Yoshio Aramaki

Aramaki was born in 1933 at Otaru city, Hokkaidō prefecture.[6][7] He graduated from Hokkaidō Minami Sapporo high school.[8] He graduated from the first department of literature, psychology course, in the Waseda University. He became an employee of a publishing company and worked in Tokyo.[5] But he returned to Sapporo to succeed his family business.[7] Aramaki again entered and graduated from the department of technology, civil engineering course, in the Hokkai Gakuen University Junior College Division (北海学園大学短期大学部), and obtained qualification of architect in second class. He took office as a representative director in Hokken Shōji Co. Ltd (北建商事株式会社).[5][7]

He joined Hokkaidō SF club and contributed various stories and critiques to its SF coterie magazine "CORE" from 1965 to 1967. In 1970, Aramaki presented a critique "Theory of Novels by Kunst" (術の小説論, Jutsu no Shōsetsu-ron) in the "S-F Magazine" in response to Kōichi Yamano, in which Aramaki analyzed the Robert Heinlein's works by using the concept of "fiction by Kunst",[9] thereby he advocated the new possibilities of Japanese SF works in this critique.[2] He also published a metaphorical short story "Ōinaru Shōgo (The Great Noon)" (大いなる正午) [10] in the S-F Magazine, and thus he debuted as a writer and a critic.

Aramaki wrote speculative and fantastic novels which were affected by New Wave science fiction and Surrealism. At the same time, he also wrote Space opera stories such as "Big Wars" series and so on. His short story "Yawarakai Tokei" (柔らかい時計, Soft Clocks), which took its motif from the picture by Salvador Dalí, was translated into English and appeared in the British SF magazine "Interzone" in 1989, and got high reputation.

His early speculative novelette "Shirakabe no Moji wa Yūhi ni Haeru" (白壁の文字は夕陽に映える, The writings on the white wall are shined by the setting Sun) won the Seiun Award in 1972.[11] And his first long novel and the first volume of the "Shiraki series", Shiroki Hi Tabidateba Fushi (白き日旅立てば不死, Departing on the white day, that is, immortality), was nominated for Izumi Kyōka Prize for Literature and was a runner-up.[7]

Aramaki wrote many "Denki-Roman stories" (伝奇ロマン小説, Legendary Roman story) in the 1980s and 1990s. He also wrote many "imaginary battle / alternate history" stories from the middle 1980s to ca. 2000. They are "Yōsai series" (要塞シリーズ, Fortress series) and "Fleet series" which contains "Konpeki no Kantai series (Deep Blue Fleet)" and "Kyokujitsu no Kantai series (Fleet of the Rising Sun)". He published the critique "Discovery of Simulation Novels" (シミュレーション小説の発見, Shimyureeshon shōsestu no hakken) in 1994.

After 2000, he published the books of "the Corridor of Super Strings - Atlantis Big Wars series" and other novels.

In November 2014, publication of "Teihon Aramaki Yoshio Meta-SF Zenshū" (定本荒巻義雄メタＳＦ全集 Aramaki Yoshio Complete and Standard Collection of Meta-SF Works) was started. The publication of this collection was completed in July 2015. The Collection is constituted of 7 volumes + Extra volume. And in July 2017, Aramaki published the last volume of his meta-SF series, "Shiraki Series", Mohaya Uchū wa Meikyū no Kagami no yōni (もはや宇宙は迷宮の鏡のように, Now the Cosmos is Like the Mirrors of Labyrinth).

Aramaki was also the owner of the Sapporo Tokeidai gallery (札幌時計台ギャラリー).[12] He is known as a collector of the paintings of the artists in Hokkaidō. Many paintings of his collection were donated to the Sapporo Arts Forest Museum (札幌芸術の森美術館).[13]

Aramaki reflected and stated that his origin of surrealistic and speculative feelings might be the place of Otaru where he was born.[14] The circumstances in the young days might form his basis of imaginations. The land Hokkaidō and early experiences were the important elements of his later works.

Aramaki went to the metropolis Tokyo and studied psychology in Waseda University from 1954 to 1957.[15] He worked several years in a publishing company in Tokyo. Aramaki had the ambition to be a professional writer in those days. But he did not stay in Tokyo. When he faced the violent and chaotic movement against the renewal of the Security Treaty between the U.S. and Japan in 1960, he was disappointed at the ideals of the Socialist revolution and abandoned his ambition. Aramaki left Tokyo and returned to Hokkaidō to succeed his family business.[7]

After returned to Sapporo, Aramaki joined the SF group and operated its coterie magazine CORE from 1965 to 1967. In this magazine, he contributed many critiques and stories. Among them, "Shimi" appeared in the first issue of CORE magazine, and which formed an early vision of his debut story "Ōinaru Shōgo". Then he wrote and published critiques: "Overlord and Devil" (Critique to Clarke's Childhood's End), "Critique to The Man in the High Castle", and "Critique to Yasutaka Tsutsui's Tōkaidō War [16]", etc.[14]

Aramaki joined Takumi Shibano's coterie magazine Uchūjin as well, to which he contributed various critiques and stories. Aramaki contributed the series of "Literary Essay on American SF", through which Aramaki tried to understand America and its culture, which had defeated Japan in the former war, and this series of essays would lead to the later "Fleet series" such as Konpeki no Kantai. Aramaki also published short story "The Breakwater to Time (Toki no Bōhatei) [17]", which is a prototype of "The Great Noon (Ōinaru Shōgo)".[14] And he published the counterargument against Yamano's criticism. It was beginning of the so-called "Yamano-Aramaki debate" [18]

In the late 1960s, the Japanese SF writers were searching the new possibilities of Japanese SF under the situation of appearing of New Wave science fictions such as works by J. G. Ballard and Philip K. Dick, and introduction of philosophical novels by Stanisław Lem. Kōichi Yamano published the criticism "Nihon SF no Genten to Shikō" (日本ＳＦの原点と指向, Japanese SF: Its Originality and Orientation) [19] in the S-F Magazine in 1969. In this criticism, Yamano summarized that the existing Japanese SF works are imitations of American SF, thus, there are yet no original Japanese SF. And he suggested the new movement in the arts and subcultures will point the future of Japanese SF.[2][7]

Aramaki, in opposition to this Yamano's criticism, contributed his opinions to the coterie magazine Uchūjin. Aramaki was also searching the new possibilities of Japanese SF and his literary and speculative future visions. In 1969, Aramaki and Yamano debated. Yamano advocated the New SF in Japan, and he started publishing the "Quarterly NW-SF Magazine" (季刊NW-SF, Kikan NW-SF) in 1970. On the other hand, Aramaki published his criticism "Jutsu no Shōsetsu-ron" (術の小説論) in the S-F Magazine in 1970. Aramaki took his own course of speculative and surrealistic fictions.[2][7] Aramaki started publishing his unique metafictional works and more.

After the debut as a writer in 1970, Aramaki vigorously published his "metafiction" novelettes in the S-F Magazine from 1970 to around 1973.[20] These novelettes are highly quality works. They are Aramaki's early masterpieces. Aramaki has established his Meta-SF world at this period. They are "The Great Noon", "Shushi yo (The Seed)" (ptorotype of a novel, "The Sacred Era"), "Aru Hareta Hi no Wien wa Mori no naka ni Tatazumu" (prototype of a novel, "Shiroki Hi Tabidateba Fushi"), "Midori no Taiyō (The Green Sun)", "Mugen e no Houkai (Collapse into Infinity)", "Soft Clocks", "Seienju no hanasaku Toki (When the Sexual-flame-trees Bloom)", "Uchū 25-ji (The Space 25 O'clock)", "Toki no Ashibune (Reed Ship of Time)" and so on.[20][21] Note: As to the List of Early metaficitions at this period, See Here.

Aramaki's first long novel "Shiroki Hi tabidateba Fushi" (the first book of the Shiraki series) was published in April 1972. And the early masterpiece "Shinsei-dai (The Sacred Era)" was published in May 1978, whose prototype was "Shushi yo" originally appeared in S-F Magazine in 1970. But Aramaki proceeded and diversified his literature world in various genres.

While Aramaki were contemplating and creating his speculative stories, at the same time, he was also trying to explore story themes in various genres and styles. In 1975, he published "Kūhaku no Jūjika (Vacant Cross)” which is a super-ancient, occult story, but the stage of novel is contemporary Japan. This is the first book of the Kūhaku series. "Tennyo no Misshitsu" in 1977 is a closed room mystery, not a SF. "Ōgon Mayu no Nemuri" in 1976 is also a super-ancient story, and like Kūhaku series, the stage is contemporary Japan. This is the first book of the "Kimmeria Nanatsu no Hihō (The Seven Secret Treasures of Kimmeria)" series.

Aramaki wrote the Space opera stories. "Kami naru Eien no Kaiki" in 1978 is the first book of the Big Wars series. The stories in this series are rather hard SF. Aramaki has graduated from the department of engineering, and he is an engineer and an architect. Aramaki published "Megami-tachi no Gogo (Afternoon of goddesses)" in 1980, which is a novelette collection book. Each story in this book is a common novelette whose protagonist is a young woman. Not a SF, not a mystery, and not an occult fantasy. Aramaki wrote young adult stories (See Here). His stories cover a pretty wide range of fictions.

Aramaki published "Niseko Yōsai 1986 part 1 - Rishiri-Rebun Tokkō-hen (ニセコ要塞1986 [1] - 利尻・礼文特攻篇 Niseko Fortress 1986). This is the first book of 20 volumes "Yōsai series" (要塞シリーズ Fortress Series). The last book of this series, "Fugaku Yōsai 3, the Apocalypse Program" (富嶽要塞３ 黙示録プログラム) was published in December 2001.

While writing various episodes of the "Yōsai Series", Aramaki started to publish the new Alternate history series, "Kantai Series" (艦隊シリーズ Fleet Series). The first book of these series was published in 1990, "Konpeki no Kantai 1". In 1992, Aramaki started publishing "Kyokujitsu no Kantai Series" in addition. 63 books of the "Kantai series" were published from 1990 to 2000.[22] This is the alternate history stories. The simulation novels of the Second World War.

"The Kantai Series" got successfully popularity. "Kantai Series" were adapted into several console games, manga, and anime (DVDs and Laser Disks). The anime series were especially well-known. They were sold very much, more than five million copies were sold.[23]

In August 2007, Nippon 2007, the first World SF Convention in Asia, took place at Yokohama, Japan. The panel "Steampunk/ Alternate history" was held on this occasion, in which Fumio Takano, Masaaki Shindo, Haruaki Utsukibara, Tadashi Nagase,[24] and Aramaki were panelist.[25] Aramaki also became a panelist in the "New wave/ Speculative fiction" panel.[25]

Taking these events as a trigger, Aramaki joined the Critique site "speculative japan" which was founded by translator Mamoru Masuda JA), and he contributed many critiques to this site. In 2008, Aramaki returned to be a member of the SFWJ and began to take a role in Japanese SF criticism. The SFWJ had established "Nihon SF Critique Award" in 2006. Aramaki served as a chief of the selection committee from 4th to 7th award.[26] The new critics such as Yoshiyuki Ishiwa, Akira Okawada, Maki Takatsuki [27] etc., have debuted through this award.[28]

In 2014, the literary exhibition "Aramaki Yoshio no Sekai" (荒巻義雄の世界, The World of Aramaki Yoshio) was held in Hokkaido Museum of Literature at Sapporo from February 8 to March 23.[29] The project of this event started from the one design drawing which Aramaki had asked architect Tsuneyo Matsuhashi [30] to draw for showing the structure of the City-type Starship,[31] appeared in the Big Wars series, in 1983. And during these 30 years, Shōichi Nakano [32] had created many CG images of this starship scenes. Thereby the exhibition of the CG arts and its original writer Aramaki was planned and held. Among various events, the Panel "The Orgin of the World of Aramaki Yoshio" took place. Aramaki, Takayuki Tatsumi, Mari Kotani, Denis Taillandier [33] and two others were panelist. Aramaki talked his origins of a writer.[14][29]

Note 1: /col/ indicates a book is a Collection of short stories and novelettes.

Note 2: If books belong to the certain series, the first book of the series is shown here. There are exceptions.

• Shirakabe no Moji wa Yūhi ni Haeru /col/ (白壁の文字は夕陽に映える, The Writings on the White Wall are Shined by the Setting Sun) 1972-04 Hayakawa Publishing (ja:早川書房) [34]
• Shiroki Hi Tabidateba Fushi (白き日旅立てば不死, Departing on the White Day, that is, Immortality) [35] 1972-12 Hayakawa Publishing [34]
• Kūhaku no Jūjika (空白の十字架, The Vacant Stauros [Cross]) [36] 1975-05 Shodensha (祥伝社) [34]
• Toki no Ashibune /col/ (時の葦舟, The Reed Ship of Time) 1975-07 Bunka Shuppankyoku (文化出版局) [34]
• Ōgon Mayu no Nemuri (黄金繭の睡り, The Sleep of the Golden Cocoon) [37] 1976-09 Tokuma Shoten (徳間書店) [34]
• Tennyo no Misshitsu (天女の密室, Closed Room of Heavenly Maiden) [38] 1977-11 Jitsugyo no Nihon Sha (実業之日本社) [34]
• Aru Hareta Hi no Wien wa Mori no naka ni Tatazumu /col/ (ある晴れた日のウイーンは森の中にたたずむ, On a Certain, Fine Day, Stands Wien in the Forest) 1980-08 Kodansha (講談社) [39][34]
• Shinsei-dai (神聖代) 1978-05 Tokuma Shoten (徳間書店) [34]
  • English version: The Sacred Era 2017-06 University of Minnesota Press [34] amazon.com
• Kami naru Eien no Kaiki (神鳴る永遠の回帰, The Thundering Divine of the Eternal Return) [40] 1978-09 Tokuma Shoten [34]
• Yawarakai Tokei /col/ (柔らかい時計, Soft Clocks)1978-11 Tokuma Shoten [41][34]
• Uchū Nijūgo-ji /col/ (宇宙25時, The Space 25 O'clock) 1978-12 Tokuma Shoten [41][34]
• Shinshū Byakuma-den - Klein no Tasubo no Maki (神州白魔伝 九来印之壺の巻, White Devil Legend in the Divine Province - Volume of Klein Bottle) [42] 1979-01 Kisotengai Sha (ja:奇想天外社) [34]
• Solomon no Hihō (ソロモンの秘宝, Solomon's Secret Treasure) [43] 1980-07 Tokuma Shoten [34]
• Megami-tachi no Gogo - Aoi Tabi no Sakuhin-shū /col/ (女神たちの午後―青い旅の作品集, The Afternoon of goddesses - Stories from the Blue Travel) 1980-12 Kadokawa shoten [34]
• Abandandero no Kai-kikai /col/ (アバンダンデロの快機械, Pleasure Machine of Abandondero) 1981-03 Kadokawa shoten [34]
• Walpurgis no Yoru /col/ (ヴァルプルギスの夜, The Night of Walpurgis) 1981-07 Kadokawa Shoten /bunko/ [34]
• Satsui no Myōō (殺意の明王, Murderous Intent of Vidya-raja [Wisdom King]) [44] 1981-11 Yuraku Shuppan (有楽出版) [34]
• Castrovalva /col/ (カストロバルバ) 1983-12 Chuokoron Sha ja:中央公論社 [34]
• Faust Jidai (ファウスト時代, The Faust Age) 1982-11 Kodansha [34]
• Mū Tairiku no Shihou(ムー大陸の至宝, The Supreme Treasure in the Mu Continent) [45] 1984-02 Kadokawa Shoten [34]
• Yoshitsune Maihō Densetsu Satsujin Jiken (義経埋宝伝説殺人事件, Murder affair of the Yoshitsune's Buried Treasure Legend) [46] 1985-10 Kodansha [34]
• Kodai Kagome-zoku no Inbō (古代かごめ族の陰謀, Conspiracy by the Ancient Kagome Family) [47] 1985-10 Tokuma Shoten [34]
• Niseko Yōsai 1986 part 1 - Rishiri-Rebun Tokkō-hen (ニセコ要塞1986 [1] - 利尻・礼文特攻篇 Niseko Fortress 1986, part 1, Rishiri-Rebun Special Attack) [48] 1986-07 Chuokoron Sha [34]
• Maboroshi Bunmei no Tabi - Kūsō Kojiki /col/ (幻文明の旅 - 空想古事記, Travels to the Visionary Civilizations - Kojiki in Fantasy) 1986-09 Tokuma Shoten [49][34] ISBN 4-19-578138-8 C0193
• Sei-Stefan Jiin no Kane no Ne wa (聖シュテファン寺院の鐘の音は, The Sounding Bells of the Saint Stefan Cathedral) [35] 1988-05 Tokuma Shoten [34]
• Nekosenshi Chō D-kyū Keikaku (猫戦士超Ｄ球計画, Cat warrior, the Super Dyson Sphere Project) 1989-06 Tairiku Shobo (ja:大陸書房) [34]
• Sarutobi Sasuke : Kishu Densetsu no Kan - Tanjō-hen (猿飛佐助 貴種伝説の巻 誕生編) [50] 1998-10 Kadokawa Shoten [34]
• Konpeki no Kantai 1, Unmei no Kaisen (紺碧の艦隊 1 運命の開戦, Deep Blue Fleet 1, Fate of Starting a War) [51] 1990-12 Tokuma Shoten [34]
• Kyokujitsu no Kantai 1, Chōsenkan Yamato Takeru no Mikoto Shutsugeki (旭日の艦隊 1 超戦艦日本武尊出撃, Fleet of the Rising Sun, Sally of Super Battleship Prince Yamato Takeru) [52] 1992-06 Chuokoron Sha [34]
• Shin Konpeki no Kantai zero (0), Itsuwari no Heiwa (新紺碧の艦隊零 偽りの平和, New Deep Blue Fleet 1, Deceptive Peace) [53] 1997-04 Tokuma Shoten [34]
• Shin Kyokujitsu no Kantai zero (0), Yumemiru Chōsenkan (新旭日の艦隊零 夢みる超戦艦, New Fleet of the Rising Sun, Dreaming Super Battleship) [54] 1997-06 Chuokoron Sha [34]
• Teikoku no Hikari 1, Venture 2025 (帝国の光１ ベンチャー2025年, Light of the Empire 1, Venture 2025) [55] 1997-08 Gentoha [34]
• Kyokujitsu no Kaisen, Nichiro-sensō no Chiseigaku (旭日の海戦 日露戦争の地政学) 1998-12 Kadokawa Shoten 1998.12 [34]
• Kyokujitsu no Senkan, Sōseki to Mikasa (旭日の戦艦　漱石と三笠, Battleship of Rising Sun, Sōseki and Mikasa) 1999-07 Kadokawa Shoten [34]
• PLUG (PLUG) 2002-01 Kadokawa Shoten [34]
• Chōgen Kairō - Atlantis Taisen 1 (超弦回廊 アトランティス大戦 1, The Corridor of Super Strings - Atlantis Big War 1) [56] 2003-04 Chuokoron Sha [34]
• Romanov Teikoku no Yabou - Nihon Seifuku Sensō (ロマノフ帝国の野望　日本征服戦争, The Ambition of the Romanov Empire - The War for Conquring Japan) 2010-05 Chuokoron Sha [34]
• Teihon Aramaki Yoshio Meta-SF Zenshū, Dai-3 kan "Shiroki Hi Tabidateba Fushi" /col/ (定本荒巻義雄メタSF全集 第3巻『白き日旅立てば不死』, Aramaki Yoshio Complete and Standard Collection of Meta-SF Works, volume 3) 2014-11 Sairyūsha ja:彩流社 [34][57]
• Mohaya Uchū wa Meikyū no Kagami no yōni (もはや宇宙は迷宮の鏡のように, Now the Cosmos is Like the Mirrors of Labyrinth) [35][58] 2017-07 Sairyu Sha (ja:彩流社) [34]

• Shiraki Series (白樹シリーズ) 1972–2017, 3 volumes
  • Shiroki Hi Tabidateba Fushi (白き日旅立てば不死, Departing on the White Day, that is, Immortality) 1972-12 Hayakawa Publishing
  • Sei-Stefan Jiin no Kane no Ne wa (聖シュテファン寺院の鐘の音は, The Sounding Bells of the Saint Stefan Cathedral) 1988-05 Tokuma Shoten
  • Mohaya Uchū wa Meikyū no Kagami no yōni (もはや宇宙は迷宮の鏡のように, Now the Cosmos is Like the Mirrors of Labyrinth) 2017-07 Sairyu Sha (ja:彩流社) ISBN 978-4-7791-2110-4

Aramaki published around 15 metafictional novelettes in the S-F magazine in the early 1970s. These stories were, in a sense, the "jewels" of Aramaki's metafictional world. These are pioneer works appeared ca. half centuries in advance. Most readers and critics have been ignoring and forgetting, however, a few critics have been recognizing the importance of Aramaki's these works. In 2013, French culture studies researcher Denis Taillandier [33] published the paper discussing and evaluating Aramaki's early short story "Soft Clocks". The revaluation of the Aramaki's metafictional works were started. In the course of this recognition change, publication of the "Complete Collection of Meta-SF Works" was planned.

The following list shows the early metafictional novelettes and short stories appeared in the S-F magazine from 1970 to ca. 1973:[20]

• Big Wars series (ビッグウォーズ・シリーズ) 1978-1998

• Kūhaku series (空白シリーズ, Vacancy series) 1975-1987
• Kimmeria Nanatsu no Hihō series (キンメリヤ七つの秘宝シリーズ, Seven Secret Treasures of Kimmeria series) 1976-1981
• Shimanari series (嶋成シリーズ, Shimanari series) 1977, 1979
• Byakuma-den series (白魔伝シリーズ, White Devil Legend series) 1979 (uncompleted)
• Hihō series (秘宝シリーズ, Secret Treasures series) 1980-1985
• Maihō Densetsu series (埋宝伝説シリーズ, Buried Treasure Legend series) 1985-1900
• Myōō series (明王シリーズ, Wisdom King series) 1981-1991
• Mū series (ムー・シリーズ, Mū series) 1984-1987
• Sasuke series (佐助シリーズ, Sasuke series) 1989-1992

• Yōsai Series (要塞シリーズ Fortress Series) 1986–2001, 20 volumes
  • Niseko Yōsai 1986 1-3 (ニセコ要塞 1986, Niseko Fortress 1986) 1986-1988
  • Towada Yōsai 1991 1-3 (十和田要塞 1991, Towada Fortress 1991) 1989
  • Aso Yōsai 1995 1-5 (阿蘇要塞 1995, Aso Fortress 1995) 1990-1991
  • Biwako Yōsai 1997 1-6 (琵琶湖要塞 1997, Biwako Fortress 1997)
  • Fugaku Yōsai 1-3 (富嶽要塞, Fugaku Fortress) 2001
• Kantai Series (艦隊シリーズ, Fleet Series) 1990–2000, 63 volumes
  • Konpeki no Kantai Series 1-20 (紺碧の艦隊シリーズ, Deep Blue Fleet series) 1990-1996 Tokuma Shoten
  • Kyokujitsu no Kantai Series 1-16 (旭日の艦隊シリーズ, Fleet of Rising Sun series) 1992-1996 Chuokoron Sha
  • Shin Konpeki no Kantai Series 0, 1-8 (新・紺碧の艦隊シリーズ, New Deep Blue Fleet series) 1997-2000 Tokuma Shoten (0), Gentosha (1-8)
  • Shin Kyokujitsu no Kantai Series 0, 1-17 (新・旭日の艦隊シリーズ, New Fleet of Rising Sun series) 1997-2000 Chuo Kouron Sha, Shin Chuokoron Sha

• Teikoku no Hikari Series 1-2 (帝国の光シリーズ, Light of the Empire series) 1997 Gentosha
• Chōgen Kairō Series 1-6 (超弦回廊シリーズ, The Corridor of Super Strings series) 2003-2008 Shin Chuokoron Sha

• Gomannen-go no Natsuyasumi (五万年後の夏休み) 1978-11 Tsuru Shobō (鶴書房) - (Jikan Kanshi-in series 1) [34]
• Midori no Uchū Guntō (緑の宇宙群島) 1980-02 Kadokawa Shoten - (Jikan Kanshi-in series 2) /bunko/ [34]
• Seiun-Ki I Higeki no Ōji (星運紀 I 悲劇の王子) 1991-04 Keibun Sha (勁文社) [34]
• Seiun-Ki II Ōji no Shutsugeki (星運紀 II 王子の出撃) 1991-09 Keibun Sha (勁文社) [34]

• Simulation Shōsetsu no Hakken (シミュレーション小説の発見) 1994-12 Chuokoron Sha (中央公論社) [34]

• Maboroshi Bunmei no Tabi - Kūsō Kojiki (幻文明の旅 - 空想古事記, Travels to the Visionary Civilizations - Kojiki in Fantasy) 1986-09 Tokuma Shoten [49][34] ISBN 4-19-578138-8 C0193
• Ryūkō Sakka no Dennō Shinan - Korenara dekiru Ichitarō 7 (流行作家の電脳指南　これならできる一太郎7, Guide of Computer by a Popular Writer - How to use Ichitarō 7) [62] 1997-01 Chuokoron Sha [34]
• Kyokujitsu no Kaisen, Nichiro-sensō no Chiseigaku (旭日の海戦 日露戦争の地政学) 1998-12 Kadokawa Shoten 1998.12 [34]
• Kyokujitsu no Senkan, Sōseki to Mikasa (旭日の戦艦 漱石と三笠, Battleship in the Rising Sun, Sōseki and Mikasa) 1999-07 Kadokawa Shoten [34]
• Rōma-jin ga Egaita Sekaichizu (ローマ人が描いた世界地図, The World map drawn by the Romans) 2002-12 Seishun Shuppan (青春出版社) Playbooks [34]
• Jinsei wa SF da (人生はＳＦだ 2013-01 Life is just SF) Iwasaki Insatsu Co. Ltd. /Private publication/ [34]

• Shishū “Gaikotsu Hantō"’’ - Aramaki Yoshio Daiichi Shishū (骸骨半島－荒巻義雄第一詩集, ‘’Skelton Peninsula’’) Private publication 2011-08 /Yoshio Sōsho 3/