Duck Soup (1933 film)

Comparing the original scripts with the finished film, most of the characters' initial scripted names were later changed. Only the names of Chicolini and Mrs. Teasdale were kept. Groucho's character—originally named "Rufus T. Firestone"—eventually became Rufus T. Firefly, while the name of Harpo's character—named Pinky in the final product—was given in the pressbook as "Brownie".[10] "Ambassador Frankenstein of Amnesia" was quickly changed to Ambassador Trentino of Sylvania. Zeppo's character remained Firefly's son until very late in production, finally becoming Bob Roland, his secretary; also, Mrs Teasdale's niece "June Parker" transformed into Vera Marcal, first introduced as Trentino's "niece" before ultimately becoming his companion.[11]

The Marx Brothers' previous film, Horse Feathers, had been Paramount's highest-grossing film of 1932. Encouraged by this success, the studio suggested on August 2, 1932, that they rush out a follow-up. Already at this early stage, the story (provisionally entitled Oo La La)[6] was set in a mythical kingdom. On August 11, 1932, the Los Angeles Times reported that production would commence in five weeks with the famed Ernst Lubitsch directing.

This was a turbulent time in the Marx Brothers' career. Paramount Pictures was nearing bankruptcy and a reorganization of the studio brought fears that money due the Brothers would never be paid; as a result, the Marxes threatened to leave Paramount and start their own company, Marx Bros., Inc.[12] Their first planned independent production was a film adaptation of the Pulitzer Prize-winning Broadway musical Of Thee I Sing, with Norman McLeod leaving Paramount to direct.[2] During late 1932 and early 1933, Groucho and Chico were also working on Flywheel, Shyster, and Flywheel, a radio show written by Nat Perrin and Arthur Sheekman; there was even, at one time, talk of casting the two as their radio characters for the new film[12] (an idea that was eventually used in the later Marx Brothers film The Big Store).[2]

By October 4, 1932, Arthur Sheekman, Harry Ruby, and Bert Kalmar began writing the screenplay for the next Paramount film, which was now called Firecrackers.[6][11] Herman Mankiewicz was to supervise production, beginning in January 1933.[12] By December 1932, Firecrackers had become Cracked Ice.[11] Grover Jones was also reported to have contributed to the first draft by Ruby and Kalmar.[12] In The Marx Brothers Encyclopedia, Glenn Mitchell says that "the first script's content is difficult to determine".[13]

On January 18, 1933, Harry Ruby, Bert Kalmar and Grover Jones submitted to Paramount their "Second Temporary Script" for Cracked Ice,[11] and Paramount announced that shooting would commence on February 15. This script shows that the basic story had been fixed. In February, Paramount announced that the title had been changed to Grasshoppers[6] ("because animal stories are so popular"), and that filming was set back to February 20.

However, on May 11, 1933, the Marx Brothers' father Sam "Frenchie" Marx died in Los Angeles,[2] and shortly afterward the contract dispute with Paramount was settled.[3] The New York Post reported on May 17 that the Brothers would make a new comedy for Paramount, called Duck Soup. Leo McCarey was set for direction of the film. Three days later The New York Sun reported that Duck Soup would start filming in June. Duck Soup's script was completed by July 11.[11] The script was a continuation of Ruby and Kalmar's Firecrackers/Cracked Ice drafts, but contained more elements.[12] Many of the film's clever gags and routines were lifted from Flywheel, Shyster, and Flywheel,[2] giving Perrin and Sheekman an "additional dialogue" credit.

Director McCarey reportedly came up with the title for the film, having previously used it for an earlier directorial effort with Laurel and Hardy.[6] This continued the "animal" titles of the Brothers' previous three films, Animal Crackers, Monkey Business and Horse Feathers.[12]

"Duck soup" was American English slang at that time; it meant something easy to do. Conversely, "to duck something" meant to avoid it. When Groucho was asked for an explanation of the title, he quipped, "Take two turkeys, one goose, four cabbages, but no duck, and mix them together. After one taste, you'll duck soup for the rest of your life."[6]

McCarey also thought up "the very Laurel & Hardy-like sequence in which Harpo and Chico stage a break-in at Mrs Teasdale's house."[12] Another McCarey contribution was the "mirror scene", a revival of an old Marx Brothers vaudeville act.[2][6]

In the "mirror scene", Pinky, dressed as Firefly, pretends to be Firefly's reflection in a missing mirror, matching his every move—including absurd ones that begin out of sight—to near perfection. In one particularly surreal moment, the two men swap positions, introducing the question of which is the reflection. Eventually, and to their misfortune, Chicolini, also disguised as Firefly, enters the frame and collides with both of them.

Although its appearance in Duck Soup is the best known instance, the concept of the mirror scene did not originate in this film. Harold Lloyd used essentially the same routine in his short The Marathon (1919). Max Linder included it in Seven Years Bad Luck (1921), where a man's servants have accidentally broken a mirror and attempt to hide the fact by imitating his actions in the mirror's frame.[14] Charlie Chaplin used a similar joke in The Floorwalker (1916),[6] though it did not involve a mirror.

This scene has been imitated many times; for instance, in the Bugs Bunny cartoon Hare Tonic,[6] the Mickey Mouse cartoon Lonesome Ghosts, The Square Peg (1959), The Pink Panther (1963), the Tom and Jerry cartoon Cat and Dupli-cat (1967) and Big Business (1988). Harpo himself did a reprise of this scene, dressed in his usual costume, with Lucille Ball also donning the fright wig and trench coat, in the I Love Lucy episode "Lucy and Harpo Marx".[15]

The climactic production number ridicules war by comparing nationalism to a minstrel show. One segment is a variant on the old Negro spiritual "All God's Chillun Got Wings" (and was reportedly considered for deletion for the film's DVD release, for fear of offending African Americans):[4]

They got guns,
We got guns,
All God's chillun got guns!
I'm gonna walk all over the battlefield,
'Cause all God's chillun got guns!

Another repeated gag involved Harpo, who drives a motorcycle with a sidecar, as a chauffeur, to transport Groucho. Twice, after Groucho gives the orders to Harpo, Harpo rides his motorcycle away, leaving Groucho stranded in the sidecar. later, Groucho has Harpo sit in the sidecar, while Groucho gets on the motorcycle, the sidecar, with Harpo in it, rides off away, again, leaving Groucho stranded.

Shortly after, during the final battle scenes, "rightfully [...] called the funniest of all of cinema",[7] Firefly can be seen wearing a different costume in almost every sequence until the end of the film, including American Civil War uniforms (first Union and then Confederate), a British palace guard uniform, a Boy Scout Scoutmaster's uniform, and even a Davy Crockett coonskin cap. Meanwhile, the exterior view of the building they are occupying changes appearance from a bunker to an old fort, etc. Firefly assures his generals that he has "a man out combing the countryside for volunteers." Sure enough, Pinky is wandering out on the front lines wearing a sandwich board sign reading, "Join the Army and see the Navy." Later, Chicolini volunteers Pinky to carry a message through enemy lines; Firefly tells him, "[...] and remember, while you're out there risking life and limb through shot and shell, we'll be in here thinking what a sucker you are." Thomas Doherty has described this line as "sum[ming] up the Great War cynicism towards all things patriotic".[16]

The melodramatic exclamation "This means war!" certainly did not originate with Duck Soup, but it is used several times in the film—at least twice by Trentino and once by Firefly[17]—and was repeated by Groucho in A Night at the Opera and A Day at the Races. Variations of this phrase later became a frequently used catch-phrase for Daffy Duck and Bugs Bunny in Warner Bros. cartoons.[18]

In another scene, the film pokes fun at the Hays Code. Due to the code, a man and woman could not be shown in bed together. The camera begins the scene in a woman's bedroom, panning across the foot of the bed. A pair of men's shoes are shown on the floor, then a pair of women's shoes and then four horseshoes. The camera cuts to a shot of the entire room: Pinky is sleeping in one bed with the horse, while the woman is in another bed.

The film's writers recycled a joke used in Horse Feathers in this dialogue with Chico:

Prosecutor: Chicolini, isn't it true you sold Freedonia's secret war code and plans?
Chicolini: Sure! I sold a code and two pairs o' plans!

The street vendor confrontations are also well-remembered pieces of physical comedy:[6][7] Chico and Harpo harass a lemonade seller (comedy film veteran Edgar Kennedy), egged on by his irritation that they have stolen his pitch.

First, there is a scene involving the knocking off, dropping, picking up and exchanging of hats. Later, Kennedy (a much larger man) steals bags of Harpo's peanuts, and Harpo responds by burning Kennedy's new straw boater hat; in return, Kennedy pushes over their peanut wagon. Harpo responds by stepping knee-deep into Kennedy's lemonade tank, where he imitates a stereotypical Italian grape-crushing peasant; this drives off Kennedy's waiting line of customers.

Just before the Mirror Scene is the Radio Scene. Harpo tries the combination to the safe on a box which proves to be a radio, and it starts blaring the break-up strain of John Philip Sousa's "Stars and Stripes Forever". The music continues despite frantic efforts to silence, and finally destroy, the radio.

Harpo often doffed his hat on-screen, but Chico very rarely removed his Tyrolean hat, even when indoors. For a few seconds on-screen in the earlier scene, Chico's head is uncovered, revealing a wavy wig. Chico had already started going bald when the brothers appeared in their first Broadway production, I'll Say She Is, in 1924. All of the Brothers' natural receding-hairline patterns were similar, but Harpo and Chico covered theirs with wigs (Groucho later sported an obvious toupee in the films At The Circus and Go West).

Screenwriters Harry Ruby and Bert Kalmar were standing on the set one day when an extra standing next to them said, "I don't know who wrote this stuff but they ought to be arrested...they should be in a different business." Kalmar, who was known as a rational and calm man, said to Ruby, "I'm going over to hit him. Who does he think he is? He's just an extra!" Eventually, Kalmar and Ruby were informed that Chico Marx had paid the extra to say that and get the screenwriters all riled up, just for the hell of it.[19]

The "Freedonia National Anthem" is used frequently throughout the film, both as vocal and instrumental; the entire song seems to consist of "Hail, Hail, Freedonia, land of the brave and free", contrasting with the final line of The Star-Spangled Banner. The "Sylvania theme", which sounds vaguely like "Rule, Britannia!", is also used several times. "When The Clock On The Wall Strikes 10", the first musical number in the film, is part of the same scene as "Just Wait 'Til I Get Through With It",[6] Groucho's song about the laws of his administration. "This Country's Going To War"[21] is the final musical ensemble in the film. Technically it is the only musical number in the Marx Brothers' films to feature all four of the brothers. However, in Monkey Business, Chico briefly bangs on the piano while the other three play saxophones while eluding their pursuers on an ocean liner.

The introductory scene, showing ducks swimming in a kettle and quacking merrily, is scored with an instrumental medley of the aforementioned songs, and it is also the only scene in the film that has to do with ducks and soup.

• Military Polonaise (Chopin) – played over newspaper headline of Firefly's appointment as president of Freedonia
• "Sailor's Hornpipe"; "Dixie" – short segments embedded in "These Are the Laws of My Administration"
• "Who's Afraid of the Big Bad Wolf" – music box, accompanied by Harpo on (simulated) harp, briefly; a few minutes later, in another scene, Groucho says "I'll huff and I'll puff and I'll blow your door in" after he is locked in a closet. Walt Disney filed a lawsuit against Paramount Pictures, for using the song without permission, resulting in Disney winning the financial damages in a settlement.
• "Stars and Stripes Forever" (Sousa) – on radio, turned on (loudly) by Harpo, who mistakes it for a safe
• "American Patrol" (Frank W. Meacham) – three of the Brothers playing soldiers' helmets like a xylophone as they march by, while Harpo clips off the decorative tassels (part of a running gag in the picture)
• "All God's Chillun Got Guns" (parody of "All God's Chillun Got Wings"); "Oh Freedonia" (parody of "Oh! Susanna"); "Turkey in the Straw" (instrumental) – embedded in "Freedonia's Going to War"
• Light Cavalry Overture (Franz von Suppé) – Harpo galloping on horseback a la Paul Revere
• "Ain't She Sweet" (Milton Ager/Jack Yellen) – Harpo watching girl in window
• "Goodnight, Sweetheart" (Ray Noble) – Harpo and same girl (Edgar Kennedy's character's wife)
• Generic cavalry charge – Harpo with horn, in bathtub with Edgar Kennedy
• "One Hour With You" (Oscar Straus/Richard A. Whiting) – Harpo with another girl and his horse — segué into a bit of "The Old Gray Mare"
• "El manisero" (Moisés Simons) – half-sung, half-muttered by Groucho to himself at various points

The United States Library of Congress has added Duck Soup to the National Film Registry,[8] and the film was included in both the original (1998) broadcast of AFI's 100 Years... 100 Movies and the 2007 update.[36]

Another testament to Duck Soup's legacy is its influence on Woody Allen films. Near the end of Allen's Hannah and Her Sisters (1986), a chance screening of Duck Soup convinces Allen's character that life is still worth living, and he abandons his suicidal impulses.[6] His earlier Bananas (1971), a film chronicling the humorous rise of an unlikely dictator, has been dubbed a "spiritual sequel to Duck Soup."[37]

Duck Soup is also frequently cited as a major influence of the comedic side of The Beatles,[38][39][40] and The Beatles themselves admitted that it was an inspiration for their film Help![41]

This Marx Brothers' production had influence as well on the world of animation, with homages to the film appearing in various animated television series. It was spoofed in Animaniacs as the full-episode sketch "King Yakko". One specific gag from the original, the constant singing of the Freedonian national anthem, was spoofed in particular with a Perry Como caricature. Groucho's entrance in the film was borrowed in another Animaniacs cartoon, "The Three Muska-Warners".[42]

The film also inspired parts of Sacha Baron Cohen's film The Dictator (2012).[43] A critic for The A.V. Club noted that "Admiral General Aladeen and Rufus T. Firefly share the same bloodline, representing a more generalized contempt for world leaders of any stripe, whether they don a 'supreme beard' or a greasepaint moustache."[44] The Nashville Scene detected "an echo here of that funniest of xenophobe-baiting funnies, Duck Soup."[45] The Rolling Stone claimed that Baron Cohen's film "dodges soothing convention and ultimately merits comparisons to The Marx Brothers' Duck Soup and Charlie Chaplin's The Great Dictator.[46]

The company FASA, which publishes role-playing games, derives its name from an imaginary Freedonian version of NASA, the "Freedonian Aeronautics and Space Administration".[47]

• Blount, Jr., Roy (2010). Hail, Hail, Euphoria: Presenting the Marx Brothers in Duck Soup, the Greatest War Movie Ever Made. New York: HarperCollins. ISBN 978-0-06-180816-6.
• Doherty, Thomas (1999). Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema, 1930–1934. New York: Columbia University Press. ISBN 978-0-231-11095-2.
• Kanfer, Stefan (2001). Groucho: The Life and Times of Julius Henry Marx (reprint ed.). New York: Vintage (Random House). ISBN 0-375-70207-5.
• Louvish, Simon (2000). Monkey Business: The Lives and Legends of the Marx Brothers. New York: Thomas Dunne Books. ISBN 978-0-312-25292-2.
• Maltin, Leonard (1982). The Great Movie Comedians: From Charlie Chaplin to Woody Allen (reprint ed.). New York: Bell Publishing Company. ISBN 0-517-36184-1.