Under the Sea Wind

Under the Sea Wind was based on the article Undersea previously written by Carson and was published in the Atlantic Monthly in 1937.[3][4] This work began as an eleven-page introduction to a government fisheries brochure, and grew into Carson's first novel.[5] Prior to the publishing of Undersea, she wrote marine based radio scripts; these writings influenced her later works.[3] The article broadcasts themes of ecology and the unwavering will to survive that marine organisms embody.[3] After her article was published, Dutch-born children's author Hendrik Van Loon became interested in her work. He encouraged and supported her to continue this type of depiction of nature in her writing, as well as advised her about publishing.[6][7] Rachel Carson furthered these messages from her article and expanded these perspectives in Under the Sea Wind. These writing styles continued to appear in her following pieces. In the Penguin Classics publication, Under the Sea Wind was described as Carson's personal favorite book she authored.[8] The failure to initially sell Under the Sea Wind is assumed to have been due to the bombing of Pearl Harbor and America entering World War II the same year the Under the Sea Wind was published.[9][10] Under the Sea Wind was popularized with the publication of the second book in the Sea Trilogy, The Sea Around Us, and it was this second text that truly established her as a natural history author.[11]

Under the Sea Wind describes the behavior of organisms that live both on and in the sea on the Atlantic coast. Under the Sea Wind consists of three parts, each following a different organism that interacts with the sea, and viewing it from a personified organism’s perspective.[8][11] The first section, Edge of the Sea, follows a female sanderling Carson names Silverbar.[8] The second section, The Gull’s Way,  follows a mackerel named Scomber, and the third section, River and Sea follows Anguilla, an eel.[8] The narrative follows these creature's migration habits over the span of a year.[11]

Viewing ocean life from a broader ecological perspective was crucial to Carson, rather than just isolating parts of the sea. The term "sea wind" was Carson's way of referring to the entirety of the shore, sea, and sky.[5] Carson had a poetic way of writing about nature, while still maintaining the scientific accuracy of her observations.[1][12] Her work draws connections between nature and home, the borders of interrelated communities, and the growing separation between man and nature.[1][11] Carson took inspiration from natural history authors such as Henry Williamson and Henry Beston, and uses her scientific expertise to ground Under the Sea Wind in scientifically accurate detail on each animal's appearance, diet and behavior.[13][14]

Carson's stated goal of using poetic prose and personifying sea life was "to make the sea and its life as vivid a reality for those who may read the book as it has become for me during the past decade."[15] This writing style brought scientific observations to a larger audience, and as stated by fellow marine environmentalist author Joel Hedgpeth in a review of the book, allowed for "turning the subject of the sea to a respectable reading matter for the clientele of the New Yorker and Readers' Digest sets, and inspiring a fashion in literature about the sea, its ways, and creatures."[16] The style of Carson's writing makes the book suitable for children as well as adults, and the appeal is enhanced with illustrations, originally by Howard Frech. These were eventually replaced in 1991 with illustrations by Robert W. Hines. Though Under the Sea Wind is a story of struggle and chance survival, the style that Carson presents is in stark contrast to her later work, Silent Spring, which is much more dire and analytical.[12]

• Under the Sea-wind at Faded Page (Canada)