The Verdict

Once-promising attorney Frank Galvin, framed for jury tampering years ago, was fired from his elite Boston firm and is now an alcoholic ambulance chaser whose practice is on the verge of collapse. As a favor, his friend and former teacher Mickey sends him a medical malpractice case in which it is all but assured that the defense will settle for a large amount. The case involves a young woman given an anesthetic during childbirth, after which she choked on her vomit and was deprived of oxygen. The woman is now comatose and on a respirator. Her sister and brother-in-law are hoping for a monetary award in order to give her proper care. Frank assures them they have a strong case.

Frank visits the comatose woman and is deeply affected. Later, a representative of the Catholic hospital where the incident took place offers a substantial settlement. Without consulting the family, Frank declines the offer and states his intention to take the case to trial, stunning all parties including the presiding judge and the victim's relatives. Meanwhile, Frank, who is lonely, becomes romantically involved with Laura, a woman he had spotted earlier in a bar.

Frank's case quickly experiences several devastating setbacks. His client's brother-in-law learns from "the other side" that Frank rejected the settlement and angrily confronts him. His star medical expert disappears, and a hastily-arranged substitute's credentials and testimony are called into serious question on the witness stand. His opponent, the high-priced attorney Ed Concannon, has at his disposal a large legal team that is masterful with the press. The presiding judge, who despises Frank, undermines his questioning of the substitute. No one who was in the operating room is willing to testify that negligence occurred. Concannon is revealed to be paying Laura to provide inside information on Galvin's legal strategy, which she does, albeit unhappily.

Frank's break comes when he discovers that Kaitlin Costello, the nurse who admitted his client to the hospital, is now a pre-school teacher in New York. Frank travels there to seek her help, leaving Mickey and Laura working together in Frank's office. Mickey discovers a check from Concannon in her handbag and infers that Laura is a mole, providing information to the opposing counsel. Mickey flies to New York to tell Frank about Laura's betrayal; confronting her in a bar, Frank strikes Laura hard enough to knock her to the floor. Mickey later suggests having the case declared a mistrial due to Concannon's ethics violations, but Frank decides to continue.

Costello testifies that shortly after the patient had become comatose, the anesthesiologist (one of the two doctors on trial, along with the archdiocese of Boston) told her to change her notes on the admitting form to hide his fatal error. She had written down that the patient had eaten a full meal only one hour before being admitted. The doctor had failed to read the admitting notes and, in ignorance, administered an anesthetic that should never have been given to a patient with a full stomach. As a result, the patient vomited and choked.

Costello further testifies that, when the anesthesiologist realized his mistake, he met with Costello in private and threatened her job unless she changed the number "1" to the number "9" on her admitting notes. But before she made the change Costello had made a photocopy of the notes, which she brought with her to court. Concannon quickly turns the situation around by getting the judge to declare the nurse's testimony stricken from the record on the technicality that she possesses a copy, but for legal purposes the original is presumed to be correct. Afterwards a diocese lawyer praises Concannon's performance to the defendant bishop, who asks "but do you believe her?" and is met with embarrassed silence.

Feeling that his case is hopeless, Frank gives a brief but passionate closing argument. In the end the jury finds in favor of Frank's clients. The foreman asks the judge whether the jury can award more than the amount the plaintiffs sought; the judge resignedly replies that they can. As Frank is congratulated, he catches a glimpse of Laura watching him across the atrium.

That night, Laura, in a drunken stupor on her bed, drops her whiskey on the floor, drags the phone toward her and calls Frank. As the phone rings, Frank sits in his office with a cup of coffee. He moves to answer but ultimately declines the call.

Film rights to the novel were bought by the team of Richard Zanuck and David Brown. A number of actors, including Roy Scheider, William Holden, Frank Sinatra, Cary Grant and Dustin Hoffman, expressed interest in the project because of the strength of the lead role. Arthur Hiller was originally attached to direct and David Mamet hired to write a screenplay. Neither Zanuck-Brown nor Hiller liked Mamet's script, so Hiller left the project and the producers commissioned another screenplay, from Jay Presson Allen. The producers liked this script and were approached by Robert Redford, who liked the project but did not like Allen's script. Redford suggested they hire James Bridges as a writer-director and Bridges wrote several drafts of the screenplay, but Redford was not happy with any of them and Bridges left the project. Redford then began having meetings with Sydney Pollack without telling the producers; irritated, they fired Redford.[4]

Zanuck and Brown then hired Sidney Lumet to direct, sending him all versions of the script. After several rewrites, Lumet decided the story's original grittiness was fast devolving and chose Mamet's original script. This was agreed to by Paul Newman, who ultimately agreed to star.[5]

Bruce Willis has an uncredited background appearance as an extra in the final courtroom scene, in one of his first film appearances. Tobin Bell also appears, to Willis's right.[6]

Rotten Tomatoes gives the film a score of 88%, with an average rating of 7.77/10, based on 32 reviews. The website's "Critics Consensus" for the film reads: "Paul Newman is at the peak of his powers as an attorney who never lived up to his potential in The Verdict, supported by David Mamet's crackling script and Sidney Lumet's confident direction."[7] In a poll of 500 films held by Empire magazine, it was voted 254th Greatest Movie of all time.[8] In 2013, the Writers Guild of America ranked the screenplay No. 91 on its list of the "101 greatest screenplays ever written".[9] Richard D. Pepperman praised the scene in which Judge Hoyle eats breakfast and offers Galvin coffee as "a terrific use of objects, making for a believable judge in his personal, comfortable and suitable place, as well as a Physical Action (motion) that demonstrates the subtext of the Judge's objective (in support of the insurance company, the doctor and their attorney) without an abundance of expository dialogue."[10]

The film opened in 3 theaters in New York City and grossed $143,265 in its first 5 days.[11] The following weekend it expanded to 615 screens and grossed $2,331,805, finishing seventh for the weekend,[12] and went on to gross $54 million.[3]

The film is recognized by the American Film Institute in these lists:

• AFI's 100 Years...100 Heroes and Villains: Frank Galvin – Nominated Hero[13]
• 2006: AFI's 100 Years...100 Cheers – #75[14]
• 2008: AFI's 10 Top 10: #4 Courtroom Drama Film[15]

• Trial movies

Wikiquote has quotations related to: The Verdict

• The Verdict at IMDb
• The Verdict at Rotten Tomatoes