Things We Lost in the Fire (film)

Things We Lost in the Fire grossed $3.2 million, and $5.2 million in other territories, for a worldwide gross of $8.5 million.[4]

In the United States, the film finished 11th in its opening weekend with $1.5 million opening weekend.[4]

On the review aggregator Rotten Tomatoes, the film holds an approval rating of 65% based on 128 reviews, with an average rating of 6.48/10. The site's critical consensus reads, "Things We Lost in the Fire is a well-acted, beautifully filmed reflection on love, loss, addiction and recovery from life's obstacles."[5] On Metacritic, the film had an average score of 63 out of 100, based on 30 critics, indicating "generally favorable reviews".[6]

Josh Rosenblatt of The Austin Chronicle gave the film 4 stars and said the film is "an impeccably constructed and perfectly paced drama of domestic and internal volatility." Rosenblatt wrote "Berry is brilliant here, as good as she’s ever been" and said of Benicio del Toro's performance, "with Things We Lost in the Fire, he's managed to top even himself."[7] Jack Mathews of the New York Daily News gave the film 3½ stars and called it "an award contender...in several positions." Mathews said it is "beautifully written" by Allan Loeb and "acted with heartbreaking efficiency by Halle Berry and Benicio del Toro."[8] Los Angeles Daily News critic Glenn Whipp said the film "will probably be most American moviegoers' introduction to the Dogma-flavored direction of Susanne Bier" and said "Newcomers probably won't be as irritated by Bier's herky-jerky, hand-held camerawork, desaturated colors and odd obsession with random close-ups, especially of characters' eyes...For the rest of us, Bier's directorial tics are beginning to wear thin..."[9]

Claudia Puig of USA Today gave the film 3 stars out of 4 and said "The movie makes some missteps, most of them in pacing and length, and the story veers occasionally into melodrama, but it is saved by the powerful performance of Benicio del Toro", calling him "hypnotically watchable."[10] Joe Morgenstern of The Wall Street Journal wrote "Flawed as it is, the movie as a whole is a guilty pleasure." Morgenstern said "del Toro is a fearless actor" and said the film "would be fairly lifeless without him." Morgenstern wrote "Berry is skillful and affecting, occasionally ferocious, and subtle enough for two, in what is essentially a two-character drama."[11] Stephen Holden of The New York Times said the film "is the kind of awards-seeking Hollywood movie that bends over backward to prove that serious American movies can hold their own with the best films from overseas. They don’t, of course, except in very rare instances."[12] Kyle Smith of the New York Post gave the film 1½ stars out of 4 and said the film "was made to win awards, and I'm here to present it with one: the Cliché of the Year honors, otherwise known as the Hackney.[13]