Aretha: With The Ray Bryant Combo
Aretha: With The Ray Bryant Combo is the first studio album by American singer songwriter, Aretha Franklin, released on February 27, 1961, by Columbia Records. The album is Aretha's first release for Columbia, and is also known under its working title Right Now It's Aretha and sometimes simply as Aretha.[2] Following in the footsteps of her close friend Sam Cooke, Aretha was "discovered" by famed Columbia Records producer John H. Hammond, who on the cover notes of the 1973 edition of "The Great Aretha Franklin: The First 12 Sides" mentions, that she was in fact recommended by the composer Curtis Reginald Lewis. With the support of her father, Reverend C.L. Franklin, Aretha ventured out to New York City's Columbia Record Studios to record her debut album for the label. Hammond paired Aretha Franklin with Ray Bryant, and combo and arranger J. Leslie McFarland, while taking charge of the album's production, which was received to mixed reviews.
Aretha: With The Ray Bryant Combo | ||||
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Studio album by | ||||
Released | February 27, 1961 | |||
Recorded | August 1, 1960-January 10, 1961 | |||
Studio | Columbia Recording Studios, (New York City, New York) | |||
Genre | R&B, vocal[1] | |||
Length | 32:47 | |||
Label | Columbia (CS8412) | |||
Producer | John H. Hammond | |||
Aretha Franklin chronology | ||||
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Singles from Aretha: With the Ray Bryant Combo | ||||
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The album showcases a young Aretha Franklin (only 18 years old, at the time of these recordings), covering a range of jazz and pop standards. Columbia Records couldn't clearly classify Aretha's sound, as either jazz or R&B. Aretha's subsequent albums would show her moving from the realms of both sounds, and audiences as she tries to define her "own soulful sound". Though rare to find an original 6-eye pressing on vinyl, Columbia Records re-released these sessions and retitled them as "The Great Aretha Franklin: The First 12 Sides", in 1972. The exact same recording "The Great Aretha Franklin: The First 12 Sides", was once more re-released on vinyl, this time in 1973 by CBS/Embassy, trademarks of Columbia Records, probably being a UK edition, which on the center label bears these identification numbers: EMB S-31006 (KC 31953). There are some minor changes in the track list for the 1973 edition as well. (See the separate track listing below the 1972 listing).
Reception
"The word is out. A magnetic new artist, Aretha Franklin, only a short while away from her father's gospel church in Detroit, has been breaking up audience in theatres and nightclubs throughout the country and on Columbia single records. Combining a completely natural and uninhibited vocal style with an irresistible rhythmic sense, Aretha Franklin has established herself as one of the hottest new performers in show business and one likely to set new standards in the entertainment industry.
"She doesn't just open the door - she breaks it down."
- -From the liner notes by Frank Driggs
Tracks
- The album was recorded at the New York studios of Columbia Records, 207 East 30th Street, except tracks 1 and 4 which were recorded at the company's studios at 799 Seventh Avenue.
- All songs produced by John Hammond and arranged by J. Leslie McFarland. Featuring Ray Bryant on piano.
Track listing - 1972 Edition
Side One
- 1. "Won't Be Long" (J. Leslie McFarland) 3:12
- Recorded on November 29, 1960
With John McFarland, piano; Bill Lee, bass; Belton (Sticks) Evans, drums
- Recorded on November 29, 1960
- 2. "Over the Rainbow" (Harold Arlen, E.Y. Harburg) 2:42
- Recorded on August 1, 1960
With Chauncey (Lord) Westbrook, Clifton (Skeeter) Best, guitar; William (Bill) Lee, bass; Osie Johnson, drums; Tyree Glenn, trombone
- Recorded on August 1, 1960
- 3. "Love Is the Only Thing" (J. Leslie McFarland) 2:44
- Recorded on August 1, 1960
With Chauncey (Lord) Westbrook, Clifton (Skeeter) Best, guitar; William (Bill) Lee, bass; James Osie Johnson, drums; Tyree Glenn, trombone; Paul Owens, vocal obbligato
- Recorded on August 1, 1960
- 4. "Sweet Lover" (J. Leslie McFarland, Sidney Wyche) 3:26
- Recorded on December 19, 1960
With William (Bill) Lee, bass; Belton (Sticks) Evans, drums
- Recorded on December 19, 1960
- 5. "All Night Long" (Curtis Lewis) 3:01
- Recorded on November 17, 1960
With Chauncey (Lord) Westbrook, guitar; Bill Lee, bass; Belton (Sticks) Evans, drums; Al Sears, tenor saxophone; Quentin Jackson, trombone
- Recorded on November 17, 1960
- 6. "Who Needs You?" (Billie Holiday, Jeanne Burns) 2:50
- Recorded on January 10, 1961
With Aretha Franklin, piano; Al Sears, tenor saxophone; Chauncey (Lloyd) Westbrook, guitar; Milton John (Milt) Hinton, bass; Belton (Sticks) Evans, drums
- Recorded on January 10, 1961
Side Two
- 1. "Right Now" (J. Leslie McFarland) 2:27
- Recorded on August 1, 1960
With Clifton (Skeeter) Best, guitar; William (Bill) Lee, bass; James Osie Johnson, drums; Tyree Glenn, trombone
- Recorded on August 1, 1960
- 2. "Are You Sure" (Meredith Willson) 2:44
- From the Broadway musical production of The Unsinkable Molly Brown
Recorded on January 10, 1961
With Aretha Franklin, piano; Al Sears, tenor saxophone; Chauncey (Lloyd) Westbrook, guitar; Milton John (Milt) Hinton, bass; Belton (Sticks) Evans, drums
- From the Broadway musical production of The Unsinkable Molly Brown
- 3. "Maybe I'm a Fool" (J. Leslie McFarland) 3:20
- Working title: "Baby, I'm A Fool"
Recorded on January 10, 1961
With Aretha Franklin, piano; Al Sears, tenor saxophone; Chauncey (Lord) Westbrook, guitar; Milton John (Milt) Hinton, bass; Belton (Sticks) Evans, drums
- Working title: "Baby, I'm A Fool"
- 4. "It Ain't Necessarily So" (George Gershwin, Ira Gershwin) 2:57
- Recorded on December 19, 1960
With Lucky Warren, tenor saxophone; Chauncey (Lord) Westbrook, guitar; William (Bill) Lee, bass; Belton (Sticks) Evans, drums
- Recorded on December 19, 1960
- 5. "By Myself" (J. Leslie McFarland, J. Bailey) 2:42
- Working title: "(Blue) By Myself"
Recorded on November 17, 1960
With Chauncey (Lord) Westbrook, guitar; William (Bill) Lee, bass; Belton (Sticks) Evans, drums; Al Sears, tenor saxophone; Quentin Jackson, trombone
- Working title: "(Blue) By Myself"
- 6. "Today I Sing the Blues" (Curtis Lewis) 2:47
- Recorded on August 1, 1960
With Chauncey (Lord) Westbrook, Clifton (Skeeter) Best, guitar; William (Bill) Lee, bass; James Osie Johnson, drums; Tyree Glenn, trombone
- Recorded on August 1, 1960
Bonus Tracks
- 1. "Are You Sure (Rehearsal)" 2:17
- Producer John Hammond announces the take number.
- 2. "Who Needs You? (Take 9)" 3:03
- 3. "Right Now (Take 1)" 2:13
- With Aretha Franklin on piano.
- 4. "Maybe I'm a Fool (Take 4)" 3:57
Mono Mixes
- "By Myself" 2:39
- "Won't Be Long" 2:54
- "All Night Long" 3:06
- "Love Is the Only Thing" 2:44
- "Right Now" 2:22
Track listing - 1973 Edition
Side One
- 1. "Won't Be Long" (J. Leslie McFarland) 3:07
- Recorded on November 29, 1960
With Ray Bryant, piano; William (Bill) Lee, bass; Belton (Sticks) Evans, drums; Aretha Franklin, piano
- Recorded on November 29, 1960
- 2. "Over The Rainbow" (Harold Arlen, E.Y. Harburg) 2:35
- Recorded on August 1, 1960
With Ray Bryant, piano; Chauncey (Lord) Westbrook, guitar; William (Bill) Lee, bass; Osie Johnson, drums; Tyree Glenn, trombone
- Recorded on August 1, 1960
- 3. "Love Is The Only Thing" (J. Leslie McFarland) 2:38
- Recorded on August 1, 1960
With Ray Bryant, piano; Chauncey (Lord) Westbrook, guitar; William (Bill) Lee, bass; Osie Johnson, drums; Tyree Glenn, trombone
- Recorded on August 1, 1960
- 4. "Sweet Lover" (J. Leslie McFarland, Sidney Wyche) 3:19
- Recorded on November 29, 1960
With Ray Bryant, piano; William (Bill) Lee, bass; Belton (Sticks) Evans, drums
- Recorded on November 29, 1960
- 5. "All Night Long" (Curtis Lewis) 2:56
- Recorded on November 17, 1960
With Ray Bryant, piano; Chauncey (Lord) Westbrook, guitar; Bill Lee, bass; Belton (Sticks) Evans, drums; Al Sears, tenor saxophone; Quentin Jackson, trombone
- Recorded on November 17, 1960
- 6. "Who Needs You?" (Billie Holiday, Jeanne Burns) 2:45
- Recorded on January 10, 1961
With Aretha Franklin, piano; Al Sears, tenor saxophone; Chauncey (Lloyd) Westbrook, guitar; Milton John (Milt) Hinton, bass; Belton (Sticks) Evans, drums
- Recorded on January 10, 1961
Side Two
- 1. "Right Now" (J. Leslie McFarland) 2:20
- Recorded on August 1, 1960
With Clifton (Skeeter) Best, guitar; William (Bill) Lee, bass; James Osie Johnson, drums; Tyree Glenn, trombone
- Recorded on August 1, 1960
- 2. "Are You Sure" (Meredith Willson) 2:38
- From the Broadway musical production of The Unsinkable Molly Brown
Recorded on January 10, 1961
With Aretha Franklin, piano; Al Sears, tenor saxophone; Chauncey (Lord) Westbrook, guitar; Milton John (Milt) Hinton, bass; Belton (Sticks) Evans, drums
- From the Broadway musical production of The Unsinkable Molly Brown
- 3. "Maybe I'm A Fool" (J. Leslie McFarland) 3:15
- Working title: "Baby, I'm A Fool"
Recorded on January 10, 1961
With Aretha Franklin, piano; Al Sears, tenor saxophone; Chauncey (Lloyd) Westbrook, guitar; Milton John (Milt) Hinton, bass; Belton (Sticks) Evans, drums
- Working title: "Baby, I'm A Fool"
- 4. "It Ain't Necessarily So" (George Gershwin, Ira Gershwin) 2:51
- With Ray Bryant, piano; Warren Luckey, tenor saxophone; Chauncey (Lord) Westbrook, guitar; William (Bill) Lee, bass; Belton (Sticks) Evans, drums
- 5. "(Blue) By Myself" (J. Leslie McFarland, J. Bailey) 2:36
- Working title: "(Blue) By Myself"
Recorded on November 17, 1960
With Ray Bryant, piano; Chauncey (Lord) Westbrook, guitar; Bill Lee, bass; Belton (Sticks) Evans, drums; Al Sears, tenor saxophone; Quentin Jackson, trombone
- Working title: "(Blue) By Myself"
- 6. "Today I Sing the Blues" (Curtis Lewis) 2:45
- Recorded on August 1, 1960
With Ray Bryant, piano; Chauncey (Lord) Westbrook, guitar; William (Bill) Lee, bass; Osie Johnson, drums; Tyree Glenn, trombone
- Recorded on August 1, 1960
The cover notes on this edition were written by John Hammond, October 5, 1972.
Among other things he mentions that all the sides on the record were originally made as singles, primarily for the jukebox market. At the end he writes: For some strange reason, this album has always been something of a secret, and I can only hope that it gets across to a new generation of Aretha admirers. Let me hasten to add that there has been no overdubbing, rechanneling or other messing around with the pure gold of the original.