversaw the entire production of her eponymous debut album and its follow-up, Dream Street (1984).[4] In 1985, Jackson subsequently fired her father as her manager and hired John McClain, then A&M Records' senior vice president of artists and repertoire and general manager.[5] Commenting on the decision, she stated, "I just wanted to get out of the house, get out from under my father, which was one of the most difficult things that I had to do, telling him that I didn't want to work with him again."[6] McClain subsequently introduced her to the songwriting and production duo James "Jimmy Jam" Harris III and Terry Lewis, former Prince associates and ex-members of The Time.[7]

"The Pleasure Principle" was the only song not to be written or produced by Jam and Lewis. Instead, it was penned by American producer Monte Moir, The Time's keyboardist. At the time, he was working with his old band colleagues at Flyte Tyme Studios when they were offered the project for the album with Jackson, and Moir was asked to come up with some songs.[3] He did not have a concept or title for the song at first, which was not uncommon for the producer. According to Moir, "As verses started to take shape, I had to figure out what it was I was trying to say, I just stumbled into the title and Freudian concept (of the pleasure principle) and realized it fit." After songwriting was done, Moir recorded it "fairly quickly" as there were a lot of projects going on at one studio.[3]

Written and produced by Monte Moir, "The Pleasure Principle" is lyrically about Jackson taking control of a personal relationship by refusing to settle for loveless materialism, while she sings, "What I thought was happiness was only part time bliss". The song parallels a fleeting love affair with a ride in a limousine. It mentions a "Big Yellow Taxi", alluding to the 1970 Joni Mitchell song, which Jackson would sample on her single "Got 'til It's Gone" from her sixth studio album The Velvet Rope (1997).[8] Sal Cinquemani from Slant Magazine noted that musically "synths bump like busted shock absorbers and the electric guitar screeches like rubber on pavement".[8]

Kareem Gantt from AXS commented that compared to "Control" and "Nasty", "The Pleasure Principle" was more toned down, but "still a sonic groover".[9] "The Pleasure Principle" was nominated for Best R&B/Soul Single – Female at the 1988 Soul Train Music Awards.

In the United States, "The Pleasure Principle" debuted at number 78 on the Billboard Hot 100 chart dated May 23, 1987.[10] It later reached its peak position of number 14 on August 1, 1987.[11] It became the only song released by Jackson to miss the top 10 of the chart until "Son of a Gun (I Betcha Think This Song is About You)" peaked at number 28 in 2001.[12] The song nevertheless became her fifth chart-topper on the Hot R&B/Hip-Hop Songs chart and her third on the Hot Dance Club Play chart. It was ranked number 34 on the Hot R&B/Hip-Hop Songs year-end chart of 1987.

Elsewhere, the single reached the top 40 in most markets, but failed to match the international success of Control's previous singles.

The accompanying music video for "The Pleasure Principle" was directed by Dominic Sena and premiered on MTV on June 1, 1987.[13][14] Choreography was handled by Barry Lather.[15] In the beginning of the video, Jackson enters a loft wearing a T-shirt and jeans to practice her dancing. She gives a solo dance performance while singing about the pleasure principle. Elements of the choreography incorporate a chair and a microphone stand. At the 1988 MTV Video Music Awards the video won for Best Choreography and was nominated for Best Female Video.[13] While reviewing Jackson's video album Rhythm Nation Compilation (1989), Wendy Robinson from PopMatters commented that "this is the first video in which Jackson appears alone, with a sleek new hairdo and unleashing a repertoire of exciting new moves",[16] and Justin Joseph from Centric TV noted that the video was "probably more iconic than the song", while describing its choreography as "so dynamic".[13]

The video has been re-enacted by singers Mýa, Tinashe and Normani.[17][18] Britney Spears referenced "The Pleasure Principle", as well as Jackson's "Miss You Much" video, for the chair routine in her "Stronger" music video, with director Joseph Kahn saying her idea was inspired by "the iconic chair sequence" in "The Pleasure Principle".[19] A review of the video commented "Ms. Spears gives us her best Janet Jackson impression ('Miss You Much') with a dizzying chair-dance routine."[20] American singer Cassie was accused of copying "The Pleasure Principle"'s concept on her music video for "Me & U" (2006), described as evoking Jackson's "impromptu solo dance rehearsal" during the video's mirror scenes.[21] Cassie stated, "I'm a diehard Janet Jackson fan. A lot of people compare my video for 'Me & U' to hers for 'Pleasure Principle'. I was just rehearsing in the studio, they filmed me and the record label thought it would be great for the video. I'd love to emulate her career. She's incredible, from her moves to her voice."[22]

Jackson has performed the song on most of her concert tours, excluding the Janet World Tour and the All for You Tour. The song was performed during a "frenzied" medley with "Control", "Nasty" and "Throb" on The Velvet Rope Tour in 1998.[23] The medley at the October 11, 1998, show at the Madison Square Garden in New York City was broadcast during a special titled The Velvet Rope: Live in Madison Square Garden by HBO. It was also added to the setlist at its DVD release, The Velvet Rope Tour: Live in Concert in 1999.[24]

On December 4, 2006, while promoting her ninth studio album 20 Y.O., Jackson opened the 2006 Billboard Music Awards with a medley of past singles "Control" and "The Pleasure Principle" and new single "So Excited", accompanied by black and red-clad dancers.[25][26] For her first tour in seven years, Rock Witchu Tour (2008), she chose to open the show with a medley of "The Pleasure Principle", "Control", and "What Have You Done for Me Lately". After an interlude, Jackson made her entrance amid fireworks and theatrical smoke to perform the medley, while donning a Mohawk hairstyle.[27][28] It was also included as the opening song on her 2011 Number Ones: Up Close and Personal tour. Jackson included the song on the Unbreakable World Tour (2015–2016) and on the State of the World Tour (2017–2019) in a medley with "What Have You Done for Me Lately" and "Control". Jackson included the song at her 2019 Las Vegas residence Janet Jackson: Metamorphosis.

• US 7-inch single

A. "The Pleasure Principle" – 4:58

B. "Fast Girls" – 3:20

• US and European 12-inch single / Australian limited-edition 12-inch single

A1. "The Pleasure Principle" (long vocal) – 7:23

A2. "The Pleasure Principle" (a cappella) – 4:23

B1. "The Pleasure Principle" (12″ dub) – 6:58

B2. "The Pleasure Principle" (7″ vocal) – 4:19

• UK and European 7-inch single

A. "The Pleasure Principle" (The Shep Pettibone Mix) – 4:19

B. "The Pleasure Principle" (Dub Edit – The Shep Pettibone Mix) – 5:10

• UK 12-inch single

A1. "The Pleasure Principle" (long vocal remix) – 7:28

B1. "The Pleasure Principle" (dub edit) – 6:58

B2. "The Pleasure Principle" (a cappella) – 4:19

• UK CD single and 12-inch single ("The Pleasure Principle"/"Alright" – Danny Tenaglia/Todd Terry Mixes)

1. "The Pleasure Principle" (Legendary Club Mix) – 8:16
2. "The Pleasure Principle" (NuFlava Vocal Dub) – 7:21
3. "The Pleasure Principle" (Banji Dub) – 7:10
4. "The Pleasure Principle" (D.T.'s Twilo Dub) – 9:04
5. "Alright" (Tee's Club Mix) – 6:22
6. "Alright" (Tee's Beats) – 3:25