Gena Rowlands

Publicity photo, 1955

In the early 1950s, Rowlands performed with repertory theatre companies and at the Provincetown Playhouse. She made her Broadway debut in The Seven Year Itch and toured in a national production of the play. In 1956, she starred in the Broadway play Middle of the Night opposite Edward G. Robinson.

Rowlands costarred with Paul Stewart in the 26-episode syndicated TV series Top Secret (1954–55).[11] She guest-starred on such anthology television series as Robert Montgomery Presents, Armstrong Circle Theatre, Studio One, Appointment with Adventure, The United States Steel Hour and Goodyear Television Playhouse, all in 1955. In 1959, Rowlands appeared in the western series Laramie, alongside her husband John Cassavetes in the detective series Johnny Staccato, and in the western series Riverboat, starring Darren McGavin. In 1961, she appeared in the adventure series The Islanders, set in the South Pacific, and in Target: The Corruptors!, starring Stephen McNally. She guest-starred in The Lloyd Bridges Show, the detective series 77 Sunset Strip, the westerns Bonanza and The Virginian, and Breaking Point, all in 1963. In 1964, she guest-starred in the medical drama Dr. Kildare and in two episodes of Burke's Law. She appeared in four episodes of Alfred Hitchcock Presents, three of which were after the series had been renamed The Alfred Hitchcock Hour. In 1967, she was cast as socialite Adrienne Van Leyden in the prime-time ABC soap opera Peyton Place.

Rowlands made her film debut in The High Cost of Loving in 1958. In 1962, she starred in director David Miller's Lonely Are the Brave, with Kirk Douglas and Walter Matthau. She played the former lover of the Kirk Douglas character, now the wife of the Douglas character's best friend.

Rowlands and Cassavetes made ten films together: A Child Is Waiting (1963), Faces (1968), Machine Gun McCain (1969), Minnie and Moskowitz (1971), A Woman Under the Influence (1974; nomination for Academy Award for Best Actress), Two-Minute Warning (1976), Opening Night (1977), Gloria (1980; nomination for Academy Award for Best Actress), Tempest (1982), and Love Streams (1984).[12]

According to Boston University film scholar Ray Carney, Rowlands sought to suppress an early version of Cassavetes' first film, Shadows, that Carney says he rediscovered after decades of searching.[13] Rowlands also became involved in the screenings of Husbands and Love Streams, according to Carney. The UCLA Film and Television Archive mounted a restoration of Husbands, as it was pruned down (without Cassavetes' consent, and in violation of his contract) by Columbia Pictures several months after its release, in an attempt to restore as much of the removed content as possible. At Rowlands' request, UCLA created an alternative print with almost ten minutes of content edited out, as Rowlands felt that these scenes were in poor taste. The alternative print is the only one that has been made available for rental.[14]

Rowlands at the 2006 Cannes Film Festival

In 1985, Rowlands played the mother in the critically acclaimed made-for-TV movie An Early Frost. She won an Emmy for her portrayal of former First Lady of the United States Betty Ford in the 1987 made-for-TV movie The Betty Ford Story.

In 1988, Rowlands starred in Woody Allen's dramatic film Another Woman. She played Marion Post, a middle-aged professor who is prompted to a journey of self-discovery when she overhears the therapy sessions of another woman (Mia Farrow). The review in Time Out described the character's trajectory: "Marion gets to thinking, and is appalled to realise that so many assumptions about her own life and marriage are largely unfounded: in her desire for a controlled existence, she has evaded the emotional truth about relationships with her best friend (Sandy Dennis), brother (Harris Yulin) and husband (Ian Holm)." Time Out praised the "marvellous" performances in the film, adding, "Rowlands' perfectly pitched approach to a demanding role is particularly stunning."[15] Film4 called her performance "sublime",[16] while Roger Ebert noted that it marked a considerable change in tone from her work with Cassavetes, thus showing "how good an actress Rowlands has been all along."[17]

In 2002, Rowlands appeared in Mira Nair's HBO movie Hysterical Blindness, for which she won her third Emmy. Next year she appeared as Mrs. Hellman an episode from the third season of Numb3rs. She played a Nazi survivor whose whole family was killed. The family owned a painting that the Nazis confiscated. Later on the painting reappeared. The new owner lent the painting to an art gallery in Los Angeles but while on display it was stolen. F.B.I. agent Don Eppes, played by Rob Morrow, tries to figure out what really happened. Rowlands received rave reviews for this role. She has been a spokesperson for people who were persecuted by the Nazis so this role was a perfect match for her.

She was later seen in The Notebook (2004), which was directed by her son Nick Cassavetes. The same year, she won her first Daytime Emmy for her role as Mrs. Evelyn Ritchie in The Incredible Mrs. Ritchie. In 2005, she appeared opposite Kate Hudson, Peter Sarsgaard, and John Hurt in the gothic thriller The Skeleton Key.

In 2007, she played a supporting role opposite Parker Posey and Melvil Poupaud in Broken English, an independent American feature written and directed by her daughter Zoe Cassavetes. In 2009, she appeared on an episode of Monk ("Mr. Monk and the Lady Next Door"). On March 2, 2010, she appeared on an episode of NCIS as lead character Leroy Jethro Gibbs's former mother-in-law, who is embroiled in a murder investigation.[18] In 2014, she starred in the film adaptation of Six Dance Lessons in Six Weeks.[19]