Chicago Surrealist Group

The Chicago Surrealist Group was founded in Chicago, Illinois, in July 1966 by Franklin, Penelope Rosemont, Bernard Marszalek, Tor Faegre and Robert Green after a trip to Paris in 1965, during which they were in contact with André Breton.[1] Its initial members came from far-left or anarchist backgrounds and had already participated in groups IWW (calling themselves the Rebel Worker Group and putting out a magazine called the Rebel Worker) and SDS; indeed, the Chicago group edited an issue of Radical America, the SDS journal, and the SDS printshop printed some of the group's first publications.[2]

Collaborations and projects

The group played a major role in organizing the World Surrealist Exhibition held at Gallery Black Swan in Chicago in 1976. As the name suggests, broader in scope than previous "international" exhibitions, it featured hundreds of works almost exclusively from contemporary participants in surrealism from thirty-one countries.[3]

Marvelous Freedom/Vigilance of Desire was the name for the catalogue of the 1976 World Surrealist Exhibition. It contains a number of texts and reproductions, as well as a blueprint of the layout of the gallery, with the location of the different "domains" into which the exhibition was organised.[4]

The Chicago Group has also collaborated on the surrealist issue of the journal Race Traitor, and the "Totems Without Taboos" show at the Heartland Cafe in Chicago. It sporadically publishes a newspaper entitled WHAT Are You Going To Do About It? and the journal Arsenal/Surrealist Subversion.

The Surrealist Movement in the United States was started by the Chicago Surrealist Group as a means of including many of its scattered participants from coast to coast on collective statements and in collective activities.

Participants in the group's activities have included Clarence John Laughlin, Gerome Kamrowski, Philip Lamantia, Tristan Meinecke and Franklin Rosemont. As participants past and present have been based in cities other than Chicago, the group has never been strictly defined by geography, despite its name. The group has worked with others, such as The Surrealist Group in Stockholm, with which it met in Chicago and Stockholm in 1986, publishing the International Surrealist Bulletin No. 1.[5]

Criticism

The Chicago Surrealist Group has been frequently criticised. The Rain Taxi Review of Books once described them as being in "aesthetic stasis" and having an "orthodox interpretation" of surrealism. There are also numerous criticisms and denouncements of the Chicago Surrealist Group included in the reference section Arsenal.

See also

References
  1. Spector, Jack J. (1997). Surrealist Art and Writing, 1919-1939: The Gold of Time. Cambridge University Press. p. 294. ISBN 0-521-55311-3.
  2. Rosemont, Penelope. Surrealist Experiences:1001 Dawns, 221 Midnights. Black Swan Press. p. 5. ISBN 0-941194-43-4.
  3. "Women and the Surrealist Revolution: an interview with Penelope Rosemont" by Danny Postel, in 'Exquisite Corpse: A Journal of Letters and Life' Archived 2007-09-28 at the Wayback Machine
  4. "Black Swan Press: Available Titles".
  5. "Surrealism". Archived from the original on 2007-05-12. Retrieved 2007-06-07.

Bibliography

Rosemont, Franklin and Charles Radcliffe. Dancin' in the Streets: Anarchists, IWWs, Surrealists, Situationists and Provos in the 1960s as Recorded in the Pages of Rebel Worker and Heatwave, Charles H Kerr. 2005. ISBN 0-88286-301-0

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