David Costa (graphic designer)

Costa was born in London, England, his grandfather a songwriter and pianist with the Savoy Orpheans, father, the popular 1930’s singer and post-war BBC radio celebrity Sam Costa. He attended Merchant Taylors' public school, pursuing Fine Arts at the University of East Anglia in 1966.

In early 1969 he left university and brought together Barry Clarke, Bias Boshell, Unwin Brown and Celia Humphris to form the folk-rock band Trees, subsequently recording two albums: The Garden of Jane Delawney and On the Shore. In 1971 he left Trees to pursue freelance graphic design, eventually with Dick James Music in 1972, leading to a sequence of album sleeves for Elton John,[2][3][4][5] and subsequently as art director in the UK offices of Rocket Records. During this period, Costa and guitarist Barry Clarke went on to write, record and produce the band Casablanca and subsequent eponymous album[6] in 1973.

Throughout the 1970s and 1980s freelance design projects included work with ex-Beatles press officer Derek Taylor to instigate the "Brighton Pier" label for Warner Bros. Records UK. From 1977 through 1979 Costa ran his studio Jubilee Graphics from the previous offices of Rocket Record Co. in Wardour Street, London. Over the ensuing decade he worked as a freelance designer/art director on the re-launched Tatler magazine with Tina Brown; redesign and art direction on the relaunched The Field; early visual proposals for Today, Eddie Shah’s publication that pioneered the use of computer systems with photo-typesetting and full-colour offset printing, and, the redesign and frequent illustration of covers for Encounter magazine.