1954 in Italian television

[1]

• 3 January. After a five years experimentation, the speaker Fulvia Colombo announces, from the Milan studios, the official beginning of the TV broadcasting on Italy. This is the schedule of the day:

The TV signal covers the Northern Italy, Rome and the Tyrrhenian side of Central Italy, the transmissions last four hours and a quarter by day (from 5. 30 to 11.30 PM, with a pause from 7 to 8.45; from 11 AM to 4 PM and from 5 PM to 11.30 PM the holidays), The TV programming rely on music, plays and movies; the news are strictly institutional and focused on the official ceremonies. The subscribers to the new media are just 90, but a month later are already 24.000.

• 26 January. The first Italian teleplay, La Domenica di un fidanzato (see below) is aired.
• 29 January. First live broadcast of a football match (Italy-Egypt, from San Siro Stadium, valid for the 1954 World Cup qualification). The commentators are Carlo Bacarelli, Vittorio Veltroni (father of Walter) and Nicolò Carosio, historical voice of the sport on radio. In June, the 1954 football world cup is the first major sport event followed by the Italian television.[3]
• January–March :The RAI publishes its “TV self-discipline code”, inspired to the moral criteria of the CCC (Catholic Cinematografic Center).
• 28 February. First live broadcast of a current event (the carnival of Viareggio).
• 26 March: First political debate, about the taxman, with the ministers Ezio Vanoni and Roberto Tremelloni.
• 10 April. RAI changes its business name from Radio Audizioni Italiane (Italian Radio Auditions) to Radio Televisione Italiana (Italian Radio Television).
• 18 April: For Easter, the RAI broadcasts the “Urbi et orbi” blessing of Pious XII, who is the first pope to appear on TV.
• 23 April. First opera (The barber of Sevilla) realized in the studio, directed by Franco Enriquez.
• 3 June. The catholic Filiberto Guala is appointed RAI's Delegate Manager. His most important choice is the assumption, after a formative course, of three hundred young intellectuals (the so-called “white corsairs”) to balance the influence of the ancient managers (generally liberal or former fascist). Among the “white corsairs”, there are people with a brilliant future, like Umberto Eco, Gianni Vattimo, Furio Colombo, Piero Angela and Andrea Camilleri.
• 6 June. RAI takes part to the Eurovision’s birth. Immediately after the opening show (the Narcissuses Feast, from Montreux), the Italian TV broadcasts for the whole Europe a Pious XII.’s speech.[4]
• 16 November. The first Italian miniseries, Il dottor Antonio (see below) is aired.
• 10 December. The fee for the TV visions is instituted. At the end of the year, the subscribers get the 88.000 unities, prevalently public places, because the high price of fee and TV sets.

• Un, due, tre (One, two, three) – variety, directed by Mario Landi, lasted for six seasons. It is conceived as a parade of international stars, but soon the comic duo Ugo Tognazzi and Raimondo Vianello wins the audience's attention and becomes the focus of the show. Some of their sketches caricaturing other TV shows; as Mario Soldati's Travel in the Po valley, looking for genuine foods (with Vianello as the writer-gastronome) or the enquiry The working woman (with Tognazzi in woman dress) are very popular today again.[5] After five years of huge critic and public success, the show is roughly suppressed, because a sketch where the duo, using the freedom of the live broadcast, politely mocked the president Giovanni Gronchi.[6]
• Una risposta per voi (An answer for you) – educational program, lasted 13 seasons. The university professor Alessandro Cutolo answers to the letters of the viewers on every subject.

• Arrivi e partenze (Arrivals and departures) – magazine of interviews, in ports and airports, to the VIP coming to or leaving Italy. The interviewers are Armando Pizzo and Mike Bongiorno, who so begins his decades-long career of TV showman; the director is Antonello Falqui.[7]
• Il dottor Antonio ( Doctor Antonio) – in 4 episodes, from the Giovanni Ruffini’s novel about the Italian Risorgimento, directed by Alberto Casella, with Luciano Alberici. It's the first Italian miniseries; its success, moreover among the female audience, will encourage RAI, in the following years, to carry on the production of period dramas.

• List of Italian films of 1954