Colonial architecture of Southeast Asia

The ancient capital of Laos, Luang Prabang is a host of French Colonial buildings. Luang Prabang was listed in the UNESCO World Heritage Site for its "remarkably" well preserved architectural, cultural and religious heritage with a blend of urban developments over several centuries including the French Colonial influences. During the French Colonial period, there was a visible shift and transition of traditional residential buildings into French-style buildings within various areas in South East Asia. Whilst this transition was not completely transformative, French influence intentionally modified their buildings to embrace the tradition and culture of the previous history. As such, South East Asia now has a harmonious split between traditional and French colonial buildings.[2] The 1887 ransack and pillage from the Black Flag Army, who were a Chinese Bandit group, encouraged the kingdom to accept receiving protection from the French.[3] Soon after a commissariat was erected. In the early 20th century, the French Colonials has established may buildings and whilst somewhat preserving traditional architecture, the French Colonials had an evident influence on the city. They built a mansion for the résident-supérieur (governor) where the precedent royal palace was. They also established a courthouse, housing for civil servants, a prison, barracks for a small detachment and a hospital.[4]

Hoi An reflects a combination of Chinese, Japanese, Vietnamese and later European influences that have created a diverse city with various architectural styles. Hoi An Ancient Town was listed as a National Cultural Heritage Site in 1985 and thus a Special National Cultural Heritage Site under the Cultural Heritage Law of 2001.[5]

Hanoi's Opera House is designed based on the Palais Garnier, which is the older of Paris' two opera houses. It is considered as one to Hanoi's most iconic landmarks.[9] Built from 1901 to 1911, the opera house served as a project by the French Government when they occupied Vietnam. It was designed and supervised by Harley and Broyer with many comments from other architects. The work involved 300 workers and was made from 35,000 bamboo poles, concrete blocks, iron and steel.[10] The purpose of the building was for Western artists to perform to the French Colonists. Vietnamese elites could enter on events only if they dressed up and were charged extra more money for tickets.[11]

The Bridge, soon after completion

Built from 1899 to 1902, designed by Gustave Eiffel, the 2.4-kilometre bridge was the longest bridge in Asia for its time.[12] Although built by the French, the majority was built by (3000) Vietnamese.[13] During the period of French, The bridge was formerly named Paul Doumer. It signified a symbol of architecture in South East Asia. It acted as a connection point to transport goods from Northern Vietnam to the Dien Bien battle. It also contributed to the win of Vietnam army again the French in 1954.

The outside of the Sofitel Legend Metropole Hanoi, showing the typical colonial overhangs, and multi-story neo-classical design

The Sofitel Legend Metropole Hanoi, original known as the Grand Hotel Métrople opened in 1901. It was constructed with a French Colonial architectural style and designed by André Ducamp and Gustave-Émile Dumoutier.[14] In the 1950s the hotel was converted into the 'Thong Nhat Hotel', meaning Reunification, whereby the hotel was used by the Vietnams government as a guesthouse to those visiting the area. In the 1960s, the hotel constructed a bomb shelter to protect guests and employees against American air raids. During the war, the hotel rooms were converted into embassies for various countries.

The hotel is divided up into two wings; the historic Metropole wing and the Opera wing, which started in 1994 and completed in 2008. The Metropole wing has multi-story space features chandelier's, bamboo furniture, and wooden walls.[15] This wing is also space to Le Club, which overlooks the hotel's courtyard garden which also includes a colonial Bamboo Bar. The Opera wing rooms are designed to replicate the neoclassical style, with items such as standalone bathtubs and finished with mahogany furnishings and Vietnamese fabrics.[16]

Asian Civilisations Museum, viewed from the Singapore River

The Asian Civilisations Museum was formerly built as the Empress Place Building, which opened in 1867. It was initially named Government House. The original design was to be a courthouse however it soon became housing for colonial government offices (Government Secretariat as well as Treasury and Stamp Office).[17] The building hosts a neoclassical Palladian style. It has timber-louvred windows and pitched clay tiles. Inside has high ceilings, plaster mouldings and Doric columns.

Shophouses in Singapore

Shophouses in Singapore have two stories and long narrow design. They were designed and made from 1840–1960. Often having continuous walls, they had a canopy overhanging the walkway known as a 5-foot-way. Sir Stamford Raffles designed them in a way that every house should have a verandah.[18] The original shophouses were low with Doric columns. The early 1900s saw the first of the transitional style, these were taller in height and began using ornamentation. The late style (1900-1940), also known as the 'Singapore electric' was the most exotic with ornamentation and Chinese symbols mixed in with the traditional characteristics. They exhibited bright tiles, plaques and festoons. The Second Traditional style and Art Deco style embodied a more traditional approach with coloured ceramic tiles and streamlined designed.[19]

Ministers building

The ministers building was built in a period from 1889 between 1905. It was originally used for administrative services for British-Burma. It became a hub for Colonial- bureaucracy. It covers a vast 400,000 square feet of building area and is an icon of Myanmar's colonial-era architecture. Designed by British architect Henry Hoyne-Fox, the building constructed in two main stages (the south and north wings).[20] The wings of the building have classical red brick buildings with some cast stone dressings which are arranged in a semi-circle within the inner quadrangle. There are also a number of surrounding buildings that were constructed after the initial building between the period from 1905 to the 1930s. Due to the lack of sustainable use over time and the harsh tropical environment have left the space with numerous conservation challenges.[21]

The high court is another neo-Classical Victorian building situated in the centre of Yangon across from Independence Park. The Building was completed in 191, designed by James Ransome.[22] The entire building acts as a courtyard and is still used for local court today. The courthouse is known for its British Queen Anne style architecture. This includes a similar red-bricked exterior and a clock tower.[23]