Dancing in the Street

The original version of "Dancing in the Street" by Martha and the Vandellas was produced in 1964 by William "Mickey" Stevenson and released as a single on the Gordy Records label. The song was written by Stevenson, Ivy Jo Hunter, and Marvin Gaye. The song highlighted the concept of having a good time in whatever city the listener lived. The idea for dancing came to Stevenson from watching people on the streets of Detroit cool off in the summer in water from opened fire hydrants. They appeared to be dancing in the water.[1] The song was conceived by Stevenson who was showing a rough draft of the lyrics to Gaye disguised as a ballad. When Gaye read the original lyrics, however, he said the song sounded more danceable. With Gaye and Stevenson collaborating, the duo composed the single with Kim Weston in mind to record the song. Weston passed on the song and when Martha Reeves came to Motown's Hitsville USA studios, the duo presented the song to Reeves.

Reeves recounted that she initially regarded the song as too repetitive.[2] Gaye and Stevenson agreed and including new Motown songwriter Ivy Jo Hunter adding in musical composition, the song was recorded in two takes. The song's writers made sure to include Detroit as one of the cities mentioned with the lyric: "Can't forget the Motor City".

The song took on a different meaning when riots in inner-city America led to many young black demonstrators citing the song as a civil rights anthem to social change which also led to some radio stations taking the song off its play list because certain black advocates such as H. Rap Brown began playing the song while organising demonstrations. The anxiety elicited in parts of the dominant American society, by a dance "movement" inspiring a racial minority via this song, recalls the way in which the American government came to view the Ghost Dance religious movement among Native Americans in the 1890s.

"Dancing in the Street" had two meanings. The first is the one Martha Reeves asserted to reporters in England. "The British press aggravated Reeves when someone put a microphone in her face and asked her if she was a militant leader. The British journalist wanted to know if Reeves agreed, as many people had claimed, that "Dancing in the Street" was a call to riot. To Reeves, the query was patently absurd. 'My Lord, it was a party song,' she remarked in retrospect" (Smith 221). While Berry Gordy had created the Black Forum label to preserve black thought and creative writing, he kept the Motown record label and the popular hits it produced from being too political. "Berry Gordy Jr. was extremely wary about affiliating his business with any organization of movement that might negatively influence his company's commercial success" (Smith 230).

"Motown records had a distinct role to play in the city's black community, and that community—as diverse as it was—articulated and promoted its own social, cultural, and political agendas. These local agendas, which reflected the unique concerns of African Americans living in the urban north, both responded to and reconfigured the national civil rights campaign" (Smith 227). The movement lent the song its secondary meaning and the song with its second meaning fanned the flames of unrest. This song (and others like it) and its associated political meanings did not exist in a vacuum. It was a partner with its social environment and they both played upon each other creating meaning that could not have been brought on by one or the other alone. The song therefore became a call to reject peace for the chance that unified unrest could bring about the freedom that suppressed minorities all across the United States so craved.[3]

"Dancing in the Street" peaked at No. 2 on the US Billboard Hot 100 chart when it was originally released as the group's third album Dance Party's first single in 1964 (see 1964 in music), with "There He Is (At My Door)" included as a B-side. It was kept from the top spot by, "Do Wah Diddy Diddy" by Manfred Mann.[4]"Dancing in the Street" also reached the Top 5 on the UK Singles Chart peaking at No. 4 in a 1969 release after initially peaking at No. 28 on the chart and helped to revive the Vandellas' success in the UK.[5][6]

On April 12, 2006, it was announced that Martha and the Vandellas' version of "Dancing in the Street" would be one of 50 sound recordings preserved by the Library of Congress to the National Recording Registry. Lead singer Martha Reeves said she was thrilled about the song's perseverance, saying "It's a song that just makes you want to get up and dance".

In 2013, the original Motown recording was remixed for club and summer celebration airplay by Minneapolis' Billboard charting producer/remixer Joel Dickinson as well as Danny Shaffer.

Billboard named the song No. 29 on their list of 100 Greatest Girl Group Songs of All Time.[7]

• Lead vocals by Martha Reeves
• Background vocals by Betty Kelly, Rosalind Ashford, William "Mickey" Stevenson, and Ivy Jo Hunter
• Instrumentation by The Funk Brothers[8]
  • Robert White: guitar
  • Eddie Willis: guitar
  • Joe Messina: guitar
  • James Jamerson: bass guitar
  • Marvin Gaye: drums
  • Jack Ashford: percussion, tambourine, vibes
  • Ivy Jo Hunter: percussion (tire iron)
  • Henry Cosby: saxophone
  • Thomas "Beans" Bowles: saxophone
  • Russ Conway: trumpet
  • Herbert Williams: trumpet
  • Paul Riser: trombone
  • George Bohanon: trombone

U.S. [{Cash Box R&B Charts}] 8

The Kinks

• Ray Davies – lead vocals, rhythm guitar
• Dave Davies – lead guitar, backing vocals
• Pete Quaife – bass guitar, backing vocals
• Mick Avory – drums

Other personnel

• Rasa Davies – backing vocals

In 1966, the folk rock group, the Mamas & the Papas, recorded a cover version of the song "Dancing in the Street," which was taken from their second studio album The Mamas and the Papas.[26] Mama Cass Elliot sang the lead vocal, while the other members did their harmonies in the background. This version featured an instrumental section. The song's ending is humorous, which featured Elliot and Papa Denny Doherty having a dialogue listing the cities in both the United States, as well as Halifax, Nova Scotia, Canada, where Doherty was from, before the song's fade. At the Monterey Pop Festival in 1967, the Mamas and the Papas ended their set with "Dancing in the Street" before Elliot told the audience at the festival: "You're on your own.""cause we're sure on ours." This was the last time that the group performed live in concert.

"Dancing in the Street" was produced by Lou Adler and issued as the B-side of the single "Words of Love" on the Dunhill Records label. It reached No. 73 on the Billboard Hot 100 chart.[27] In 1969, Cass Elliot covered the song on her television special, The Mama Cass Television Program.

The Mamas and the Papas

• "Mama" Cass Elliot – lead vocals
• Denny Doherty – harmony and backing vocals
• Michelle Phillips – harmony and backing vocals
• John Phillips – guitar, harmony and backing vocals

Other Personnel

• Hal Blaine – drums, tambourine
• Joe Osborn – bass guitar
• Larry Knechtel – electric piano
• "Doctor" Eric Hord – guitar
• Lou Adler – producer

Swedish rock group Tages incorporated "Dancing in the Street" into their setlist during either December 1965 or January 1966. This rendition was performed with original drummer Freddie Skantze, who did not sing lead vocals on the performances. Tages rendition of the song removes the brass parts for optimization during live performances, instead incorporating them into licks by lead guitarist Anders Töpel or organ parts played by rhythm guitarist Danne Larsson, who started learning the instrument in mid-1965.[29][30] Following the success of their rendition of Marvin Gaye's "I'll Be Doggone", which reached number 10 on Kvällstoppen and number 7 on Tio i Topp in late May-early June 1966,[31][32] Tages decided to record "Dancing in the Street" for their upcoming album Tages 2.

However, prior to recording the song, Skantze had left the band. He was swiftly replaced by Tommy Tausis, whose drumming talents and vocal skills fit the band perfectly.[29] With Tausis now in the band, bassist Göran Lagerberg had started harmonizing with him on various songs, further minimizing Tommy Blom's role as lead singer in the band. The band had now also finalized the arrangement of "Dancing in the Street", with Lagerberg and Tausis sharing lead vocals on the track, with Larsson playing both the electric organ and piano to compensate for the lack of brass instruments.[33] During sporadic sessions at Europafilm Studios, Bromma between May and June 1966, The group recorded "Dancing in the Street."

"Dancing in the Street" was first released by Platina Records on August 4, 1966 when it was included as the opening track on Tages 2, the group's second studio album.[34][35] It was one of three rhythm and blues covers on the album, along with "I Got You (I Feel Good)" and "Leaving Here". The album sold over 10000 copies in Sweden alone, becoming their second and final album to be certified gold.[35] The liner notes of the album states that "Dancing in the Street" is "the compact rhythmic opening with a new singing pair consisting of Göran Lagerberg and Tommy Tausis."[36] The group would go on to record another album for Platina, Extra Extra before their contract expired, enabling them to sign with Parlophone Records instead. It was also at around this time that Tausis left the band to join the Spotnicks. He was replaced by Lasse Svensson.[29]

After signing with Parlophone, Platina decided to issue several songs from Extra Extra as singles in order to capitalize on their success, starting with "Secret Room" in 1967.[37][38] Following several singles from Extra Extra, Platina managed to extract "Dancing in the Street" for single release, almost one and a half years after it was recorded.[33] It was the third single from Tages 2, following "In My Dreams" and "Crazy 'Bout My Baby", but was the only single from that album released in 1967.[39][40][41][42] The b-side was "Those Rumours", a song which was written by the band and also appeared on Tages 2.[34] Due to the lack of advertising regarding the single, and the release of the contemporary single "Treat Her Like A Lady", which reached number 7 on Kvällstoppen and 3 on Tio i Topp,[43][44] "Dancing in the Street" failed to chart on either of the charts, which became the fate of all singles Platina released in 1967.

The Swedish single sleeve is a photograph, which is an alternate take of the one which previously appeared on "Miss Mac Baren" in November 1966.[45][46] Curiously, the Norwegian single sleeve shows Freddie Skantze, who did not participate in the recording.[33][47] Tages performed the song on an episode of Swedish pop show Popsan on October 7, 1966.[48]

Tages

• Göran Lagerberg – co-lead vocals, bass guitar
• Tommy Tausis – co-lead vocals, drums
• Tommy Blom – percussion, backing vocals
• Anders Töpel – lead guitar, backing vocals
• Danne Larsson – organ, piano, backing vocals

Other personnel

• Anders "Henkan" Henriksson – studio engineer
• Björn Almstedt – studio engineer

Grateful Dead

• Donna Godchaux – co-lead vocals
• Bob Weir – co-lead vocals, rhythm guitar
• Keith Godchaux – keyboards, backing vocals
• Phil Lesh – bass guitar
• Jerry Garcia – lead guitar
• Mickey Hart – drums

Additional personnel

• The Martyn Ford Orchestra – brass instruments
• Rick Collins – mastering
• Greg Fulginiti – mastering
• Keith Olsen – production, engineering

The American rock band Van Halen recorded a cover version of "Dancing in the Street" in 1982. This version features heavy use of the electric guitar, played by Eddie Van Halen. Speaking about the cover, group member David Lee Roth said: "It sounds like more than four people are playing, when in actuality there are almost zero overdubs—that's why it takes us such a short amount of time [to record]." Group member Eddie Van Halen, discussing the cover and discussing his synthesizer part in the track, said: "It takes almost as much time to make a cover song sound original as it does writing a song. I spent a lot of time arranging and playing synthesizer on 'Dancing in the Streets,' and they [critics] just wrote it off as, 'Oh, it's just like the original.' So forget the critics! These are good songs. Why shouldn't we redo them for the new generation of people?"

Van Halen released "Dancing in the Street" as the second single from their 1982 studio album Diver Down. Their version attracted decent commercial success, reaching the top 40 on the US Billboard Hot 100 chart and becoming a top 15 hit on the Canadian Singles Chart.

• David Lee Roth – lead vocals
• Eddie Van Halen – guitar, synthesizer, backing vocals
• Michael Anthony – bass, backing vocals
• Alex Van Halen – drums

1. "Dancing in the Street" – 3:43
2. "Where Have All the Good Times Gone" – 3:02

1. "Dancing in the Street" – 3:43
2. "The Full Bug" – 3:18

A hit cover version of "Dancing in the Street" was recorded by the English rock icons Mick Jagger and David Bowie as a duo in 1985, to raise money for the Live Aid famine relief cause. The original plan was to perform a track together live, with Bowie performing at Wembley Stadium and Jagger at John F. Kennedy Stadium, until it was realized that the satellite link-up would cause a half-second delay that would make this impossible unless either Bowie or Jagger mimed their contribution, something neither artist was willing to do.

In June 1985, Bowie was recording his contributions to the Absolute Beginners soundtrack at Westside Studios with Clive Langer & Alan Winstanley, and so Jagger arranged to fly in to record the track there. A rough mix of the track was completed in just four hours on June 29, 1985.[53] Thirteen hours after the start of recording, the song and video were completed. Jagger arranged for some minor musical overdubs with Steve Thompson and Michael Barbiero in New York City.

The single version (Bob Clearmountain mix) is slightly different from the version used on David Bowie's Best of Bowie compilation and others, with the vocals and guitar brought out more and a slightly shorter intro.

The David Bowie and Mick Jagger recording of "Dancing in the Street" was issued as a single on EMI, with all profits going to the charity. The song topped the UK Singles Chart for four weeks, and reached No. 7 in the United States on the Billboard Hot 100 chart. Bowie and Jagger would perform the song once more, at the Prince's Trust Concert on June 20, 1986. The song has been featured since on several Bowie compilations. In 1988, US TV network ABC used a sample of this song, to promote their 1988–1989 campaign, but under the name "Something's Happening", which is the second year they used the same name, the first time being for the 1987–1988 campaign.[54]

In 2011 it was voted the eighth-best collaboration of all time in a Rolling Stone readers poll.[55] In a survey conducted by PRS for Music, the song was voted as the top song the British public would play at street parties in celebration of the 2011 Royal Wedding of Kate Middleton and Prince William.[56]

The pair went to Spillers Millennium Mills in London to film a video with director David Mallet. The music video was shown twice at the Live Aid event. It was also shown in movie theaters before showings of Ruthless People, for which Jagger had recorded the theme song.[57]

1. "Dancing in the Street" (Clearmountain Mix) – 3:12
2. "Dancing in the Street" (instrumental) – 3:17

1. "Dancing in the Street" (Steve Thompson and Michael Barbiero Mix) – 4:40
2. "Dancing in the Street" (dub version) – 4:41
3. "Dancing in the Street" (edit) – 3:24

• Lead vocals: David Bowie and Mick Jagger
• Guitar: Kevin Armstrong, G. E. Smith and Earl Slick
• Keyboards: Steve Nieve
• Bass: Matthew Seligman and John Regan
• Drums: Neil Conti
• Percussion: Pedro Ortiz and Jimmy Maelen
• Trumpet: Mac Gollehon
• Saxophone: Stan Harrison and Lenny Pickett
• Backing vocals: Helena Springs and Tessa Niles