1960s in film

Beginning in the middle of the decade due to the start of the cultural revolution and the abolition of the Hays Code, films became increasingly experimental and daring and were taking shape of what was to define the 1970s.

Years in film
1870s
1880s 1880 1881 1882 1883 1884 1885 1886 1887 1888 1889
1890s 1890 1891 1892 1893 1894 1895 1896 1897 1898 1899
1900s 1900 1901 1902 1903 1904 1905 1906 1907 1908 1909
1910s 1910 1911 1912 1913 1914 1915 1916 1917 1918 1919
1920s 1920 1921 1922 1923 1924 1925 1926 1927 1928 1929
1930s 1930 1931 1932 1933 1934 1935 1936 1937 1938 1939
1940s 1940 1941 1942 1943 1944 1945 1946 1947 1948 1949
1950s 1950 1951 1952 1953 1954 1955 1956 1957 1958 1959
1960s 1960 1961 1962 1963 1964 1965 1966 1967 1968 1969
1970s 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979
1980s 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989
1990s 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999
2000s 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009
2010s 2010 2011 2012 2013 2014 2015 2016 2017 2018 2019
2020s 2020 2021 2022 2023 2024 2025 2026 2027 2028 2029

• Historical drama films continued to include epics, in the style of Ben-Hur from 1959, with Cleopatra (1963), but also evolving with 20th-century settings, such as The Guns of Navarone (1961), Lawrence of Arabia (1962) and Doctor Zhivago (1965).
• Psychological horror films extended, beyond the stereotypical monster films of Dracula/Frankenstein or Wolfman, to include more twisted films, such as Psycho (1960) and Roger Corman's Poe adaptations for American International Pictures as well as British companies Hammer Horror and Amicus Productions. Other European filmmakers like Mario Bava directed many notable horror films.
• Comedy films became more elaborate, such as The Pink Panther (1963), The President's Analyst (1967), or A Funny Thing Happened on the Way to the Forum (1966). Breakfast at Tiffany's (1961) elevated the concept of a comedy-drama, where the subtle comedy conceals the harsher elements of the drama beneath, and Stanley Kubrick's Dr. Strangelove (1964) set a new standard for satire by turning a story about nuclear holocaust into a sophisticated black comedy.
• Beyond the trenchcoat and film noir, spy films expanded with worldly settings and hi-tech gadgets, such as the James Bond films Dr. No (1962) or Goldfinger (1964) and Thunderball (1965). This Spy mania extended throughout the world with many countries notable Italy and Spain producing many of their own fantastical spy films.
• Similar to spy films, the heist or caper film included worldly settings and hi-tech gadgets, as in the original Ocean's Eleven (1960), Topkapi (1964) or The Thomas Crown Affair (1968).
• The spaghetti westerns (made in Italy and Spain), were typified by Clint Eastwood films, such as For a Few Dollars More (1965) or The Good, the Bad and the Ugly (1966). Several other American and Italian actors were also prominent in such westerns including Lee Van Cleef and Franco Nero.
• Science-fiction or fantasy films employed a wider range of special effects, as in the original of The Time Machine (1960) and Mysterious Island (1961), or with animated aliens or mythical creatures, as in the Harryhausen animation for Jason and the Argonauts (1963) and One Million Years B.C. (1966). Some extensive sets were built to simulate alien worlds or zero-gravity chambers, as in space-station and spaceship sets for the epic 2001: A Space Odyssey (1968), the psychedelic, space settings for the erotic Barbarella (1968), and with ape-city in the original Planet of the Apes (1968). Russian fairy-tale fantasy was also prominent with the likes of Aleksandr Rou directing many such films.