Colleen Dewhurst
Colleen Rose Dewhurst (3 June 1924 – 22 August 1991) was a Canadian-American actress mostly known for theatre roles. She was a renowned interpreter of the works of Eugene O'Neill on the stage, and her career also encompassed film, early dramas on live television, and Joseph Papp's New York Shakespeare Festival. One of her last roles was playing Marilla Cuthbert in the Kevin Sullivan television adaptations of the Anne of Green Gables series, and her reprisal of the role in the subsequent TV series Road to Avonlea (marketed as Avonlea in the US). Dewhurst won two Tony Awards and four Emmy Awards for her stage and television work.
Colleen Dewhurst | |
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Dewhurst in The Trial of Susan B. Anthony, 1971 | |
Born | Colleen Rose Dewhurst 3 June 1924 Montreal, Quebec, Canada |
Died | 22 August 1991 67) South Salem, New York, U.S. | (aged
Occupation | Actress |
Years active | 1952–1991 |
Spouse(s) |
|
Partner(s) | Ken Marsolais (1975–1991; her death) |
Children | 2, including Campbell Scott |
Awards | |
11th President of the Actors' Equity Association | |
In office 1985 – 1991 (died in the office) | |
Preceded by | Ellen Burstyn |
Succeeded by | Ron Silver |
Early life
Dewhurst was born June 3, 1924, in Montreal, Quebec to housewife Frances Marie (nee Woods) and Ferdinand Augustus "Fred" Dewhurst. She had no siblings. Fred Dewhurst was the owner of a chain of confectionery stores, and had been a celebrated athlete in Canada, where he had played football with the Ottawa Rough Riders.[1] The family became naturalized as U.S. citizens before 1940. Colleen's mother was a Christian Scientist, a faith Colleen also embraced.[2]
The Dewhursts moved to Massachusetts in 1928 or 1929, staying in Boston, Dorchester, Auburndale, and West Newton. Later they moved to New York City, and then to Whitefish Bay, Wisconsin. She attended Whitefish Bay High School for her first two years of high school, moved to Shorewood High School for her junior year, and graduated from Riverside High School in Milwaukee in 1942. Around this time, her parents separated. Dewhurst attended Milwaukee-Downer College for two years, then moved to New York City to pursue an acting career.[3]
Career
One of Dewhurst's most significant stage roles was in the 1974 Broadway revival of O'Neill's A Moon for the Misbegotten as Josie Hogan, for which she won a Tony Award. She previously won the Tony Award for Best Featured Actress in 1961 for All the Way Home. She later played Katharina in a 1956 production of Taming of the Shrew for Joseph Papp. She (as recounted in her posthumous obituary in collaboration with Tom Viola) wrote:
With Brooks Atkinson's blessing, our world changed overnight. Suddenly in our audience of neighbors in T-shirts and jeans appeared men in white shirts, jackets and ties, and ladies in summer dresses. We were in a hit that would have a positive effect on my career, as well as Joe's, but I missed the shouting.[4]
She played Shakespeare's Cleopatra and Lady Macbeth for Papp and, years later, Gertrude in a production of Hamlet at the Delacorte Theatre in Central Park.
She appeared in the Alfred Hitchcock Presents episode Night Fever in 1965 and with Ingrid Bergman in More Stately Mansions on Broadway in 1967. José Quintero directed her in O'Neill's Long Day's Journey into Night and Mourning Becomes Electra. She appeared in Edward Albee's adaptation of Carson McCullers' Ballad of the Sad Cafe, and as Martha in a Broadway revival of Who's Afraid of Virginia Woolf, opposite Ben Gazzara which Albee directed.
She appeared in 1962 as Joanne Novak in the episode "I Don't Belong in a White-Painted House" in the medical drama The Eleventh Hour, starring Wendell Corey and Jack Ging. Dewhurst appeared opposite her then-husband, Scott, in a 1971 television adaptation of Arthur Miller's The Price, on Hallmark Hall of Fame, an anthology series, and there is another television recording of them together when she played Elizabeth Proctor to his unfaithful John in Miller's The Crucible (with Tuesday Weld). In 1977, Woody Allen cast her in his film Annie Hall as Annie's mother.
In her autobiography, Dewhurst wrote: "I had moved so quickly from one Off-Broadway production to the next that I was known, at one point, as the 'Queen of Off-Broadway'. This title was not due to my brilliance, but, rather, because most of the plays I was in closed after a run of anywhere from one night to two weeks. I would then move immediately into another."[4]
In 1972, she played a madam, Mrs. Kate Collingwood, in The Cowboys (1972), which starred John Wayne. In 1985, she played the role of Marilla Cuthbert in Kevin Sullivan's adaptation of Lucy Maud Montgomery's novel Anne of Green Gables, and reprised the role in 1987's Anne of Avonlea (also known as Anne of Green Gables: The Sequel), and in several episodes of Kevin Sullivan's Road to Avonlea.
Dewhurst was on hiatus from Road to Avonlea when she died in 1991. Sullivan Productions was unaware she was terminally ill, so her portrayal of Marilla ended posthumously. This was accomplished by shooting new scenes with actress Patricia Hamilton acting as a body double for Dewhurst, and by recycling parts of scenes from Anne of Green Gables, Road to Avonlea, and using Dewhurst's death scene as Hepzibah in Sullivan's production of Lantern Hill. The latter was a 1990 television film based on L.M. Montgomery's Jane of Lantern Hill.
During 1989 and 1990, she appeared in a supporting role on the television series Murphy Brown playing Avery Brown, the feisty mother of Candice Bergen's title character; this role earned her two Emmy Awards, the second being awarded posthumously. Dewhurst won a total of two Tony Awards and four Emmy Awards for her stage and television work.
In a review of Dewhurst’s final film role as Ruth in Bed and Breakfast (1991), Emanuel Levy wrote “Bed and Breakfast is the kind of small, intimate picture that actors revere. The stunningly sensual Dewhurst, in one of her last screen roles, dominates every scene she is in, making the lusty and down-to-earth Ruth at once credible and enchanting.“
Dewhurst was president of the Actors' Equity Association from 1985 until her death. She was the first national president to die in the office.
Personal life and final years
Dewhurst was married to James Vickery from 1947 to 1960. She married and divorced George C. Scott twice. They had two sons, Alexander Scott and actor Campbell Scott; she co-starred with Campbell in Dying Young (1991), one of her later performances.
During the last years of her life, she lived on a farm in South Salem, New York with her partner, Ken Marsolais. They also had a summer home on Prince Edward Island, Canada.
Maureen Stapleton wrote about Dewhurst:
Colleen looked like a warrior, so people assumed she was the earth mother. But in real life Colleen was not to be let out without a keeper. She couldn't stop herself from taking care of people, which she then did with more care than she took care of herself. Her generosity of spirit was overwhelming and her smile so dazzling that you couldn't pull the f_-kng reins in on her even if you desperately wanted to and knew damn well that somebody should.[4]
Dewhurst's Christian Science beliefs[5] led to her refusal to countenance any kind of surgical treatment. Dewhurst died of cervical cancer, age 67, at her South Salem home in 1991. She was cremated and her ashes were given to family and friends; no public service was planned.
Awards
Over the course of her 45-year career, Dewhurst won the 1974 Sarah Siddons Award for her work in Chicago theatre, two Tony Awards, two Obie Awards, and two Gemini Awards. In 1989, she won the Genie Award for Best Performance by an Actress in a Supporting Role for her role in Hitting Home. Of her 13 Emmy Award nominations, she won four. She was inducted into the American Theatre Hall of Fame in 1981.[6]
- 1961: Tony Award for Best Performance by a Featured Actress in a Play - All the Way Home
- 1974: Tony Award for Best Performance by a Leading Actress in a Play - A Moon for the Misbegotten
- 1986: Primetime Emmy Award for Outstanding Supporting Actress – Miniseries or a Movie - Between Two Women
- 1989: Outstanding Guest Actress in a Comedy Series - Murphy Brown: "Mama Said"
- 1989: Primetime Emmy Award for Outstanding Supporting Actress - Miniseries or a Movie - Those She Left Behind
- 1991: Outstanding Guest Actress in a Comedy Series - Murphy Brown: "Bob and Murphy and Ted and Avery"
- Nominations
- 1962: Primetime Emmy Award for Outstanding Performance in a Supporting Role by an Actress - Focus
- 1968: Primetime Emmy Award for Outstanding Single Performance by an Actress in a Leading Role in a Drama - The Crucible
- 1971: Primetime Emmy Award for Outstanding Single Performance by an Actress in a Leading Role - The Price
- 1976: Primetime Emmy Award for Outstanding Lead Actress in a Drama or Comedy Special - A Moon For the Misbegotten
- 1979: Primetime Emmy Award for Outstanding Supporting Actress in a Miniseries or a Movie - Silent Victory: The Kitty O'Neil Story
- 1981: Primetime Emmy Award for Outstanding Supporting Actress in a Miniseries or a Movie - The Women's Room
- 1990: Primetime Emmy Award for Outstanding Supporting Actress - Miniseries or a Movie - Lantern Hill
- 1990: Primetime Emmy Award for Outstanding Guest Actress – Drama Series - Road to Avonlea
- 1991: Primetime Emmy Award for Outstanding Guest Actress - Drama Series - Road to Avonlea
- 1962: Tony Award for Best Performance by a Leading Actress in a Play - Great Day In the Morning
- 1964: Tony Award for Best Performance by a Leading Actress in a Play - The Ballad of the Sad Cafe
- 1968: Tony Award for Best Performance by a Leading Actress in a Play - More Stately Mansions
- 1972: Tony Award for Best Performance by a Leading Actress in a Play - All Over
- 1973: Tony Award for Best Performance by a Leading Actress in a Play - Mourning Becomes Electra
- 1977: Tony Award for Best Performance by a Leading Actress in a Play - Who's Afraid of Virginia Woolf?
Filmography
Films and television films
Year | Title | Role | Notes |
---|---|---|---|
1959 | The Nun's Story | Archangel Gabriel (Sanatorium) | |
1960 | Man on a String | Helen Benson | |
1961 | The Foxes | television film | |
1962 | Focus | television film | |
1966 | A Fine Madness | Dr. Vera Kropotkin | |
1967 | The Crucible | Elizabeth Proctor | television film (adaptation of the play The Crucible) |
1971 | The Price | Esther Franz | television film |
1971 | The Last Run | Monique | |
1972 | The Cowboys | Kate | |
1972 | The Hands of Cormac Joyce | Molly Joyce | Made for television film |
1973 | Legend in Granite | Marie Lombardi | television film |
1974 | Parker Addison, Philosopher | Hostess | television film |
The Music School | Hostess | television film | |
McQ | Myra | ||
The Story of Jacob and Joseph | Rebekah | television film | |
1975 | A Moon for the Misbegotten | Josie Hogan | television film (adaptation of the play A Moon for the Misbegotten) |
1977 | Annie Hall | Mrs. Hall | |
1978 | The Third Walker | Kate Maclean | |
Ice Castles | Beulah Smith | ||
1979 | Silent Victory: The Kitty O'Neil Story | Mrs. O'Neil | television film |
When a Stranger Calls | Tracy Fuller | ||
And Baby Makes Six | Anna Kramer | television film | |
Mary and Joseph: A Story of Faith | Elizabeth | television film | |
1980 | Death Penalty | Elaine Lipton | television film |
Escape | Lily Levinson | television film | |
Guyana Tragedy: The Story of Jim Jones | Mrs. Myrtle Kennedy | television miniseries | |
The Women's Room | Val | television film (based on the book The Women's Room) | |
A Perfect Match | Meg Larson | television film | |
Baby Comes Home | Anna Kramer | television film | |
Final Assignment | Dr. Valentine Ulanova | ||
Tribute | Gladys Petrelli | ||
1981 | A Few Days in Weasel Creek | Aunt Cora | television film |
1982 | Split Cherry Tree | Mother | |
Between Two Brothers | television film | ||
1983 | Sometimes I Wonder | Grandma | television film |
The Dead Zone | Henrietta Dodd | ||
1984 | You Can't Take It with You | Grand Duchess Olga Katrina | television film (adaptation of the play You Can't Take It with You) |
The Glitter Dome | Lorna Dillman | television film | |
1985 | Anne of Green Gables | Marilla Cuthbert | television film |
1986 | Between Two Women | Barbara Petherton | television film |
Johnny Bull | Marie Kovacs | television film | |
As Is | Hospice Worker | television film | |
The Boy Who Could Fly | Mrs. Sherman | ||
Sword of Gideon | Golda Meir | television film | |
1987 | Hitting Home | Judge | television film |
Bigfoot | Gladys Samco | television film | |
Anne of Green Gables: The Sequel | Marilla Cuthbert | television film | |
1988 | Woman in the Wind | ||
1989 | Those She Left Behind | Margaret Page | television film |
Termini Station | Molly Dushane | ||
1990 | The Exorcist III | Pazuzu | Voice, Uncredited |
Kaleidoscope | Margaret | television film | |
Lantern Hill | Elizabeth | television film | |
1991 | Dying Young | Estelle Whittier | |
Bed & Breakfast | Ruth | final film role | |
2000 | Anne of Green Gables: The Continuing Story | Marilla Cuthbert | television miniseries, uncredited (archive footage) |
2008 | Anne of Green Gables: A New Beginning | Marilla Cuthbert | television film (archive footage) |
Television work (excluding television films)
Year | Title | Role | Notes |
---|---|---|---|
1957 | Studio One | teleplay: First Prize for Murder | |
1958 | Kraft Television Theatre | teleplay: Presumption of Innocence | |
Decoy | Taffy | one episode: "Deadly Corridor" | |
DuPont Show of the Month | teleplay: The Count of Monte Cristo | ||
1959 | Aldonza/Dulcinea | teleplay: I, Don Quixote | |
Play of the Week | Mordeen Saul / Woman | teleplays: Burning Bright; Medea | |
The United States Steel Hour | Vera Brandon | teleplay: The Hours Before Dawn | |
1961 | Play of the Week | teleplays: No Exit; The Indifferent Lover | |
Ben Casey | Phyllis Anders | one episode: "I Remember a Lemon Tree" | |
1962 | The Eleventh Hour | Joanne Novak | one episode: "I Don't Belong in a White-Painted House" |
The Virginian | Celia Ames | one episode: "The Executioners" | |
The Nurses | Grace Milo | one episode: "Fly, Shadow" | |
1963 | The United States Steel Hour | Francie Broderick | teleplay: Night Run to the West |
DuPont Show of the Month | Karen Holt | teleplay: Something to Hide | |
1964 | East Side/West Side | Shirley | one episode: "Nothing but the Half Truth" |
1965 | Dr. Kildare | Eleanor Markham | one episode: "All Brides Should Be Beautiful" |
The Alfred Hitchcock Hour | Nurse Ellen Hatch | one episode: "Night Fever" | |
1966 | The F.B.I. | Amy Doucette | one episode: "The Baby Sitter" |
The Big Valley | Annie Morton | one episode: "A Day of Terror" | |
1971 | ITV Sunday Night Theatre | Mrs. Franz | teleplay: The Price |
Hallmark Hall of Fame | |||
1972 | Molly Joyce | teleplay: The Hands of Cormac Joyce | |
1973 | Wide World Mystery | Margery Landing | one episode: "A Prowler in the Heart" |
1979 | Studs Lonigan | Mary Lonigan | miniseries |
1982 | Quincy, M.E. | Dr. Barbara Ludow | one episode: "For Love of Joshua" |
The Blue and the Gray | Maggie Geyser | miniseries | |
1983 | Great Performances | Red Queen | teleplay: Alice in Wonderland |
1984 | Finder of Lost Loves | Rachel Green | one episode: "Echoes" |
The Love Boat | Maud | one episode: "Welcome Aboard: Part 1 and 2" | |
1985 | A.D. | Antonia | miniseries |
1988 | The Twilight Zone | Hallie Parker | one episode: "There Was an Old Woman" |
1989 | Moonlighting | Betty Russell | one episode: "Take My Wife, for Example" |
1989–1990 | Murphy Brown | Avery Brown Sr. | three episodes: -"Brown Like Me: Part 1 and Part II" (1989) -"Mama Said" (1989) -"Bob & Murphy & Ted & Avery (1990) |
1990–1992 | Road to Avonlea | Marilla Cuthbert | four episodes: - "Of Corsets and Secrets and True, True Love" -"The Materializing of Duncan McTavish" -"The Quarantine at Alexander Abraham's" and "Old Friends New Wounds (Marilla's Death)" |
Theatre
Year | Play | Role |
---|---|---|
1952 | Desire Under the Elms | Neighbor |
1956 | Tamburlaine the Great | Virgin of Memphis / Turkish Concubine |
1957–1958 | The Country Wife | Mrs. Squeamish |
1960 | Caligula | Caesonia |
1960–1961 | All the Way Home | Mary Follet |
1962 | Great Day in the Morning | Phoebe Flaherty |
1963–1964 | The Ballad of the Sad Café | Miss Amelia Evans |
1967–1968 | More Stately Mansions | Sara |
1970 | The Good Woman of Setzuan | Shen Te |
1971 | All Over | The Mistress |
1972 | Mourning Becomes Electra | Christine Mannon |
1973–1974 | A Moon for the Misbegotten | Josie Hogan |
1976 | Who's Afraid of Virginia Woolf? | Martha |
1977–1978 | An Almost Perfect Person | Irene Porter |
1982 | The Queen and the Rebels | Argia |
1983–1984 | You Can't Take It with You | Olga |
1988 | Long Day's Journey into Night | Mary Cavan Tyrone |
Ah, Wilderness! | Essie Miller | |
1989–1990 | Love Letters | Melissa Gardner |
References
- Colleen Dewhurst genealogy
- "Show Business: Gorgeous Gael". Time. January 21, 1974. Retrieved April 30, 2010.
- Colleen Dewhurst profile, Yahoo! Movies; accessed February 8, 2014.
- Dewhurst, Colleen; Viola, Tom (1997). Colleen Dewhurst — Her Autobiography. Scribner; ISBN 978-0-684-80701-0
- Susan Ware (editor), Notable American Women: A Biographical Dictionary Completing the Twentieth Century, Volume 5, pages 174-175 (Cambridge, Massachusetts: Belknap Press, 2004). ISBN 9780674014886
- The New York Times, March 3, 1981 - 26 Elected to the Theater Hall of Fame