Vienna (Ultravox song)

"Vienna" was written in January 1980.[11] The song features a dramatic grand piano in the verses and chorus, and a violin solo in the middle of the song. Other sounds include a solid synth bass line played on a MiniMoog, an Elka string synthesiser and a Roland CR-78 drum machine. The drum machine pattern created by Warren Cann was the basis of the song.[12] Then, Cann and the classically trained Billy Currie together wanted to create something that might sound like it had been written by a late-19th-century romantic composer, so they started creating the basic chords and sounds of the song, and the romantic violin solo was influenced by the German composer Max Reger.[11] The lyrics, which are about a brief love affair in the city of Vienna, were quickly written by Midge Ure. According to Currie, Ure was hesitant about the overly classical romantic feel of the orchestration, and said: "This means nothing to me," to which the producer Conny Plank replied: "Well, sing that then." Ure said that he had in his mind only the line "The feeling is gone, this means nothing to me – oh Vienna!" when he went into studio.[11] Then he wrote the vocal part while bass player Chris Cross started playing some bass lines with his synthesizer.

In interviews at the time it was said that the song took its inspiration from the 1948 film The Third Man, which is based around the Austrian capital, but Midge Ure later admitted he made that up when asked what the song was about.[12] Ure is said to have been influenced by The Walker Brothers' 1978 single "The Electrician".[13]

Ure said of the track: "We wanted to take the song and make it incredibly pompous in the middle, leaving it very sparse before and after, but finishing with a typically over-the top classical ending."[14]

The song became the title track on the band's album Vienna, released in 1980. The record company Chrysalis Records was reluctant to release the song as a single, as they thought it was too slow and too long to be successful. But the band wanted to release it as a single and it was released as the album's third single in January 1981. The single was hugely successful and reached number 2 on the UK Singles Chart, and peaked at number 1 in Belgium, Ireland and the Netherlands.[11] It was unlucky to miss the Australian Top 10, remaining at number 11 for three weeks.

The grave of Carl Schweighofer in 2009

The music video, directed by Russell Mulcahy,[15] is particularly evocative of The Third Man. It was Ultravox's second video, after "Passing Strangers" (also with Mulcahy), and cost £6000–£7000, footed by the band after Chrysalis refused to fund it.

"It may come as a surprise to know that approximately half of it was shot on locations in central London, mainly at Covent Garden and also in the old Kilburn Gaumont Theatre in North London (now a Bingo hall). The embassy party scene was in some house we’d rented in town. Can’t remember where, but I do remember that it took the crew a long time to set up the lights to prepare for filming. So long that we all got impatient with waiting and dipped into the many cases of wine we’d laid on for refreshment after the shoot. By the time the crew was ready to film, we were all well partying for real."

"The other half was in Vienna. We did it on the cheap. There was just us and Nick, our trusty camera man. We took an early morning flight to Vienna, ran round like loonies in and out of taxis as we filmed, and soon discovered that, due to it being the winter off-season, many of the splendid places we’d been counting upon filming were either shut for redecorating or covered with webs of scaffolding. “What do you mean it’s ‘closed for repairs’?!” We finished up in the cemetery for the shots with the statue which had been used for the single’s cover (a gentleman who made pianos for the rich and famous of his time, I believe), did the sunset shot, and then dashed back to London to start editing."

— Warren Cann, Explaining the location details to Jonas Wårstad[16]

The gravestone that is shown in the video and on the single cover is part of the grave of Carl Schweighofer and is located on the Zentralfriedhof in Vienna. Schweighofer was a famous Austrian piano manufacturer.

The B-side to the single is "Passionate Reply", a light, poppy synthpop song similar to many tracks on the Vienna album. The 12" single also features "Herr X", a version of the Kraftwerk-esque album track "Mr. X" sung entirely in German by Warren Cann with the aid of native German producer Conny Plank. Both tracks were included on the remastered CD version of the Vienna album as bonus tracks.

"Vienna"
CD single #1
Single by Ultravox
from the album If I Was: The Very Best of Midge Ure & Ultravox
B-side	"Wastelands" "The Voice" "One Small Day" "Hymn" "Answers to Nothing" "Call of the Wild"
Released	January 1993 (1993-01)
Recorded	February 1980 at RAK Studios
Length	4:37
Label	Chrysalis
Songwriter(s)	Warren Cann Chris Cross Billy Currie Midge Ure
Producer(s)	Ultravox Conny Plank
Ultravox singles chronology
"Vienna 92" (1992) "Vienna" (1993) "I Am Alive" (1993)

In 1993 "Vienna" was re-released by Chrysalis, to promote the Midge Ure/Ultravox greatest hits compilation If I Was: The Very Best of Midge Ure & Ultravox. This reissue peaked at number 13 in the UK Singles Chart.[17] Like the compilation album, the single also included songs by Midge Ure (as B-sides).

All songs written and composed by Warren Cann, Chris Cross, Billy Currie and Midge Ure, except where noted.

"Vienna 92"
Single by Ultravox
B-side	"Systems of Love"
Released	April 1992
Recorded	Berwick Street Studios, London
Genre	Synthpop electronic
Length	4:35 (The classic mix) 7:31 (Goodnight Vienna remix)
Label	ZYX
Songwriter(s)	Warren Cann Chris Cross Billy Currie Midge Ure
Producer(s)	Ultravox Rod Gammons
Ultravox singles chronology
"All in One Day" (1987) "Vienna 92" (1992) "Vienna" (1993)

In April 1992, a re-recorded version of "Vienna", by a new Ultravox line-up, was released as a single in Germany. This line-up consisted of original Ultravox member Billy Currie on keyboards, violin and percussion, and Tony Fenelle on vocals, guitar and percussion. The backing vocals on B-side "Systems of Love" were performed by Alison Limerick and Jackie Williams. The single did not chart. On the album Revelation, it was not included.

"Vienna" is played at the beginning of season one, episode nine of the true crime drama "The Assassination of Gianni Versace."[32] Featured in season one of the series "13 Reasons Why" and fourth season of "The Crown".

• Lyrics of this song at MetroLyrics