Warlpiri people

The Warlpiri language is a member of the Ngumpin-Yapa subgroup of the Pama-Nyungan family of languages.[1] The name Yapa comes from the word for "person",[2] and is also used by the Warlpiri people to refer to themselves, as Indigenous people rather than "kardiya" (non-Indigenous).[3][lower-alpha 1]

The closest relative to Warlpiri is Warlmanpa. It has four main dialects, (1)Yuendumu Warlpiri, in the south-west; (2)Willowra Walpiri, in the central area, around the Lander River; (3)the northern dialect, Lajamanu Warlpiri; and (4) the eastern dialect of Wakirti Warlpiri, spoken on the Hanson River.[4] Most Warlpiri-speakers are bilingual or multilingual, English being their second, or perhaps third, fourth or fifth language. The younger generation of Warlpiris at Lajamanu have developed a new language, light Warlpiri, based on an amalgamation of words and syntax from Warlpiri, English and Kriol.[5] Many also speak other languages, such as Arrernte, Jaru, Western Desert Language, Warumungu. Indigenous sign language is also an important component of Warlpiri communication, as many of 600 distinct signs being used.[6]

Thus a sentence like ga (present tense) na (1) jani (am going) (2) jadidjara (3) (the north) gura (4) (towards binga (a long way)(5)-dju. (6) (emphatic)

Can be said with the same syntax, in gestures: '(1)touch chest/(2) move right index finger/(3)point north/(4)with lips/(5)click fingers (6)towards north.[7]

Kenneth Hale, an American linguist, mastered Warlpiri and was adopted by the tribe, who knew him as Jabanungga. On returning to the United States, he raised his twin sons, Caleb and Ezra, in the Warlpiri tongue, and Ezra delivered the eulogy at Hale's funeral in that language.[8]

Warlpiri country is located in the Tanami Desert, east of the Northern Territory-Western Australia border, west of the Stuart Highway and Tennant Creek, Northern Territory, and northwest of Alice Springs. Many Warlpiri people live in Alice Springs, Tennant Creek, Katherine, and the smaller towns of Central Australia Their largest communities are at Lajamanu, Nyirripi, Yuendumu, Alekarenge and Wirlyajarrayi/Willowra.[1][4]

Warlpiri traditional territory was resource-poor to white eyes, and lay a considerable distance away from the main telegraph routes and highway infrastructure built by Europeans, a fact which meant they were not affected by these intrusive developments, allowing their culture to remain relatively intact and flourishing, unlike the Anmatyerre, the Kaytetye, Warumungu, Warlmanpa, Mudbura and Jingili peoples. One consequence of this is that by the 1980s the Warlpiri people had expanded their range, moving into the lands of the Anmatyerre as the latter's population dropped.[9]

Mervyn Meggitt was sent by his teacher A. P. Elkin to study the Warlpiri, and he stayed with them for over 18 months from 1953 to 1958. His research into their social system, Desert People: A Study of the Walbiri Aborigines of Australia, was published in 1962.[12] In the mid 1970s, Diane Bell undertook detailed work of the lives of Warlpiri women, summed up in her Daughters of the Dreaming (1982).[13] Liam Campbell, in his Darby: One hundred years of life in a changing culture, (2006) recorded the autobiography of one Warlpiri man, Darby Jampijinpa Ross, a centenarian who lived through the profound changes affecting his people throughout the 20th century, including the death of family in the Coniston massacre.[14] In 2000, the French anthropologist Françoise Dussart published a major study of the interplay of gender roles in the ritual maintenance and transmission by yampurru, holders of both sexes of the big secrets, regarding the tales and ceremonies concerning the Warrlpiri Dreaming (Jukurrpa).[15][16]

Warlpiri are known for their traditional dances and have given performances at major events.[17][18] Singing and dancing are also used in Warlpir culture for turning boys into men, curing sicknesses, childbirth, attacking enemies, and ensuring fertility.[19] The Warlpiri also have many different religious ceremonies and events where they sing and dance.

Many Indigenous artists, particularly in the Papunya Tula organisation, are of Warlpiri descent. Warnayaka Art, in Lajamanu, Northern Territory, is owned by the artists, who create works across a range of traditional and contemporary art mediums. A small gallery displays the art, and some of the artists have been finalists in the Telstra National Aboriginal and Torres Strait Islander Art Awards.[20] In the past, Warlpiri artwork was created on wood and sand.[21] Then later, the artwork was made on the body of Warlpiri people. Today the art is used in gallery's to pass down tradition and laws to the next generation of the Warlpiri people.

Warlpiris divide their relatives, and by extension the entire population, into eight named groups or subsections. These subsections are related to kinship, and determine one's family rights and obligations. The following is a brief sketch of how the subsection system relates to genealogy.

The subsections are divided into four semi-patrimoieties, each consisting of two subsections. One always belongs to the same semi-patrimoiety as one's father, but to the opposite subsection, so that men in a patriline will alternate between those two subsections.

The subsections are also divided into two matrimoieties, each consisting of four subsections. One always belongs to the same matrimoiety as one's mother, and women in a matriline will cycle through the four subsections of that matrimoiety.

The two subsections in a semi-patrimoiety always belong to opposite matrimoieties, and similarly, the four subsections of each matrimoiety are distributed among the four semi-patrimoieties. Each subsection is uniquely determined by which semi-patrimoiety and which matrimoiety it belongs to.

Female lines of descent in the two matrimoieties cycle through the semi-patrimoieties in opposite directions. The result is that one's mother's father's mother's father (MFMF) is of the same subsection as oneself.

Siblings always belong to the same subsection.

It follows from these rules that one must choose one's spouse from a particular subsection, and traditional Warlpiri disapprove of marriages that break this constraint. The correct subsection to marry from is that of one's maternal grandfather (though of course one seeks a spouse closer to one's own age).

The subsection system underlies all of traditional Warlpiri society, determining how Warlpiris address and regard each other. Two members of the same subsection refer to each other as siblings, whether or not they actually have the same parent. Men in the same subsection as one's father (for example, one's father's male siblings) are called "father", and this practice is often followed even when Warlpiris speak English. In the same way, most of the kinship terms in the Warlpiri language actually refer to subsection (or classificatory) relationships, not to literal genetic relationships.

Traditionally, the first thing one Warlpiri wants to know about another is their subsection. Warlpiris often address each other by subsection name rather than by personal name, and incorporate their subsection name into their English one, usually as a middle name. When Warlpiris marry Europeans, they tend to extend the subsection system to their inlaws, starting with the assumption that the European spouse is of the correct subsection. Rather distant European relatives may find themselves classified as honorary uncles, nieces, grandparents, and so on. Warlpiris will then try to make sure that further marriages with related Europeans will adhere to the marriage constraint.

The traditional taboo against familiarity between a man and his mother-in-law extends automatically to any man and woman whose subsections are those of man and mother-in-law.

The subsection system automatically prevents incest between siblings and any relatives closer than cousins. Cousins that are children of classificatory siblings (who may, by definition, also happen to be true siblings) of the same sex are themselves classificatory siblings, and may not marry; but children of classificatory siblings of the opposite sex are of the appropriate subsections for marriage, and marriage between so-called cross cousins is actually encouraged in traditional society. Where a couple are not merely classificatory cross-cousins but are true cross-cousins (i.e. their parents are actual siblings), marriage is generally frowned upon.

The eight subsections are interrelated in a pattern known in group theory as the order 8 dihedral group, D₄.

If a Warlpiri has a second choice marriage, then any children they have take on two skin names: first, the skin name they would have adopted had the marriage been first choice; second, the skin name the second choice marriage implied. When asked what their skin name is, they often reply with the former, but may also additionally use the latter. (Observation made from a discussion with a young 'Japananga-Jupurulla'.)

In Warlpiri culture, widows are not forced to remarry and are a very important part of society.[22]

The Warlpiri people have had a hard time finding employment much like other Indigenous people in Australia. The Australian Government created training programs in the early 2000s, originally to help the economy and prevent welfare-dependent Indigenous people; however, this had the effect of separating them from their culture.[23]

The Warlpiri are known for their self-reliance and their close-knit society. They have their own radio show that not only connects the widely dispersed people, but connects them to the outside world, and allows the youth and women to have a voice.[24]

The Warlpiri also now work with the U.S based Newmont Mining Corporation.[25] Newmont and the Warlpiri made a plan known as the Granites-Kurra Ten Year Plan. Because the Warlpiri people are allowing the Newmont Corporation to mine on their lands, this gives them more job opportunities. This plan also helps support Warlpiri education and strengthening governance structures.

• Bess Price (born 1960), Indigenous activist and supporter of the Northern Territory Intervention.
• Liam Jurrah (born 1988), Australian rules footballer for Australian Football League (AFL) club Melbourne.
• Liam Patrick (born 1988), Australian rules footballer for AFL club Gold Coast.
• Dorothy Napangardi (1950s–2013), artist
• Rosie Nangala Fleming (born 1928), artist

Source: Tindale 1974, p. 237