Alex Skolnick

Skolnick was born and raised in Berkeley, California in a non-traditional Jewish family.[3] His parents, Jerome Skolnick and Arlene, both PhD graduates from Yale University, taught sociology at New York University and University of California, Berkeley.

Skolnick began playing guitar at age nine. He was influenced by Eddie Van Halen, Jeff Beck, Jimi Hendrix, Eric Clapton, Johnny Winter, Randy Rhoads, Michael Schenker, Yngwie Malmsteen, Kiss, and Scorpions.[4][5] He was a student of guitarist Joe Satriani.[6]

Skolnick was a member of the San Francisco Bay Area thrash metal band Testament from 1983 to 1993. He returned briefly to re-record old material for the band's album First Strike Still Deadly, as well as the Thrash of the Titans performance in 2001 before returning full-time four years later. In the spring of 2005, Skolnick and the rest of Testament reunited for a short European tour with some American dates appended. A CD/DVD release was put together from the London show of May 8, 2005. On April 29, 2008, Testament released The Formation of Damnation, its first studio album in nine years. Four years later, Dark Roots of Earth debuted at No. 12 on the Billboard Top 200 Albums chart and at No.1 on the Billboard Hard Rock and Rock albums chart. It was No. 9 on the World Chart.

After his first departure from Testament, Skolnick joined the band Savatage in 1994 for the recording of Handful of Rain, as well as its follow-up live album and home video release Japan Live '94. In 1991 he recorded and toured with the Stuart Hamm band. He also played guitar for Ozzy Osbourne in 1995.[7] In 2004, he made a guest appearance on Lamb of God's Ashes of the Wake album, recording a solo for the album's instrumental title track.

During the mid to late 1990s, Skolnick led several projects in the San Francisco Bay Area, including Skol-Patrol, a funk band featuring Michael Manring that played themes from police shows. He recorded two albums with Attention Deficit, a trio with Manring and Tim Alexander of Primus. In the late 90s, he collaborated with electric violinist Joe Deninzon (who he met in New York City at the New School) in the band Stratospheerius, recording The Adventures of Stratospheerius album. He also appears on their Live Wires album.[8]

In 1998, Skolnick moved to New York City and began devoting all of his energy to jazz, enrolling in The New School for Jazz & Contemporary Music and graduating with a degree in jazz performance. Since 2002, he has toured and recorded as the Alex Skolnick Trio, a jazz group known for rousing bebop renditions of classic rock and heavy metal tunes. The trio has performed at the Rochester International Jazz Festival, Musikmesse Frankfurt, Germany, the National Center for the Arts, Mexico City, and the Iridium Jazz Club in New York City. Skolnick's trio has been praised by Down Beat, Jazziz, and The Village Voice. Their album Veritas (Palmetto) reached No. 7 on the iTunes jazz chart.

Skolnick released a DVD Jazz tuition set with Rock House Method in May 2010. He recorded the album What's Next? with pianist Randy Klein in 2012.[9]

Skolnick in 2011

On June 21, 2012, Summer Solstice Day, Skolnick announced his world music album Planetary Coalition at the annual Make Music New York festival sponsored by Guitar World magazine.[10] He said that he intended to have, "musicians from all over the world, driven by acoustic guitar and bringing together inspirational melodies, in-depth improvisation and the passion of the musical styles of Gypsy, Middle Eastern, Indian, Latin, East Asian, Mediterranean, Balkan/Eastern European, African and other indigenous lands – Planetary Coalition has been guided by a single hope: that by weaving the threads that connect musical expressions with regional identities, we can bridge the gap between diverse cultures and people, and increase awareness of the ecological and social issues facing the planet, our island in the sky."[11]

Planetary Coalition was released by ArtistShare on November 11, 2014 to commemorate the centennial of the end of the First World War. The album gathered over twenty musicians from five continents, including Indo-Canadian ghazal singer Kiran Ahluwalia, Argentine bassist Pablo Aslan, Chinese pipa player Yihan Chen, American violinist Rachel Golub, Cuban drummer Horacio Hernández, Albanian accordionist Raif Hyseni, Palestinian oud player Adnan Joubran, Turkish kanun player Tamer Pinarbasi, Mexican guitar duo Rodrigo y Gabriela, Israeli percussionist Gadi Seri, and Yacouba Sissoko, a kora player from Mali.

The project endeavored to combine artistic, ecological, political, and social issues, as well as showcase the landscape and architecture of other countries. Maddy Samaddar Johnson, an architect and urban planner, was hired as a consultant.[12][13][14]

Skolnick used a variety of guitars, including steel string, nylon string, acoustic, and electric. All compositions were by Skolnick, except two which were composed by Skolnick-Joubran and Skolnick-Hernandez. The tune from Mali and from China were first-time guitar-kora and guitar-pipa duos of traditional songs from those regions.

The album was praised by many publications, newspapers, and blogs.[14][15][16][17] Guitar World magazine chose Planetary Coalition as one among the top 50 albums of 2014[18] and among the top 10 acoustic guitar albums of the year.[19]

Skolnick's memoir, Geek to Guitar Hero, was published in January 2013[20] and received positive reviews from Anthony Bozza, Bradford Morrow, Ned Vizzini, and Brad Tolinski, editor in chief of Guitar World.[3]

He has been active in blending music with works of art and literature. In 2007, he contributed a solo for Egyptian artist Nader Sadek's project, "Faceless." The song was only to be heard in an art gallery in New York. In 2012, he performed live at the Feature Inc Gallery in New York, for a musical interpretation project for the works of visual artist Douglas Melini.[21]