Elliott Sharp

Sharp was classically trained in piano from an early age, taking up clarinet and guitar as a teen. He attended Cornell University from 1969 to 1971, studying anthropology, music, and electronics. He completed his B.A. degree at Bard College in 1973, where he studied composition with Benjamin Boretz and Elie Yarden; jazz composition, improvisation, and ethnomusicology with trombonist Roswell Rudd; and physics and electronics with Burton Brody. In 1977 he received an M.A. from the University at Buffalo, where he studied composition with Morton Feldman and Lejaren Hiller, and ethnomusicology with Charles Keil.[8]

From the late 1970s, Sharp established himself in New York's music scene. His compositions have been performed by the hr-Sinfonieorchester, the Ensemble Modern, Continuum, the Orchestra of the SEM Ensemble, Kronos Quartet, the FLUX Quartet, Zeitkratzer, the Soldier String Quartet, the JACK Quartet, and Grammy-winning violinist Hilary Hahn. His work has been featured at festivals worldwide, including the 2008 New Music Stockholm festival, the 2007 Hessischer Rundfunk Klangbiennale, and the Venice Biennale 2003 and 2006. He releases music under his own label (zOaR music) as well as punk label SST and downtown music labels such as Knitting Factory records and John Zorn's Tzadik label. Guitar Player magazine's 30th anniversary issue included Sharp among their list of "The Dirty Thirty – Pioneers and Trailblazers".

He has collaborated regularly with many people, including Christian Marclay, Nels Cline, Bobby Previte, Z'EV, Joey Baron, David Torn, Eric Mingus, Zeena Parkins, Vernon Reid, and Frances-Marie Uitti, as well as qawaali singer Nusrat Fateh Ali Khan, blues legend Hubert Sumlin, actor/writer Eric Bogosian, jazz greats Jack DeJohnette and Sonny Sharrock, pop singer Debbie Harry, and Bachir Attar, leader of the Master Musicians of Jajouka. He was curator of the monumental sound-art exhibition Volume: Bed of Sound for MoMA PS1, which featured the works of 54 artists including Vito Acconci, Tod Dockstader, John Duncan, Walter Murch, Muhal Richard Abrams, Laurie Anderson, Chris & Cosey, Survival Research Laboratories, Ryuichi Sakamoto, Sonic Youth, and Butch Morris.[9] He also curates the State of the Union CD compilations of one-minute tracks by experimental musicians, and produces records for a wide variety of artists. Sharp describes himself as a lifelong "science geek"[10] having modified and created musical instruments since his teen years, and frequently borrowing terms from science and technology for his compositions.

He has composed scores for feature films and documentaries;[11] created music and sound-design for The Sundance Channel, MTV and Bravo networks; and has presented numerous sound installations in art galleries and museums.

Sharp received the 2015 Berlin Prize in Musical Composition, spending six months as a Fellow-in-Residence at the American Academy in Berlin.[12] He was a 2014 Guggenheim Fellow, a 2014 Fellow at Parson's Center for Transformative Media, and is the subject of Bert Shapiro's documentary Elliott Sharp: Doing the Don't, for Pheasant Eye Film.[13] He was a 2009 Master Artist-in-Residence at the Atlantic Center for the Arts, and a 2010 New York Foundation for the Arts Fellow in music. Sharp received a 2003 Foundation for Contemporary Arts Grants to Artists Award.[14] In March 2011, Sharp's 60th birthday was celebrated with a weekend of all-star concert events entitled "E#@60", hosted by Brooklyn's ISSUE Project Room.[15]

Sharp lives in lower Manhattan with media artist Janene Higgins and their two children.

• Port Bou (2014): U.S. Premier at Issue Project Room, Brooklyn. European premiere at Konzerthaus, Berlin. The opera depicts the final moments of philosopher Walter Benjamin's life in Port Bou at the French-Spanish border as he flees Nazi-occupied France. Starring bass/baritone Nicholas Isherwood, with pianist Jenny Lin and accordionist William Schimmel, and prerecorded electro-acoustic backgrounds by Sharp. Projection design by Janene Higgins.
• About Us (2010): Commissioned in the Autumn of 2009 by the Bayerische Staatsoper in Munich for their 2010 Summer Festival series in the Mini-Opera Pavillon. A science-fiction story about a Singularity opening our dimension to creatures from another who were only visible to teenagers and were able to catalyze unpredictable and highly creative acts among those teens. All-teenage performers, between the ages of 14–18. In addition to composing the music, Sharp also created the script and story as well as directing the production.
• Binibon (2009): Premiered at The Kitchen, NYC. A work of music/theater, concept and music by Sharp with libretto by noted science-fiction author Jack Womack. Binibon is a chronicle of both a murder and the transformation of the East Village in the early 1980s. It has been released as a radioplay by Henceforth Records. Developed with and directed by Tea Alagic, with projection design by Janene Higgins.
• Em/Pyre (2006): Em/Pyre is an opera commissioned by soprano Donella Del Monaco for the 2006 Venice Biennale to be performed by her with her regular ensemble a collection of musicians whose backgrounds and technical skills varied greatly. She also requested that Sharp perform with the ensemble and conduct the piece. Longtime collaborator Steve Piccolo created the text and sang the baritone parts. Em/Pyre was based on Sharp's interpretation and comparison of Venice in the 15th century with New York City in the late 20th century – two towering city-states whose empires both devolved due to both internal and external cultural and political/economic factors. The composed core materials and defined structure were to be elaborated through conduction and the manifestation of simple algorithmic approaches as well as guided improvisations based on the core materials. A CD of Em/Pyre was released in 2010 on the Italian label Opusavantra Studium.
• Innosense (1981): Premiered at Studio PASS in NYC, Innosense is a post-apocalypse opera set in a basement in the Lower East Side. The three "live" characters are the "Three Improvisers", here performed by Charles K. Noyes on percussion, Lesli Dalaba on trumpet, and Sharp on fretless electric guitar, soprano sax, and bass clarinet. Materials for these characters includes vocal and instrumental sounds made by Sharp, found sounds, sound effects, and texts both written by Sharp and appropriated from various sources. Voices for these characters include Victoria Vecna and Felipe Orrego. Recorded November 23, 1981, zOaR music.

• Suspension (2004): 2-channel installation of video and sound exploring the awareness of momentary stillness in the metropolis. Collaboration with video artist Janene Higgins, for The Chelsea Art Museum, NYC.
• Fluvial (2002): A system for flowing audio to create moving sound currents within the enclosed space of the Engine 27 gallery in NYC, Fluvial uses randomization, filtering, and feedback as its basic processing elements to make full use of the room's spatialization potential.
• Chromatine (2001): Both musical instrument and sculpture, encouraging visitors to touch the sculpture and cause it to play music. For the Gallery of the School of Museum of Fine Arts, Boston.
• Tag (1997): An interactive audio installation created for the Departure Lounge exhibition at the Clocktower Gallery of MoMA PS1, New York City.
• Distressed Vivaldi (1996): Soundtrack created for the Model Home exhibition at the Clocktower Gallery of MoMA PS1, New York City.

• Avantgarde-Musik von Elliott Sharp: Die Vibes Stimmen Interview with Franziska Buhre in the Berlin publication Die Tageszeitung (2015)
• Elliott Sharp: Blues is a Feeling NPR Interview with Jacki Lyden on the program All Things Considered on NPR (2012)
• Elliott Sharp's Warped Passage By Brit Robson, Minneapolis Star Tribune (2012)
• Composer Elliott Sharp's scientific approach is more than a theory By Manny Theiner, Pittsburgh Post-Gazette (2012)
• The 'East Village Nosferatu' Haunts Brooklyn By Steve Dollar, Wall Street Journal (2011)
• Interview with Elliott Sharp in Guitar Player magazine (2007)
• Interview with Sharp by Mike McGonigal, published in Bomb magazine (2003)
• No One Said He Makes for Easy Listening by Adam Shatz, New York Times Arts and Leisure, July 2002
• Elliott Sharp (March 22, 2006). "Wide Awake in Alphabet City". NewMusicBox (Interview). Interviewed by Frank J. Oteri (published October 1, 2006). (includes video)
• Interview with Sharp by the Portuguese journalist Rui Eduardo Paes, September 2004

Wikimedia Commons has media related to Elliott Sharp.

• Elliott Sharp official site
• Trailer for Elliott Sharp: Doing the Don't on YouTube, documentary
• Trailer for Elliott Sharp: The Velocity of Hue. Live in Cologne on YouTube, concert film
• Janene Higgins & Elliott Sharp, Chelsea Art Museum on YouTube, concert excerpt
• Elliott Sharp at IMDb
• Discography of Patrice Roussel