Delroy Edwards (musician)

Brandon Avery Perlman (born March 28, 1990),[1] better known by his stage name Delroy Edwards, is an American electronic musician, record producer and DJ based in Los Angeles.[2] According to AllMusic's Paul Simpson, he produces "gritty, lo-fi house tracks as well blown-out, abstract beat tapes."[3]

Delroy Edwards
Birth nameBrandon Avery Perlman
Also known asDJ Punisher
Born (1990-03-28) March 28, 1990[1]
Los Angeles, California, U.S.
Genres
Occupation(s)
  • Musician
  • record producer
  • DJ
Labels
  • L.I.E.S.
  • L.A. Club Resource
  • Gene's Liquor
Associated acts
  • Earth to Mickey
  • Trackstars
  • Rx
Websitesoundcloud.com/delroy-edwards

Edwards is the son of actor Ron Perlman. He is the owner of the record label, L.A. Club Resource, and runs the underground hip hop reissue label, Gene's Liquor.[3]

Early life

Brandon Avery Perlman was born on March 28, 1990 in Los Angeles,[1][3] to actor Ron Perlman and jewelry designer Opal Stone Perlman. His father is Jewish with roots from Hungary and Poland and his mother is Afro-Jamaican.[4][5][6] He has an elder sister, Blake Amanda (born 1984).[6]

Edwards was exposed to different genres of music while growing up, including post-punk, industrial, funk and R&B.[3] Edwards also stated that he frequented noise concerts and listened to KROQ-FM artists and acts such as New Order, Joy Division and Depeche Mode throughout this time.[7] His parents were influential in his early musical development and provided him with his first drum kit;[8] he was trained classically in jazz drumming.[9] His mother, a fan of gangsta rap and dancehall, introduced Edwards to underground hip hop and cassette culture.[10] He was introduced to house music by a friend of his sister, who taught him how to operate a drum machine.[7]

Edwards briefly attended California Institute of the Arts to study music.[9]

Career

Moving to New York City in 2010, Edwards worked at A1 Records with Ron Morelli, who founded the label L.I.E.S.. His debut 12", 4 Club Use Only, was issued on the label in 2012. Releasing a string of EPs on the label,[3] he founded his own imprint, L.A. Club Resource, in 2013.[11] Edwards's chopped and screwed mixtape series, Slowed Down Funk, was issued on the label for free download.[3][12]

In 2014, The Death of Rave record label issued Teenage Tapes, a compilation of experimental tracks that Edwards recorded back in art school.[13] The same year also saw the debut of Edwards's techno project, DJ Punisher.[10] In 2016, Edwards released the 30-track full-length Hangin' at the Beach on L.A. Club Resource; Resident Advisor's Matt McDermott described it as his "most realized album to date."[14] Its follow up, Rio Grande was issued in 2018.[15] In the same year, he returned to L.I.E.S. with the LP Aftershock, his first with the label since 2013.[16] Edwards also collaborated with Dean Blunt on Desert Sessions, a collection of experimental synthesizer tracks.[17]

In 2020, L.I.E.S. issued his full-length album, Slap Happy.[18]

Musical style

While Edwards is known to employ different genres for his different releases, including house, techno, chopped and screwed, Memphis rap, noise, hardcore and obscure American garage rock, his music is generally characterized by lo-fi production and tape hiss.[14][18][19] Pitchfork critic Marc Masters thought that Edwards combines "the faded ‘80s vibe of Ariel Pink and John Maus with a sharp eye toward what moves bodies on dance floors today,"[20] while Kevin Ritchie of Now regarded his work as "avowedly anti-pop, anti-digital and anti-glam in its minimalism."[21] His work is often associated with the "outsider house" scene,[22] with his EP 4 Club Use Only being regarded as a defining release of the genre.[19][23] His Slowed Down Funk mixtape series were heavily influenced by DJ Screw and featured "edits of laid-back Southern rap and '80s R&B grooves filtered through his hazy, lo-fi sensibilities,"[3] while Hangin' at the Beach was characterized by "racing new wave-inspired electronic drums and occasional post-punk basslines" that permeated through the record.[24]

According to Shawn Reynaldo of Pitchfork, Edwards's aesthetics are informed by "classic Chicago house and vintage rap tropes."[18]

Discography
Studio albums
  • Teenage Tapes (2014)
  • Hangin' at the Beach (2016)
  • Rio Grande (2018)
  • Aftershock (2018)
  • Desert Sessions (2018; with Dean Blunt)
  • Slap Happy (2020)
EPs
  • 4 Club Use Only (2012)
  • White Owl (2013)
  • Untitled (2013)
  • Kickin Butts!! (2015)
  • Wagon Wheels (2019)
  • Dubonnet (2019)
Mixtapes
  • Slowed Down Funk Vol. I (2014)
  • Slowed Down Funk Volume II: Hate Is Beneath Me (2014)
  • Slowed Down Funk Vol III: Pure Evil (2014)
Singles
  • "Heart and Soul" / "Sprk tha Dust" (2012)
  • "Untitled" (2013; with FunkinEven)
  • "Can U Get With" / "Always (Edit)" / "Untitled" (2014)
  • "Heart of Gold (Take 2) Raw Jam" (2015)
  • "Stop It Baby" (2017)
  • "When I Think" (2018)

References
  1. "Brandon Avery Perlman at California Birth Index". California Birth Index. Retrieved July 27, 2020.
  2. Sokol, Zach (August 23, 2016). "Meet Delroy Edwards, The Lo-Fi Club Producer Keeping L.A. Weird". The Fader. Retrieved July 24, 2020.
  3. Simpson, Paul. "Delroy Edwards biography". AllMusic. Retrieved July 24, 2020.
  4. Weiss, Jeff (August 3, 2016). "Delroy Edwards, One of L.A.'s Best Dance Music Producers, Remains an Enigma". LA Weekly. Retrieved July 24, 2020.
  5. Brown, August (November 28, 2014). "Underground music hero Delroy Edwards fosters an above-board approach". Los Angeles Times. Retrieved July 24, 2020.
  6. Perlman, Ron (2015). Easy Street (the Hard Way). Boston: Da Capo Press. ISBN 978-0306824180.
  7. Orlov, Piotr (August 29, 2016). "Guest Dose: Delroy Edwards". NPR. Retrieved July 24, 2020.
  8. McDermott, Matt (April 29, 2016). "Label of the month: LA Club Resource". Resident Advisor. Retrieved July 24, 2020.
  9. "Delroy Edwards: Breathing New Life Into House Music". KCET. November 17, 2015. Retrieved July 27, 2020.
  10. Obst, Anthony (November 11, 2014). "Interview: Delroy Edwards on Bootleg Tapes, Ron Morelli, and Keeping It Underground". Red Bull Music Academy. Retrieved July 24, 2020.
  11. Coultate, Aaron (September 12, 2013). "Delroy Edwards starts new label, L.A. Club Resource". Resident Advisor. Retrieved July 24, 2020.
  12. "Delroy Edwards gives away chopped and screwed mixtape Slowed Down Funk Vol. 1". Fact. Retrieved July 24, 2020.
  13. "Delroy Edwards preps "freeform noise" album Teenage Tapes for The Death of Rave". Fact. Retrieved July 24, 2020.
  14. McDermott, Matt (August 11, 2016). "Delroy Edwards - Hangin' At The Beach". Resident Advisor. Retrieved July 26, 2020.
  15. McDermott, Matt (March 22, 2018). "Delroy Edwards announces new album, Rio Grande". Resident Advisor. Retrieved July 24, 2020.
  16. Wilson, Scott. "Delroy Edwards releases Aftershock album on L.I.E.S." Fact. Retrieved July 24, 2020.
  17. Ryce, Andrew (November 6, 2018). "Delroy Edwards & Dean Blunt - Desert Sessions". Resident Advisor. Retrieved July 24, 2020.
  18. Masters, Marc (February 26, 2020). "Delroy Edwards - Hangin' At the Beach". Pitchfork. Retrieved July 24, 2020.
  19. Goldner, Sam (July 17, 2020). "Delroy Edwards' Label L.A. Club Resource Embraces the Ethos of Classic House and Hip-Hop". Bandcamp. Retrieved July 26, 2020.
  20. Masters, Marc (August 3, 2016). "Delroy Edwards - Hangin' At the Beach". Pitchfork. Retrieved July 24, 2020.
  21. Ritchie, Kevin (August 10, 2016). "Delroy Edwards's debut album is anti-pop, anti-digital and anti-glam". Now. Retrieved July 24, 2020.
  22. Kerr, Steve (January 9, 2013). "Bubblin' Up Week 2013: Delroy Edwards, Anthony Naples, Roche, and Huerco S. Take on House in Their Own Way". XLR8R. Retrieved July 26, 2020.
  23. Wilson, Scott. "Has underground house finally run out of ideas? Meet the architects of the lo-fi invasion". Fact. Retrieved July 24, 2020.
  24. Simpson, Paul. "Delroy Edwards - Hangin' at the Beach". AllMusic. Retrieved July 24, 2020.
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