The Works (Queen album)

The Works opens with "Radio Ga Ga", written and composed on keyboards by Roger Taylor after he heard his 3-year-old son Felix say "radio ca ca".[4] He wrote it in Los Angeles and locked himself in the studio with a Roland Jupiter 8 and a drum machine. Afterwards John Deacon came up with a suitable bass line. Freddie Mercury reconstructed the track, both musically and lyrically. It was still credited to Taylor since Mercury was an arranger rather than a co-writer. Fred Mandel, their session keyboardist, put together an additive track with piano, synth and a temporary bass part. Brian May used a glass slide for his guitar solo. Taylor sang all the backing vocals, and used a Vocoder throughout the song. Most of the song is made out of electronics and synthesisers.

The second track, "Tear It Up", written by May, was written as an attempt to revive Queen's old sound, notably featuring riffs from the intro to the song "Liar". When performed live during The Magic Tour, May would skip to the intro from "Liar" then go into the beginning of the song. It features stomping percussion similar to "We Will Rock You". In 2018, more than 30 years after being last performed, Queen + Adam Lambert revived the song to be the opening track on their 2018 European Tour. The demo features May doing the vocals instead of Mercury.

The third track on The Works, "It's a Hard Life", was written by Mercury. May and Taylor have stated it as one of their favourite songs of Mercury's, although Taylor admitted his vast displeasure with the video. May contributed with some of the lyrics, and the intro was based on Ruggiero Leoncavallo's "Vesti la giubba", an aria from his opera Pagliacci. Mercury played piano and did most of the vocals, and instructed May about the scales he should use for the solo, described by May in the guitar programme Star Licks as very "Bohemian Rhapsody"-esque.

The fourth track, "Man on the Prowl", is a three-chord rockabilly Mercury composition. May played the solo using a Fender Telecaster whilst Mandel plays the piano ending. This was planned as the fifth and final single from the album, with a provisional release date of 19 November 1984.[5] Promotional copies were pressed and sent out, but the band opted for the Christmas single "Thank God It's Christmas".

The fifth track on The Works, "Machines (Or 'Back to Humans')", came about as an idea by Taylor, and May collaborated with him and finished it. Producer Reinhold Mack programmed the synth-"demolition" using a Fairlight CMI II Sampler, and all the vocals are sung by the group's three vocalists, including Mercury and May singing in harmony and Taylor performing the robotic voices (using a Roland VP-330 Vocoder).[6] The instrumental remix of the song samples parts of "Ogre Battle" from Queen's second album Queen II, "Flash" and Larry Lurex's "Goin' Back". This song, along with "Radio Ga Ga" are some of the heaviest uses of electronics on the album.

The sixth track, "I Want to Break Free" was written by John Deacon. This pop song is best known because of its video, featuring all four Queen members crossdressed as women, in a parody of the British soap opera Coronation Street. The idea for the clip was Taylor's. Mercury commented that 'Everybody ran into their frocks'. Deacon, the song's author, insisted he didn't want a guitar solo on the track so a synth solo was played by Mandel – live, however, May played the solo on guitar. The version used for the single and the promotional video includes an opening and instrumental bridge (after the synth solo) not part of the original mix.

"Keep Passing the Open Windows" is the seventh track, and was written by Mercury in 1983 for the film The Hotel New Hampshire, based on the novel by John Irving. The phrase is mentioned on a number of occasions throughout the film and was, according to the opening credits, also co-produced by the band's manager Jim Beach, who changed it in order to suit the album mood better. Mercury played piano and synths and wrote the lyrics after reading the quote in the book.

"Hammer to Fall", the eighth song, is May's other rock song on the album. Live versions were considerably faster and he sang it in his solo tours as well. Synths are played by Mandel and most of vocal harmonies were recorded by May himself, particularly in the bridge, except for the lyric "oh no" which is Taylor. The song harks back to Queen's old sound, with a song being built around a hard angular and muscular riff. The song features Mercury on lead vocals, doing a call and response with May, who sings the chorus. The song's music video directed by David Mallet, contains footage of a performance of the song in Brussels.[7] "Hammer to Fall" was a concert favourite, and was the third song the band performed at Live Aid in 1985.[8] The song also features in both the setlist of the band's Works Tour and Magic Tour in 1986.[9]

The album concludes with "Is This the World We Created...?", which was written by Mercury and May in Munich after the two saw a news broadcast about poverty in Africa; the song was performed at Live Aid as an encore. Mercury wrote most of the lyrics and May wrote the chords and made small lyrical contributions. The song was recorded with an Ovation guitar, although when playing live May used Taylor's Gibson Chet Atkins CE nylon-stringed guitar. A piano was tracked at the recording sessions for this song, but ultimately not included in the final mix.

The sessions for The Works were highly productive, resulting in an overwhelmingly large body of material written and recorded. Only nine of these were used on the album, but many of those remaining have been released in other forms.

Believed to originate from the Works sessions, this is a fast-paced track dominated by the piano and drums. Only a low-quality demo version exists, and very little is known about the track. It is little over a minute long. At the end of the track, Mercury can be heard to say: "very good, ha, ha. It's gotta go somewhere, but it just, er, wasn't"; the rest of the dialogue is inaudible.

When Queen wanted to write a Christmas single in 1984, Taylor wrote the basics of "Thank God It's Christmas" while May wrote "I Dream of Christmas". The group then had to choose between the two, and opted for "Thank God It's Christmas", which May and Taylor then wrote together. It is rumored that "I Dream of Christmas" was recorded by the band, though nothing has ever been confirmed. May later worked on "I Dream of Christmas" with his future wife Anita Dobson, which was released as a single in 1988 and also features John Deacon.

Written by May some time in 1981, the song was recorded during the album sessions but never made it onto the final cut. It was instead used as the B-side to the single release of "Radio Ga Ga".

Written by May, this song went through several rewrites and re-recordings before it was left unfinished and subsequently recorded by Anita Dobson, featuring May, for her 1988 album Talking of Love. In 2014, the band released a completed version of the song which features elements from a number of Queen demos of the track, with new backing vocals from May and Taylor, and new guitars from May on the album Queen Forever.

"Let Me Live" was originally recorded by the band in 1983 as a duet between Mercury and Rod Stewart. It originally also featured Jeff Beck on guitar. The song was never released, although it was reworked by the band for inclusion in their 1995 studio album Made in Heaven, released after Mercury's death. The finished version features one verse and the chorus sung by Mercury, while the rest is sung by May and Taylor. It is unknown why the Stewart version was never used.

Believed to originate from the Works sessions, this is an alternative piano version of "Back to Storm". Nothing else is known about the track.

Written by Mercury and Giorgio Moroder, "Love Kills" was originally recorded for The Works, but was ultimately rejected. It was then reworked as a Mercury solo track for inclusion in Moroder's 1984 restoration and edit of the 1927 silent film Metropolis, and was also released as a single. The track was later remade into a Queen ballad and released on the 2014 album Queen Forever.

This song was later re-recorded as a Mercury solo track and released on his 1985 solo album Mr. Bad Guy.

"Man on Fire", written by Taylor, is believed to have been recorded in 1984 for The Works, before it was re-recorded and then released on Taylor's second solo album Strange Frontier that same year. An early promo cassette for The Works features a very different track listing, where its title appears. Nothing else is known about the track, or even whether a complete version exists.

This track, written by May and Taylor, was eventually released as a Christmas single in 1984, and later appeared as the B-side to the "A Winter's Tale" single in 1995. It was also released as part of the 1999 compilation Greatest Hits III. It was the only-ever Christmas song Queen recorded.

Written by Mercury, this song was originally recorded by Mercury and Michael Jackson before being re-recorded by Queen in 1981 for their Hot Space album. The track was then going to be recorded to close The Works before Mercury and May wrote "Is This the World We Created...?". It was ultimately recorded as a solo track by Mercury and released on his 1985 solo album Mr. Bad Guy. In 2014, a reworked Queen version with Mercury and Jackson duetting was released on the album Queen Forever.