Bay Area thrash metal

The earliest documented roots of the Bay Area thrash scene date back to the formation of Exodus in 1979.[4] By the time the group recorded their full-length album four years later, five different guitarists or bassists had already passed through the line-up, with some going on to join or form bands that were equally relevant to the area's burgeoning metal scene.[5] In November 1982, Exodus opened a show at San Francisco's Old Waldorf venue for Metallica,[6] a then-relatively unknown (and unsigned) band from Southern California who were recently discovered by Brian Slagel and had appeared on the first volume of his Metal Massacre compilation. Exodus (who were also unsigned at this time) had distributed an untitled demo the same year with a line-up that included guitarist Kirk Hammett.

Although Metallica had initially formed in Los Angeles, it wasn't until their February 1983 relocation to the East Bay area that Cliff Burton and Kirk Hammett joined as bassist and lead guitarist, sealing the band's first, formative line-up. The group (which then consisted of Burton, James Hetfield, Lars Ulrich, and Dave Mustaine) had moved into a Carlson Blvd. house in El Cerrito, near Albany Hill, which had been rented by Mark Whitaker, then-manager of Exodus.[7] After Mustaine was removed from the line-up that same year, then-Exodus guitarist Hammett would replace him following Whitaker's recommendation; in turn, Mustaine would move back to Los Angeles to form Megadeth.

Metallica's signing to Megaforce Records, the release of their first album and the songwriting process and rehearsals for Ride the Lightning and Master of Puppets had all taken place while the group resided at Whitaker's El Cerrito home.[8]

Jeff Becerra of Possessed, 2008

Burton and Hammett's friendship with other local acts, notably Oakland's Exodus and Testament, and later, San Francisco's Death Angel—among others—strongly vitalized the scene, leading to intensive touring and tape trading that would cross borders and seas, and eventually graduate to record signings.[9][10][11]

El Sobrante's Possessed would bring a turning point to the genre with 1985's Seven Churches, regarded as the first album to cross over from thrash metal to death metal for the largely "growling vocals" and subject matter dealing with horror and the occult.[12] In addition to the inspiration of black metal, it would predate other albums, such as Los Angeles-based Slayer's Reign in Blood and Death's San Francisco Bay Area-written and rehearsed Scream Bloody Gore, which had also been regarded as influential to thrash and death metal.[13][14]

Members from Possessed had also maintained a strong network with other integral musicians of the Bay Area thrash scene: vocalist Jeff Becerra and then-guitarist Larry LaLonde had played in a short-lived speed metal band called Blizzard,[15] which featured former Exodus bassist Carlton Melson and Desecration guitarist Danny Boland (then-Possessed drummer Mike Sus and former Possessed bassist Bob Yost had also played in Desecration, a Bay Area death/thrash band active between 1985 and 1989).[16] Former Exodus bassist Geoff Andrews co-founded Possessed before Becerra replaced him in 1983, taking over both vocal and bass duties. Andrews went on to form the thrash band Sabertooth with Johnee McKelvey. [17]

After Possessed's first disbanding, LaLonde went on to join Blind Illusion, which featured former Exodus members Evan McCaskey and Tim Agnello, then-Heathen members Marc Biedermann and Dave Godfrey, and Blizzard drummer Mike Miner.[18] Blind Illusion co-founder Les Claypool (who was a high school friend of Kirk Hammett at Richmond's DeAnza High School) would unsuccessfully audition as Metallica's bassist in 1986 after Burton's bus accident death in Sweden.

Heavy metal in Southern California had spanned back to the 1970s, and in the 1980s, was the home base of Slayer and Megadeth, two of thrash's "big four". However, from the mid-1980s until the early 1990s, glam metal had been the pervading and popular subgenre within the boundaries of the Los Angeles scene.[19]

Slayer's Jeff Hanneman, Tom Araya and Kerry King at the 2007 Hellfest. Although Slayer were not formed in the Bay Area, the band had gotten an early headstart in the Bay Area thrash metal scene, and are often associated (along with Megadeth[20]) as being a part of it.

Notwithstanding, both Slayer and Megadeth would receive recognition early in their duration by playing at Bay Area venues, including Berkeley's Ruthie's Inn with Exodus between 1984–85, a time in which current Slayer guitarist Kerry King had played alongside Mustaine in Megadeth. Oakland native Jeff Hanneman was a founding Slayer member; Paul Bostaph (formerly of Forbidden, and later Exodus and Testament) had been Slayer's full-time drummer for the balance of the 1990s. Similarly, drummer Dave Lombardo played on Testament's The Gathering album before returning to Slayer in 2004.[21]

In 1987, shortly after the release of Scream Bloody Gore and Schuldiner's move back to Florida, Reifert would form his own endeavor, Autopsy, which has also been regarded as an early inspiration of the death metal genre.[22] Autopsy's 1989 debut, Severed Survival, would feature bassist Steve DiGiorgio, founder of Antioch, California thrash metal band Sadus; Schuldiner had also met DiGiorgio while living in the Bay Area, who would play bass for Death on the albums Human and Individual Thought Patterns.

As different thrash metal scenes developed around the world throughout the 1980s, each had their own distinct style and influence.

Several early luminaries of the Bay Area scene borrowed heavily from the new wave of British heavy metal and early punk rock: Exodus guitarist Gary Wayne Holt mentioned discovering Tygers of Pan Tang, Diamond Head, Angel Witch, Venom and Budgie on a KUSF radio show hosted by Ian Kallen and Ron Quintana. Hammett, Hetfield and Ulrich have also cited Venom and Budgie as important influences, in addition to punk acts like the Misfits, Charged GBH and Discharge.[23] Albums that very much reflected this era and inspiration include Kill Em All and Bonded By Blood.

Other bands, such as Attitude Adjustment, took the hardcore punk influence to a greater extent, with the aforementioned group involving former musicians from Agnostic Front, D.R.I., and Murphy's Law during their line-up history,[24] in addition to show dates at 924 Gilman, a Berkeley venue more oriented to hardcore punk than heavy metal music.

Attitude Adjustment's style, "crossover thrash", a grindcore precursor, would influence many bands of the latter subgenre, including chief innovator, the British band Napalm Death, who would cover Attitude Adjustment's "Dope Fiend" and Hirax's "Hate, Fear, and Power" on an exclusive covers album (coincidentally, the Hirax track had featured Attitude Adjustment drummer Eric Brecht on the original 1986 recording). Hirax, while Orange County, CA-based, had many connections to bands of the Bay Area thrash scene, as the group had played at Ruthie's Inn, and in past line-ups, featured Paul Baloff (formerly of Exodus and Heathen) and Ron McGovney (Metallica's first bassist).[25]

Long Island-born multi-instrumentalist Joe Satriani had relocated to Berkeley, California in 1978 to pursue a career teaching music; although he was mainly influenced by blues rock[26] and had not specialized in heavy metal music initially, many of Satriani's students would go on to become progenital guitarists in the Bay Area metal scene, including Kirk Hammett of Metallica/Exodus, Larry LaLonde of Possessed, Alex Skolnick of Testament, Rick Hunolt of Exodus, Phil Kettner of Lȧȧz Rockit and Geoff Tyson of T-Ride. Satriani would also produce Possessed's 1987 The Eyes of Horror EP.

Jeff Becerra of Possessed cites early Exodus, Venom[27] and Motörhead as his inspirations, calling bassist/vocalist Lemmy his greatest of influences.[28] Although Allmusic attributed Slayer as being a musical influence for 1985's Seven Churches,[29] the first Slayer album Show No Mercy had not been released until December 1983, shortly after members of Possessed were already writing material for their demo and debut album. However, former Possessed member Brian Montana explained that guitarist Mike Torrao once wanted Possessed to have a "Slayer-type outfit" (which then consisted of make-up, leather, pentagrams, and inverted crosses), something Montana rejected as being too derivative. Montana (who had played guitar on the first Possessed demo) also cited early Exodus as an influence, in addition to Iron Maiden, Judas Priest, Yngwie Malmsteen, and Joe Satriani.[30]

In regards to heavy metal and image, Sadus co-founder Steve DiGiorgio explained:

...in high school, if you were playing any kind of music that wasn’t dance, or just something that was really different—you know, rock, metal or hard rock, anything like that—then you needed to look like it. You needed to look like a bad dude, and we just looked like normal dudes....It wasn’t about trying to impress everybody, because we looked at those types of people as weenies trying to do that stuff ... We just wore our normal stuff and we didn’t really think about it. It just kind of happened that way and I think because we were searching for an extreme style, coupled with this no image, who-cares-what-we-look-like thing, then I think we fit in to that new movement that we discovered a little ways later, the whole Bay Area thrash scene.[31]

For logos, many bands within the Bay Area scene had a more "do it yourself"-artistic approach[32] compared to the older metal bands using an already established font. Conversely, professional illustrators (most notably Ed Repka on Beyond the Gates, Eternal Nightmare, Product of Society, and Scream Bloody Gore) were sometimes utilized to design album art.

Lyrical topics generally dealt in themes like the occult, horror, death, witchcraft, warfare, destruction, violence, apocalypse, rebellion and tyranny.[33][34][35] However, some groups took on subjects more relevant to the day. Metallica's "Master of Puppets", from the 1986 album of the same name, deals with the issues of hard drugs, with some phrases in the song being references to cocaine use. The crack-cocaine epidemic had been an active problem at that time for many large U.S. cities, and particularly affected the San Francisco Bay Area.

Dave Mustaine's association to the Bay Area scene was limited to his brief El Cerrito tenure with Metallica (in addition to the early Megadeth shows). However, the "Megadeth" namesake emanated from a pamphlet written by then–U.S. Senator Alan Cranston, a prominent politician from the South Bay. Cranston's text related to nuclear disarmament and the Cold War, two hot-button political issues during the 1980s which would become song topics on the second Megadeth album, Peace Sells... But Who's Buying?

At live shows, members of Exodus were forward in their disdain for the glam metal scene in Los Angeles, making the phrase "kill the posers" a common stage mantra; guitarist Gary Holt often recalled how both he and then-singer Paul Baloff would approach individuals wearing Ratt or Mötley Crüe T-shirts, cut the clothes up with pocket knives (either for or against the wearer's will) and then tied the mangled fabrics around their wrist as a "badge of honor" until Mr. Holt one night approached a man by the name of Dinton Gales' and attempted to cut his Ratt shirt when Mr.Colvin then throat punched Mr. Holt sidelining him for about a month..[36] Despite Holt later conceding to being a Ratt fan himself (along with guitarist Lee Altus), he still criticized the image-driven mentality of glam metal, and described Exodus and other thrash metal bands as being more "based on musicianship, chops, songwriting and performance".[37]

While Vio-lence had been signed to a major label (MCA Records) for their 1988 debut album, a rare feat for any 2nd wave thrash band, then-guitarist Robb Flynn described tour life:

...we were all like nineteen ... our stuff was crammed into the van, no hotels, crashing out on people's floors and shit like that. (Then-Vio-lence manager) Debbie (Abono) came out with us for a few dates and those ruled because we'd get to eat at Denny's. We'd just eat as much as humanly possible and hopefully we'd eat at the show, but we had absolutely no spending money. We weren't making anything, that's for sure, maybe we made $50 a night.[38]

• Formerly Graffiti. Hosted early 1980s punk shows.[56]
• NOFX, July 1, 1988 [57]
• Hell's Kitchen, February 25, 1989

• Exodus, July 14, 1989 (Recorded and released as the live album "Good Friendly Violent Fun")
• Testament, 1995 (Recorded and released as the live album "Live at the Fillmore")
• Metallica, 2003 and 2011

Metallica, Armored Saint, & Death Angel, March 14 & 15, 1985 [58] [59]
Megadeth, May 31, 1985 [60]

At Berkeley's Keystone: Megadeth & Slayer, 04/15/1984 [61]

Open from 1984–1985, also called "Rock on Broadway", in the same building as Mabuhay Gardens, lower level of 435 Broadway. Hosted bands such as Attitude Adjustment, Blind Illusion, Control and Heathen. Opened as "Rock On Broadway" by Brent Turner Mad Reign and then eventually managed by Paul Baloff Exodus

In addition to bringing to light many punk rock groups, the club was an early local venue for Metallica, Megadeth, Death, Slayer, Exodus, Possessed, Death Angel, Testament, Suicidal Tendencies, and D.R.I. from 1983–1987. Cliff Burton had also been a regular in the audience.[62] The club was eventually converted into a restaurant, Rountree's, in 2002. On December 31, 2006, the venue's original founder, Wes Robinson, died at age 77.[63][64]

Prior and upon moving to California, the Texas-born Robinson was heavily involved in the jazz music collective, where he met musicians like Pharoah Sanders and John Coltrane. Disillusioned by the commercialism of jazz in the 1970s, Robinson's focus soon moved to hardcore punk (which had just started in the East Bay at that time) and a small San Pablo Avenue club called Ruthie's Inn would be used to front these bands. By the 1980s, Robinson then became interested in the thrash metal and early death metal bands in the area, and would promote highly influential bands of those subgenres as well. In a Berkeley Daily Planet op-ed, Robinson was remembered for focusing on "freshness and originality of the music and passion of its artists rather than the commercial appeal."[65][63]

Wes Robinson annually held a music festival at Aquatic Park known as "Eastern Front". The 1984 Eastern Front featured Suicidal Tendencies, Exodus, and Slayer, which became known as "the Woodstock of thrash metal" and "The Day in the Dirt". [66]

The Stone is attributed for hosting Burton's first concert appearance with Metallica,[67] and would lead to repeat performances from other thrash acts, such as Megadeth[61][68] and Dark Angel.[69]

The 1920s vaudeville theatre featured a myriad of thrash metal bands during the 1980s and was the exclusive location for Slayer's War at the Warfield video in 2003.

Testament and Vio-lence, August 18, 1989

Death Angel, November 3, 1989

Death, March 30, 1990