Top Shelf Productions

Brett Warnock during the How to Put Together a Comics Anthology panel at the Stumptown Comics Fest 2006.

The company was founded by Chris Staros and Brett Warnock after discussions between the pair at the 1997 Small Press Expo. Previously Warnock had used the Top Shelf name as the title for a self-published anthology, whilst Staros had worked in the industry representing Eddie Campbell in the United States and self-published a number of comics-based zines. The partnership evolved from combining Warnock's design skills and marketing abilities with Staros' talents for editing and book-keeping.[1] The duo started publishing under the name Primal Groove Press, but soon changed the name to Top Shelf.[2]

The first title to be published by the new imprint was Pete Sickman-Garner's Hey, Mister: After School Special, a collection of Garner's previously self-published comic books along with two new tales. Works by James Kochalka followed,[3] and then in 1999 the company published Good-bye, Chunky Rice, a work which saw its creator, Craig Thompson, win a Harvey Award and which helped establish Top Shelf's reputation for publishing works of merit,[4] with it being chosen as a book of the year by The Comics Journal (#220) alongside the Top Shelf-distributed From Hell.[5]

Staros and Warnock have aimed to give their imprint a style "that is quite hip, but also quite endearing", and Staros regularly signs correspondence with the tagline "Your friend thru comics". The company launched at a recessional period for comics, and saw themselves as, together with Fantagraphics, Drawn & Quarterly, and the now-defunct Highwater Books, attempting to "change the public perception and face of comics altogether".[6] In 2000 Staros delivered the keynote speech at the Ignatz Awards, and argued that the industry must focus more on content, and that more works of the merit of From Hell and Jimmy Corrigan would help the public re-evaluate their perceptions of the medium.[7]

In April 2002 the collapse of the bookstore distributor LPC caused severe financial problems for the company. A $20,000 check the distributor had issued bounced. Investigation by Top Shelf revealed an LPC filing for Chapter 11, a move which left Top Shelf in a perilous state: The company had issued checks based on the LPC check clearing. The company called upon the goodwill it had previously established in the comics market and issued a communication asking for help. They asked former customers to "find it in your hearts to each spend around fifty bucks ... this would literally pull us through". The communication swiftly spread across the internet, with both Neil Gaiman and Warren Ellis disseminating the appeal through their online presences. The move created such an atmosphere that rival publisher and fellow LPC client Dark Horse felt moved to issue a statement to the effect that they were "in a profitable position."[8]

Top Shelf were unprepared for the response, with a volunteer drafted to help pack the orders. A second communication was issued a day later, declaring "Top Shelf Saved by Comics Community Record 12 Hours." The move was greeted with envy by rival publishers, Tom Devlin of Highwater told The Comics Journal that although he viewed the move initially as maybe "a little pathetic", he later realized it as "the most remarkable marketing scheme", although qualifying that he didn't feel "there was a cynical moment" in Top Shelf's actions.[8]

Top Shelf have slowly expanded their line and typically aim to launch works at conventions in order to generate a buzz.[9] The 2004 Comic Con International saw the company launch 8 books, of which two were immediate sell-outs.[10] This has at times caused unrest with retailers, particularly when Blankets was launched at the 2003 Comic Con International.[11] The company also followed this route with Alan Moore and Melinda Gebbie's Lost Girls, launching it at the 2006 Comic Con International. The work had long been on the schedules of Top Shelf, initially intended as a three volume affair scheduled for a 2002 release.[6] The eventual publication proved controversial, with Moore himself describing the work as "pornography"[12] and Chris Staros admitting that publication was "putting the whole company on the line".[13] Before publication fears were raised that the book would prove hard to sell given its nature, and that there may be legal implications.[13] However, the work received good reviews and the initial print run sold out in one day.[14][15] The work has yet to be distributed in the United Kingdom, as the Great Ormond Street Hospital currently owns the copyright to Peter Pan. Top Shelf agreed not to distribute the work in the UK until after that copyright expired at the end of 2007.[14] They do, however, refute that the work breaches the copyrights held.[16]

On 6 January 2015, IDW Publishing announced that it had acquired Top Shelf Publishing. Top Shelf co-founder Warnock announced his retirement from comics publishing, while Staros stayed on as Top Shelf's editor-in-chief.[17]

Wikimedia Commons has media related to Top Shelf Productions.

• Official website
• Brett Warnock's Blog
• Top Shelf Productions at the Comic Book DB (archived from the original)
• Podcast Interview with Chris Staros
• Interview with Brett Warnock at The Wright Opinion, from January 21, 2008
• "Independent Propaganda - INTERVIEW: Top Shelf's Chris Staros Part 1 of 2". Archived from the original on July 15, 2007. Retrieved March 7, 2009.