69 Love Songs

The album was originally conceived as a music revue. Stephin Merritt was sitting in a gay piano bar in Manhattan, listening to the pianist's interpretations of Stephen Sondheim songs, when he decided he ought to get into theatre music because he felt he had an aptitude for it. "I decided I'd write one hundred love songs as a way of introducing myself to the world. Then I realized how long that would be. So I settled on sixty-nine. I'd have a theatrical revue with four drag queens. And whoever the audience liked best at the end of the night would get paid."[1] He also found inspiration in Charles Ives' 114 Songs, about which he had read earlier in the day: "songs of all kinds, and what a monument it was, and I thought, well, I could do something like that."[2]

Band member Claudia Gonson has claimed that Merritt wrote most of the songs hanging around in bars in New York City.[3]

On seven occasions (five in the United States and two in London over four consecutive nights) the Magnetic Fields performed all 69 love songs, in order, over two nights. Several of the lavish orchestrations are more simply arranged when performed live, due to limited performers and/or equipment.

Merritt has said "69 Love Songs is not remotely an album about love. It's an album about love songs, which are very far away from anything to do with love."[4] The album features songs in many different genres, including country, synth pop, free jazz and mournful love ballads. All the songs deal with love in one form or another, but often in an ironic or off-beat fashion, such as "Yeah! Oh, Yeah!" that tells the story of a husband murdering his wife. The songs of 69 Love Songs features lyrics with both heterosexual, homosexual or bisexual points of view, such as "When My Boy Walks Down the Street" or "Underwear".

The album was initially released in the United States by Merge on September 7, 1999, as a box set with Merritt interview booklet with Daniel Handler, and as three separate individual volumes—catalogue numbers MRG166 (Vol. 1), MRG167 (Vol. 2), MRG168 (Vol. 3), and MRG169 (box set). On May 29, 2000, the album was released by Circus (CIR CD003) in Europe and Australia without the booklet insert. It was reissued in the United Kingdom through Domino as REWIGCD18.

On April 20, 2010 Merge released a limited edition 6x10" vinyl version limited to 1000 copies.[5]

Professional ratings

Aggregate scores
Source	Rating
Metacritic	88/100[6]
Review scores
Source	Rating
AllMusic	[7]
Entertainment Weekly	A[8]
The Guardian	[9]
Mojo	[10]
NME	8/10[11]
Pitchfork	9.0/10[12]
Rolling Stone	[13]
The Rolling Stone Album Guide	[14]
Spin	10/10[15]
The Village Voice	A+[16]

69 Love Songs received widespread acclaim from music critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, the album received an average score of 88, indicating "universal acclaim".[6] Betty Clarke of The Guardian hailed it as "an album of such tenderness, humour and bloody-minded diversity, it'll have you throwing away your preconceptions and wondering how you ever survived a broken heart without it."[9] Douglas Wolk of Spin called the album Stephin Merritt's "masterwork" and stated that "pop hasn't seen a lyricist of Merritt's kind and caliber since Cole Porter", praising his unique takes on standard love song clichés.[15] Nick Mirov of Pitchfork wrote that Merritt "has proven himself as an exceptional songwriter, making quantum leaps in quality as well as quantity on 69 Love Songs."[12] Robert Christgau, writing in The Village Voice, stated that despite his personal dislike of cynicism and reluctance to "link it to creative exuberance", the album's "cavalcade of witty ditties—one-dimensional by design, intellectual when it feels like it, addicted to cheap rhymes, cheaper tunes, and token arrangements, sung by nonentities whose vocal disabilities keep their fondness for pop theoretical—upends my preconceptions the way high art's sposed to."[16]

69 Love Songs was voted second place in The Village Voice's annual Pazz & Jop critics' poll for 1999, behind Moby's Play.[17] The poll's creator Robert Christgau ranked it as the best album of the year on his "Dean's List".[18] In 2012, it was ranked at number 465 in Rolling Stone's list of the 500 Greatest Albums of All Time.[19] The following year, NME placed it at number 213 on their own list of all-time greatest albums.[20] The album was also included in the book 1001 Albums You Must Hear Before You Die.[21]

According to Nielsen SoundScan, as of 2015 the three-volume boxed set has sold 83,000 copies, with an additional 58,000 for volume one, 34,000 for volume two, and 29,000 for volume three.[22]

LD Beghtol's explication of 69 Love Songs (ISBN 0-8264-1925-9) was released on December 15, 2006 by Continuum International Publishing Group as part of their 33⅓ series of books on influential pop/rock albums.[23]

The book includes studio anecdotes, an extensive annotated lexicon of words and phrases culled from the album's lyrics, performance notes from the band, fans and friends, full-album shows in New York, Boston, and London, rare and unpublished images by chickfactor editor/photographress Gail O'Hara, and other items such as a crossword puzzle created by TMF/Flare associate Jon DeRosa and a scathing list of academic cant words not otherwise used in Beghtol's book.

Also featured is a candid interview with the songwriter, styled as a surrealist radio play, in which Stephin Merritt answers questions about his Chihuahua Irving Berlin Merritt, his sex life, studio practices, and other esoterica.

"The Book of Love" was covered by Peter Gabriel; this cover version was featured in Scrubs during the final episode, "My Finale", the 2004 movie, Shall We Dance?, and the South Park episode "Tweek x Craig".

"Papa was a Rodeo" was covered by Kelly Hogan and the Pine Valley Cosmonauts on the 2000 Bloodshot Records album "Beneath the Country Underdog".

"My Only Friend" was covered by Deadsy and featured on the soundtrack for the 2005 film Winter Passing

All tracks are written by Stephin Merritt.

The Magnetic Fields

• Stephin Merritt – vocals, Digitech vocalist, Roland harmonizer, vocoder, ukulele, baritone ukulele, classical guitar, acoustic-electric 12-string guitar, lap steel, fado guitar, electric guitar, bass, mandolin, autoharp, marxophone, ukelin, tremoloa, violin-uke, sitar, zither, violin, musical saw, keyboards, synclavier, piano, harmonium, Wurlitzer electric piano, organ, rhythm units, recorder, ocarina, pennywhistle, Maestro wind synthesizer, melodica, Paul Revere jug, rumba box, xylophone, kalimbas, drum kit, rain stick, chimes, maracas, conga, bongos, triangle, bells, tambourine, washboard, steel drum, Chicken Shakers, finger cymbals, springs and Slinky guitar, pipes, bamboo harp, spirit chaser, sleighbells, fingersnaps, thunder sheet, cabasas, cowbells, gong
• Sam Davol – cello, flute
• Claudia Gonson – piano; drums; percussion; lead vocals on "Reno Dakota", "Sweet-Lovin' Man", "If You Don't Cry", "Washington, D.C.", "Acoustic Guitar", and "Zebra"; other backing vocals; duet with Merritt and guitar on "Yeah! Oh, Yeah!"; arrangement on "Very Funny", "World Love", and "Busby Berkeley Dreams"; whistling on "Blue You"
• John Woo – banjo, lead guitar, mandolin, bass on "Time Enough for Rocking When We're Old"

Additional musicians

• LD Beghtol – harmonium on "Xylophone Track", lead vocals on "All My Little Words", "My Sentimental Melody", "Roses", "The Way You Say Good-Night", "Bitter Tears", and "For We Are the King of the Boudoir;" duet with Merritt on "The One You Really Love"; other backing vocals; graphic design of box and book
• Chris Ewen – backing tracks and arrangement on "Promises of Eternity" and "It's a Crime", theremin on "Blue You"
• Daniel Handler – accordion, keyboards, arrangement on "Asleep and Dreaming"
• Dudley Klute – lead vocals on "The Luckiest Guy on the Lower East Side", "How Fucking Romantic", "Very Funny", "Long-Forgotten Fairytale", "It's a Crime", and "Blue You;" duet with Merritt on "Underwear;" other backing vocals
• Ida Pearle – violin on "The Luckiest Guy on the Lower East Side"
• Shirley Simms – duet with Merritt on "Papa Was a Rodeo", vocals on "Come Back from San Francisco", "Boa Constrictor", "No One Will Ever Love You", "Kiss Me Like You Mean It", "I'm Sorry I Love You", and "Strange Eyes;" other backing vocals

Production

• Jon Berman – engineering
• Chris Ewen – engineering
• Claudia Gonson – engineering
• Jeff Lipton – mastering
• Eric Masunaga – engineering
• Stephin Merritt – production, engineering
• Charles Newman – engineering

• 69 Love Songs at Discogs (list of releases)
• 69 Love Songs at MusicBrainz (list of releases)
• 69 Love Songs unofficial companion wiki