Amazing Grace (Aretha Franklin album)

Retrospective professional reviews

Review scores
Source	Rating
AllMusic	[1]
Christgau's Record Guide	B+[2]
Encyclopedia of Popular Music	[3]
The Great Rock Discography	7/10[3]
MusicHound R&B	5/5[3]
The Rolling Stone Album Guide	[3]

Reviewing for Rolling Stone in 1972, Jon Landau said, "Amazing Grace is more a great Aretha Franklin album than a great gospel album. She plays havoc with the traditional styles but she sings 'like never before' on record. The liberation and abandon she has always implied in her greatest moments are now fully and consistently achieved." Landau found himself "struck first by the comprehensiveness and depth of the arrangement and then by the brilliance of her lead voice," hailing her performance as "a virtuoso display of gospel pyrotechnics, done with control and imagination." He was especially fond of the uptempo songs expressing "unqualified joy," saying they "hit with tremendous power."[4]

Robert Christgau was less enthusiastic about the album, later writing in Christgau's Record Guide: Rock Albums of the Seventies (1981): "Because I don't think God's grace is amazing or believe that Jesus Christ is his son, I find it hard to relate to gospel groups as seminal as the Swan Silvertones and the Dixie Hummingbirds and have even more trouble with James Cleveland's institutional choral style. There's a purity and a passion to this church-recorded double-LP that I've missed in Aretha, but I still find that the subdued rhythm section and pervasive call-and-response conveys more aimlessness than inspiration. Or maybe I just trust her gift of faith more readily when it's transposed to the secular realm."[2]

In another retrospective review, Ron Wynn of AllMusic regarded Amazing Grace as possibly Franklin's "greatest release ever in any style" and said, "Her voice was chilling, making it seem as if God and the angels were conducting a service alongside Franklin, Rev. James Cleveland, the Southern California Community Choir, and everyone else in attendance. Her versions of 'How I Got Over' and 'You've Got a Friend' are legendary."[1]

Amazing Grace, a documentary/concert film directed by Sydney Pollack for Warner Bros., was set to be released as part of a double bill with Super Fly in 1972.[7] However, Pollack was unable to complete the film because he had not used a clapperboard to synchronize the picture and sound at the beginning of each take.[8] The film ended up in the studio vaults for over 38 years. Before Pollack's death in 2008, he turned the footage over to producer Alan Elliott, who after two years succeeded in synchronizing the picture and sound and completing the film.[8]

Elliott first planned to release the film in 2011, but was prevented from doing so when Franklin sued him for using her likeness without permission.[8] However, Franklin's original contract for the film was later discovered at Warner Bros., and Elliott planned to show the film at the Telluride Film Festival, Toronto International Film Festival, and Chicago International Film Festival in 2015.[8][9] Franklin once again sued and was granted an emergency injunction against the Telluride screening, saying she had not given permission to screen the footage.[10] Franklin issued a statement saying, "Justice, respect and what is right prevailed and one’s right to own their own self-image."[11] Due to the ongoing litigation, the film was then removed from the schedules of both the Chicago[9] and Toronto[12] festivals as well.

The film premiered on November 12, 2018, three months after Franklin's death.[13][14]

Unless otherwise indicated, Information is based on the album’s Liner Notes[15]

• Amazing Grace at IMDb