Whiskey for the Holy Ghost

The recording was reportedly a frustrating affair for Lanegan; at one point the singer had to be physically prevented from throwing the master tapes into a river by producer Jack Endino. In his 2017 book I Am the Wolf: Lyrics and Writings, the singer recalls:

From the time I began writing the songs until the record was done, Screaming Trees also wrote and recorded an album and did much touring, so I was compelled to work on my own record in the off-time. A week here, a month there - and what I had originally intended to be a quick recording experience stretched out over four years. Many different musicians, engineers, producers, and studios were burned through, and my behaviour became erratic, not easy to deal with as I continually rewrote, re-recorded, and mixed tunes according to an internal, chemically cracked sensibility that sometimes verged on paranoia.

In an interview on WTF with Marc Maron, Lanegan highlighted the making of Whiskey for the Holy Ghost as an instance in his life where his drug use had a positive effect artistically: "Around the time I did my second solo record I decided to smoke weed, and it made me do some stuff that I never had thought about doing – but of course it turned on me, like all drugs."[2] Despite the album's slow gestation and Lanegan's notorious substance abuse problems, the songs on Whiskey for The Holy Ghost sound remarkably cohesive. Lyrically, Lanegan continues to delve into the darker side of the human experience on songs like "Borracho" and the Biblical "Pendulum." ("Jesus Christ been here and gone, what a painful price to pay.") In his book I Am the Wolf, Lanegan states that Van Morrison and writer Cormac McCarthy sparked his imagination for the imagery on the album, with Morrison being a direct influence on "Carnival," and admits that "Pendulum" started "as a joke designed to make my musical partner Mike Johnson laugh."

Dan Peters of Mudhoney plays drums on "Borracho" and "House A Home." "House A Home" was released as a single with an accompanying video. "The River Rise" was used in the 1996 grunge documentary Hype!, where it accompanied a montage filmed at the vigil following Kurt Cobain's death.

Professional ratings

Review scores
Source	Rating
AllMusic	[1]
Entertainment Weekly	A−[3]
NME	7/10[4]
The Philadelphia Inquirer	[5]
Q	[6]
Rolling Stone	[7]
The Rolling Stone Album Guide	[8]
Spin Alternative Record Guide	8/10[9]

Mark Deming of AllMusic writes, "The songs are more literate and better realized than on the debut, the arrangements are subtle and supportive (often eschewing electric guitars for keyboards and acoustic instruments), and Lanegan's voice, bathed in bourbon and nicotine, transforms the deep sorrow of the country blues (a clear inspiration for this music) into something new, compelling, and entirely his own."[1]

All songs written by Mark Lanegan.

1. "The River Rise" – 4:29
2. "Borracho" – 5:40
3. "House a Home" – 3:07
4. "Kingdoms of Rain" – 3:24
5. "Carnival" – 3:40
6. "Riding the Nightingale" – 6:17
7. "El Sol" – 3:42
8. "Dead on You" – 3:11
9. "Shooting Gallery" – 3:32
10. "Sunrise" – 2:55
11. "Pendulum" – 2:12
12. "Judas Touch" – 1:37
13. "Beggar's Blues" – 5:36

• Mark Lanegan: Vocals, acoustic and electric guitars
• Mike Johnson: Bass, acoustic, electric and slide guitars, organ, piano, harmonica, backing vocals
• Frank Cody: Piano and organ
• Ted Trewhella: Piano
• Justin Williams: Organ
• Kurt Fedora: Bass
• Phil Sparks: Bowed and upright bass
• Dave Kreuger: Violin
• Mike Stinette: Saxophone
• Tad Doyle, J Mascis, Dan Peters, Mark Pickerel: Drums
• Krisha Augerot, Sally Barry: Backing vocals

• Produced by Mark Langegan and Mike Johnson
• Recorded by John Agnello, Terry Date, Ed Brooks and Jack Endino
• Mixed by John Agnello
• Mastered by Bob Ludwig

• "House A Home" music video