Archaeological looting

Dura-Europos is an ancient Christian church located in modern day southeast Syria covering about 140 acres of land.[7][8] It was built in 256 CE in an early Roman era town from stone and rock.[9][8] In 1920, it was discovered by British soldiers when they were digging into the ground during World War I to form trenches.[9] It contains religious figures, shrines, and sculptures of Gods such as those who were Roman, Sumerian, Palmyrene, Judean, Parthian, and Greek.[10] It also contains sacred architecture, wall paintings, and the oldest portrait of Jesus Christ.[7] The site represents a blend of many different cultural traditions.[7] It is said that 70 percent of the site has been ruined because of looters.[9] Based on images from satellites in 2014, the mud-brick walls have been left cratered.[10][11]

Ventarron is an archaeological site in the Lambayeque region in Northern Peru. It is the location of a temple built roughly around 2000 BCE, making it one of the oldest archaeological sites in South America. The site has been looted repeatedly, mostly due to low surveillance and resources to protect the site. A study by Lasapornara et al uses satellite imagery to investigate the extension of the looting.[12]

Apamea was a Greco-Roman acropolis in the western region of modern day Syria, located on the bank of the Orontes river. It is an important archaeological site, with several notable remains such as the Great Colonnade and a sizable Roman theater. In the chaos created by the Syrian civil war, the site has been looted and damaged extensively, as evidenced by satellite imagery of the area.[13][14]

Much of Egypt's cultural heritage has been and remains under threat of pillage. Tomb raiders and looters have been attempting to steal from Pharaonic sites since such structures were built, and the 2011 Arab Spring revolution has only since exacerbated the problem.[15][16] Three regions have been especially hit hard since the revolution, with some estimates citing a five hundred percent increase in looting in the sites of Saqqara, Lisht, and el Hibeh.[17] Many sites are often left unguarded and unmonitored due to a lack of funding, but there has been a recent surge in social media activism that seeks to report and document the loss and damage caused by looters, in an attempt to combat further theft and vandalism.[18]

The Elgin Marbles, or Parthenon Marbles are a collection of architecture and sculptures originating from the Parthenon in Athens.[19] Thomas Bruce of England, the 7th Earl of Elgin removed the Marbles and had them shipped to England.[19] Thomas Bruce was the Ottoman Empire's British ambassador.[19] Some say that the 7th Earl of Elgin looted the Marbles, but others say that he received permission from the Ottoman authorities.[20] The Elgin Marbles were removed from Greece and brought to London. The Marbles were bought from the 7th Earl of Elgin by Great Britain and they are now displayed in the British Museum.[21][22] It is a controversial topic as to who the Elgin Marbles belong to.[19] The Greek government wants the Marbles back because at the time the Marbles were taken to London, Greece was under the control of the Ottoman Empire.[19] The British Museum wants to keep the marbles in London because they believe they are saving the Marbles from damage.[19]

The Euphronios Krater painting of Sarpedon dying

The Euphronios Krater is an ancient Greek vessel. It was made around 515 BC in Athens by the artist Euphronios. The vessel was used to mix wine and water. The vessel is said to have been excavated from an Etruscan tomb.[23] The painting on it is an image of Sarpedon, the son of Zeus, dying with Hermes, Hypnos, and Thanatos surrounding Sarapedon.[24] The vessel also includes a painting of 3 children of Athens preparing for a battle.[24] One popular story for the Euphronios Krater is that the Krater was looted by grave robbers and then sold to Giacomo Medici who is an Italian art dealer who has been convicted of receiving and exporting stolen objects.[25][23] The Krater is said to have then been sold to Robert Hecht who is an American antiques dealer and then sold to the Metropolitan Museum of Art.[23] The Metropolitan Museum of Art is said to have purchased the Euphronios Krater in 1972 for one million dollars.[23] Eventually, the Krater was returned to the Italian Government and the Krater was brought to the Villa Giulia Museum in Rome.[23]