Bhatiyar

Bhatiyar (IAST: Bhaṭiyār) is a Hindustani classical raga assigned to the Marva thaat.[2]

Bhatiyar
ThaatMarwa
Time of dayEarly morning, 3–6[1]
ArohanaS M ❟ P G ❟ M̄ D Ṡ
Avarohana̱̱Ṙ N D P M ❟ P G Ṟ S
Pakad
  • M D S'
  • r' N D P
  • D m P G r S
Chalan
  • S m P D N r' N D m P G r S
  • S-D-P-D-m-P-G-M-D-S
  • r-N-D-P-D-m-P-G-r-s
VadiM
SamavadiS
Synonym
  • Bhatihar
  • Bhatiyari
SimilarMand

Theory

Arohana: S M ❟ P G ❟ M̄ D Ṡ[lower-alpha 1][1]

Avarohana: ̱̱Ṙ N D P M ❟ P G Ṟ S[lower-alpha 2][1]

Vadi: M[2]

Samavadi: S[2]

Thaat: Marva.

Pakad or Chalan: S m P D N r' N D m P G r S

M D S', r' N D P, D m P G r S

Or we have other way for Chalan as

S-D-P-D-m-P-G-M-D-S, r-N-D-P-D-m-P-G-r-s

Time: Early morning, 3–6[1]

Behaviour

Behaviour refers to practical aspects of the music. It is complicated to talk about this for Hindustani music since many of the concepts are fluid, changing, or archaic. The following information cannot be accurate, but it can attempt to reflect how the music existed.

Notes
  1. Alternate notations:
    • Carnatic: S M₁ ❟ P G₃ ❟ M₂ D₂ Ṡ
    • Western: C F 𝄒 G E 𝄒 F♯ A C
  2. Alternate notations:
    • Carnatic: Ṙ₁ N₃ D₂ P M₁ ❟ P G₃ R₁ S
    • Western: D♭ B A G F 𝄒 G E D♭ C

References
  1. Bor & Rao 1999.
  2. OEMI:B.

Sources
  • Bor, Joep; Rao, Suvarnalata (1999). The Raga Guide: A Survey of 74 Hindustani Ragas. Nimbus Records with Rotterdam Conservatory of Music. p. 38. ISBN 9780954397609.CS1 maint: ref=harv (link)
  • Bhaṭiyār Rāga (Hin), The Oxford Encyclopaedia of the Music of India. Oxford University Press. ISBN 9780195650983. Retrieved 12 October 2018.


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