Whispering (song)

"Whispering" was most famously recorded by Paul Whiteman and his Ambassador Orchestra on August 23, 1920, for the Victor Talking Machine Company.[2] His version was an eleven-week No. 1 hit in the United States, which stayed 20 weeks in the charts, and sold in excess of two million copies.[3] In 2020, Whiteman's rendition was selected by the Library of Congress for preservation in the National Recording Registry for being "culturally, historically, or aesthetically significant".[4]

The song charted twice in the 1960s. In 1963, Irish singers the Bachelors had a hit with their version which went to the Top 20 in the UK. In 1964, after recording their hit "Deep Purple", American brother and sister singers Nino Tempo and April Stevens had a new hit with "Whispering". This version went to number eleven on the Hot 100 and number four on the Easy Listening chart.[5]

According to Allmusic, there have been over 700 versions of the song.[6] As of 2010, on the online music site www.lala.com, there were 161 listed albums or singles containing the song "Whispering". As of 2014, TJD Online, the online version of The Jazz Discography, listed 225 recording sessions, beginning with Ray Miller and his Black and White Melody Boys, who recorded it on about July 16, 1920, Okeh 4167-A. Also, as of 2014, TJD Online listed 281 recording sessions of Dizzy Gillespie's composition, "Groovin' High", a contrafact variation of "Whispering".

"Whispering", originally scored in E ♭ major, is in ⁴
₄ time. It has a 12-bar intro, the last 4 of which is an optional vamp — then a 16-bar A-theme is followed by a 32-bar repeated chorus. The 32 bars is essentially a 16-bar B-theme played twice — or 4 times with the repeat.

Dizzy's 1945 composition, "Groovin' High", is a contrafact of "Whispering". Following a standard practice in jazz, Diz front-ran the static V⁷ chords with ii⁷ chords (a "static chord" is a chord that doesn't change), setting up a series of ii⁷–V⁷ progressions, which creates more structure for improvising. The ii⁷ chord has similar properties to a iv chord (as in the iv–V progression of church harmony).[7] Because "Groovin' High" was a contrafact, performers, publishers, and record companies did not have to pay royalties to the original composers. Moreover, the contrafacted rendition followed a unified bebop convention — a series of ii⁷–V⁷ chord changes with a ii⁷–V⁷–I⁷ turnaround — for jazz artists.

1920 release of "Whispering" by Paul Whiteman and His Ambassador Orchestra, Victor 18690A. 1998 Grammy Hall of Fame inductee.

• George Gershwin (piano roll), Mel-O-Dee 4007

Recorded September 1919

Gershwin arranged this as a set of variations for piano

• Paul Whiteman and His Ambassador Orchestra, Victor 18690-A (1920); OCLC 53866810, 5225741 [Vocalist: John Steel]

Recorded August 23, 1920, in Camden, New Jersey (audio)

• Comedian Harmonists (1934)

Recorded in 1934 in Berlin

"Whispering", arranged by Bernhard Christensen

Male vocal quintet with piano

Ari Leschnikoff (de) (1897–1978) (tenor), Erich A. Collin (de) (1899–1961) (tenor), Harry Frommermann (de) (1906–1975) (tenor), Roman Cycowski (de) (1901–1998) (baritone), Robert Biberti (de) (1902–1985) (bass), Erwin Bootz (de) (1907–1982) (piano)

Re-release: ASV Records CDAJA 5204, Living Era (imprint); OCLC 476559281 (audio)

• The Dorsey Brothers, Associated Broadcasting Company transcription disc (released to radio only)

Recorded February 1, 1935, in New York City

"Whispering" (part of a medley)

• Benny Goodman Quartet, Victor 25481 (1936); OCLC 27247433

Benny Goodman (clarinet), Lionel Hampton (vibes), Teddy Wilson (piano), Gene Krupa (drums)

Recorded December 2, 1936, in New York City

03515-1 (matrix) – "Whispering"

Goodman went on to record it 8 more times, twice in 1938, 1953, 1958, twice in 1959, 1967, and 1980

• Tommy Dorsey And His Sentimentalists with Frank Sinatra and The Pied Pipers, Bluebird B-10771 (1940); OCLC 52815399

Recorded June 13, 1940, in New York City

Bunny Berigan, Jimmy Blake (trumpets); Tommy Dorsey (trombone, leader); Johnny Mince (clarinet); Fred Stulce, Hymie Schertzer (alto saxes); Don Lodice, Paul Mason (tenor saxes); Joe Bushkin (piano); Sid Weiss (bass); Buddy Rich (drums); Frank Sinatra, Pied Pipers (vocals); Sy Oliver (arranger)

051279-1 (matrix) "Whispering"

Tommy Dorsey recorded it 8 other times, once in 1933 while playing with Red McKenzie's band, 5 times in 1940, and twice in 1944

• Boris Vian (French author and jazz-trompettist) records his version "Ah, si j'avais un franc cinquante" ("Oh, if I only had 1,5 dollar") with lyrics, this recording is published as a single (which only sells 500 copies) but in the following years becomes a classic.
• Harry Belafonte with Pete Rugolo And His Orchestra Capitol 856; OCLC 82131926

Recorded from March 24 to April 3, 1949, Hollywood, California

4322-4D-1 (matrix) – "Whispering"

Belafonte recorded this song during the first year of his recording career

• The Miles Davis Sextet, Prestige 742 (1951); OCLC 31875098 (original release)

Miles Davis (trumpet), Bennie Green (trombone), Sonny Rollins (tenor sax), John Lewis (piano), Percy Heath (bass), Roy Haynes (drums)

Recorded January 17, 1951, in New York City

131-A (matrix) – "Whispering"[8]

Miles recorded it again in 1961; he recorded "Groovin' High" 5 times in 1948

• Les Paul and Mary Ford, The Hit Makers!, Capitol, C. 1748 (Netherlands), CL. 13596 (Italy), F1748 (USA), CP-199 (1951); OCLC 477090584

7864 (matrix) – "Whispering"

• Oscar Peterson (1951) (transcription disc, CBC Transcription Service

Recorded March 8, 1951

Oscar Peterson (piano), Austin Roberts (bass)

Many re-issues; OCLC 53481796 (re-issue)

• Bing Crosby for his album Bing with a Beat (1957)
• Pasadena Roof Orchestra, Review, Transatlantic (E)TRA335 (1976)

Recorded in London in 1976

"Whispering" (cover version)

Selections from this album have been released on dozens of other albums

• Benny Carter Meets Oscar Peterson, Pablo 2310-926 (1987); OCLC 18170774

Benny Carter (alto sax), Oscar Peterson (piano), Joe Pass (guitar), Dave Young (bass), Martin Drew (drums)

Recorded November 14, 1986, in Hollywood, California

• Al Jarreau, Accentuate the Positive, Verve B0001634-02 (2004); OCLC 56123014

Recorded at Capitol Recording Studios, Hollywood, California

"Groovin' High" + "Whispering"

• 1941: Ziegfeld Girl, sung by a male trio
• 1944: Greenwich Village, starring Don Ameche, sung by Vivian Blaine
• 1945: The Clock, sung by a chorus
• 1952: Belles on Their Toes
• 1956: The Eddy Duchin Story, performed by Carmen Cavallaro
• 2016: The Matchbreaker, performed by Christina Grimmie

• 1972: Music Hall of Fame inducted "Whispering" as one of the 10 historic songs.[9]

• Frank Sinatra & the Tommy Dorsey Orchestra (album), recorded 1940 (audio)

The Song Is You (album), recorded 1940

• The Complete RCA Victor Small Group Recordings (album), recorded 1935–1939
• Benny Carter Meets Oscar Peterson (album), recorded 1986
• Chet Atkins' Workshop (album), recorded 1960
• Not Necessarily Acoustic (album), recorded 1994
• Pop + Jazz = Swing (album), recorded 1962
• Accentuate the Positive (album), recorded 2004
• "Cherchez La Femme", song variation of "Whispering"
• West Coast Live, Chet Baker & Stan Getz, recorded 1953
• "Groovin' High", jazz standard based on the chord changes of "Whispering" (audio)
• The Bachelors and 16 Great Songs, recorded 1964

Inset photo: John Steel
(image courtesy of the UCLA Archive of Popular American Music)

[10]

• Sherman, Clay & Co., San Francisco

Lyrics by Malvin Schonberger, music by John Schonberger

© July 22, 1920; 2nd copy July 27, 1920, Class E 486556, Sherman, Clay & Co., San Francisco[11]

© Renewal 21201 July 22, 1947, by John Schonberger & Malvin Schonberger[12]

© Renewal 25563 July 28, 1947, by John Schonberger, Amelia Rose (widow of Vincent Rose), and Richard Coburn[12]

© Assigned to Miller Music Corporation July 28, 1947, by Richard Coburn and Amelia Rose (widow of the late Vincent Rose)[12]

© Claimed by Fred Fisher Music Co. to acquired the rights from John Schonberger in 1938; claim was litigated in U.S. District Court, New York[13]

Notes:

The July 22, 1947, renewal attributes the music to John Schonberger and the lyrics to Malvin Schonberger[12]

The July 27, 1947, renewal attributes the music to John Schonberger and Vincent Rose and the lyrics to Richard Coburn[12]