Call Me (Blondie song)

"Call Me" is a song by the American new wave band Blondie and the theme to the 1980 film American Gigolo. Produced and co-written by Italian musician Giorgio Moroder and released in the United States in early 1980 as a single, "Call Me" was No. 1 for six consecutive weeks on the Billboard Hot 100 chart, where it became the band's biggest single and second No. 1.[1] It also hit No. 1 in the UK and Canada, where it became their fourth and second chart-topper, respectively. In the year-end chart of 1980, it was Billboard's No. 1 single and RPM magazine's No. 3 in Canada.[5][6]

"Call Me"
Debbie Harry picture sleeve; US edition and some other releases uses white background, while most overseas releases use pink background
Single by Blondie
from the album American Gigolo
B-side"Call Me" (instrumental) (U.S.)
ReleasedFebruary 1, 1980
RecordedAugust 1979, New York City[1]
Genre
Length
  • 2:15 (music video version)
  • 3:32 (radio edit)
  • 8:05 (album version)
Label
Songwriter(s)
Producer(s)Giorgio Moroder
Blondie singles chronology
"The Hardest Part"
(1980)
"Call Me"
(1980)
"Atomic"
(1980)
Audio sample
  • file
  • help
Music video
"Call Me" on YouTube
Alternative cover
Richard Gere picture sleeve, extracted and derived from the film poster of American Gigolo; also released worldwide, especially in the US

Song and single information

"Call Me" was the main theme song of the 1980 film American Gigolo. It is played in the key of D minor. Italian disco producer Giorgio Moroder originally asked Stevie Nicks from Fleetwood Mac to help compose and perform a song for the soundtrack, but she declined as a recently signed contract with Modern Records prevented her from working with Moroder. It was at this time that Moroder turned to Debbie Harry and Blondie. Moroder presented Harry with a rough instrumental track called "Man Machine". Harry was asked to write the lyrics and melody, a process that Harry states took a mere few hours.[7] The lyrics were written from the perspective of the main character in the film, a male prostitute.[8] Harry said the lyrics were inspired by her visual impressions from watching the film and that "When I was writing it, I pictured the opening scene, driving on the coast of California."[9] The completed song was then recorded by the band, with Moroder producing. The bridge of the original English-language version also includes Harry singing "Call me, my darling" in Italian ("Amore, chiamami") ("Love, call me") and in French ("Appelle-moi, mon chéri") ("Call me, my darling").

In the US, the song was released by three record companies: the longest version (at 8:06) on the soundtrack album by Polydor, the 7" and 12" on Blondie's label Chrysalis, and a Spanish-language 12" version, with lyrics by Buddy and Mary McCluskey, on the disco label Salsoul Records. The Spanish version, titled "Llámame", was meant for release in Mexico and some South American countries. This version was also released in the US and the UK and had its CD debut on Chrysalis/EMI's rarities compilation Blonde and Beyond (1993). In 1988, a remixed version by Ben Liebrand taken from the Blondie remix album Once More into the Bleach was issued as a single in the UK. In 2001, the "original long version" appeared as a bonus track on the Autoamerican album re-issue.

Harry recorded an abbreviated version of the song that was backed by the Muppet Band for her guest appearance on The Muppet Show in August 1980. It was first broadcast in January 1981.

Popularity and acclaim

The single was released in the United States in February 1980. It spent six consecutive weeks at number one and was certified Gold (for one million copies sold) by the RIAA. It also spent four weeks at No. 2 on the US dance chart. The single was also No. 1 on Billboard magazine's 1980 year-end chart. The song lists at No. 57 on Billboard's All Time Top 100.[10] It was released in the UK two months later, where it became Blondie's fourth UK No. 1 single in little over a year. The song was also played on a British Telecom advert in the 1980s. 25 years after its original release, "Call Me" was ranked at No. 283 on the list of Rolling Stone's 500 Greatest Songs of All Time. In 1981, the Village Voice ranked "Call Me" as the third-best song of the year 1980 on its annual year-end critics' poll, Pazz & Jop.[11]

In 1981, the song was nominated for a Grammy Award for Best Rock Performance by a Duo or Group with Vocal, as well as for a Golden Globe for Best Original Song.

Music video

There were two videos made:

Chart performance

Release history

1980 release

US, UK 7" (CHS 2414)
  1. "Call Me (Theme from American Gigolo)" (7" edit) — 3:32
  2. "Call Me" (7" instrumental) — 3:27
UK 12" (CHS 12 2414)
  1. "Call Me" (7" edit) — 3:32
  2. "Call Me" (Spanish version – 7" edit) — 3:32
  3. "Call Me" (7" instrumental) — 3:27
US 12" (Polydor PRO 124) [promo only]
  1. "Call Me" (Theme from American Gigolo) — 8:04
  2. "Night Drive" (Reprise) - by Giorgio Moroder — 3:52
US 12" (Salsoul SG 341)
  1. "Call Me" (Spanish version, extended) — 6:23
  2. "Call Me" (Instrumental) — 6:10

1989 release

UK 7" (CHS 3342-1)
  1. "Call Me" (Ben Liebrand Remix) — 7:09
  2. "Call Me" (Original Version) — 3:31
UK 12" (CHS 12 3342)
  1. "Call Me" (Ben Liebrand Remix) — 7:09
  2. "Backfired" (Bruce Forrest And Frank Heller Remix) — 6:03
  3. "Call Me" (Original Version) — 3:31
UK CD (CHSCD 3342)
  1. "Call Me" (Ben Liebrand Remix) — 7:09
  2. "Backfired" (Bruce Forrest And Frank Heller Remix) — 6:03
    • Performed by Debbie Harry
  3. "Call Me" (Original Version) — 3:31
  4. "Hanging on the Telephone" — 2:23

Cover versions

Live cover performances

See also

  • List of Billboard Hot 100 number-one singles of 1980

References

  1. Cathy Che (1999), 'Deborah Harry: Platinum Blonde', MPG Books Ltd, Cornwall, p.65
  2. Danyel Smith, ed. (1981). "Billboard 17 october 1981". Billboard. Nielsen Business Media, Inc. ISSN 0006-2510. Retrieved June 28, 2013. "the sly, seductive dance rock hit "Call Me,""
  3. Porter, Dick; Needs, Kris (February 13, 2017). Blondie: Parallel Lives. Omnibus Press. ISBN 9780857127808 via Google Books.
  4. Gene Stout (September 2, 2006). "Blondie plays the hits for fans young and old". Seattle Pi. Hearst Communications Inc. Retrieved June 29, 2013. "Blondie opened with "Call Me," (...) a new wave classic that appealed as much to graying baby boomers as it did to a pimply kid wearing a T-shirt from CBGB's, one of several New York clubs that helped make Blondie famous - or vice-versa - in the '70s."
  5. Danyel Smith, ed. (1980). "Billboard 27 December 1980". Billboard. Nielsen Business Media, Inc. ISSN 0006-2510. Retrieved June 28, 2013.
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  8. Bokris, Viktor (May 24, 1980). "Dinner with Blondie... and William Burroughs". New Music News. New York: New Music News. Retrieved May 30, 2017. Harry: Giorgio's original idea was to call it "man machine" because the man was just like the sex machine. Stein: Debbie's lyrics are much more subtle than the ones he wrote. His thing was very direct like saying I am a man and I go out and I fuck all the girls. Debbie's lyrics are a lot more subtle and the movie in a way is not that blatant, it is sort of subtle. Harry: It was like teasing too because the thing about the movie was that he was always—'Call me! Call me if you want me to come to you.' And it was like these little commands had this macho quality through his being a male hooker, you know that kind of demanding business.
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