Fazal Malik Akif

Akif's first stage performance was at high school. Known to be an aloof, angry and introverted young man who kept himself to himself, Akif only agreed to perform on the insistence of his head-teacher who had identified Akif's talent for performing arts.[5] Akif agreed to sing on the condition that he remained behind the stage curtains and did not have to face the audience.[3] He nervously performed with his eyes closed and finished his performance to see a standing ovation and the curtains lifted. The audience's positive reaction encouraged Akif to continue performing.

Akif made his official singing debut in 1964 on Peshawar Radio Station on a programme titled, "University Magazine". By now, Akif had gained popularity for his confident delivery of several stage performances in college and was selected alongside other talented students for the radio show.[5] He travelled from Kohat to Peshawar to attend the two-day competition.

Akif's primary passion was acting and he had prepared a drama skit as his audition piece. However, the radio station producers encouraged Akif to sing a classical Urdu song instead. With no preparation, Akif chose to perform "Na Hui Gar Mere Marne Se Tasalli"[6] a complicated ghazal by Mirza Ghalib, originally sung by the Indian movie playback singer Mukesh. When Akif began to sing, the radio producers were taken by the quality of the teen's untrained voice, and selected him for both the drama and singing segments of the competition.

Soon Akif was being introduced to music producers across Peshawar and was offered opportunities to sing on live radio. His first live Pashto performance was on Peshawar Radio Station in 1965, which led to him receiving offers from producers from across the province. As Hindko was his first language, Akif taught himself to read Pashto and often, due to time constraints, learnt songs verbatim by listening to them repeatedly.[5]

From 1964 to 1969 Akif performed regularly on Peshawar Radio Station and gained increasing popularity for re-inventing Ashraf Maftoon's songs with his own compositions.[3] He gained much acclaim for his rendition of the sentimental ballad, "Zargay Mey Laywanai De", in which Akif slurred, hiccupped and sang like a drunkard, sniggering at the hopelessness of his lovelorn fate.

By the end of 1969, television producers had caught on to Akif's growing fan base and he was invited to perform on television.

Akif performed on television for the first time on the talent show "Naye Funkaar" in Rawalpindi, Pakistan in September 1969.[5] The show invited contestants from East Pakistan, now Bangladesh, and Pakistan to showcase their musical, singing, dancing and drama abilities in front of a panel of judges. Akif, still determined to pursue his passion for acting, had prepared a drama sketch as his audition piece. However, due to encouragement from Agha Nasir,[7] the General manager of the television channel, Akif was put forward to also sing.

Razia Sultana, a television producer and panel judge took Akif aside after his drama audition and encouraged him to sing in Pashto for the singing segment. Despite his apprehension he performed a rendition of the Pashto song "Turah Chay Tairaigy"[8] and won first place in the competition.[5]

It was around this time Akif won the interest of renowned Pathan poet Ahmed Faraz. The two men forged a close friendship and regularly spent evenings together discussing their poetry and lyrics.

Akif performing on Pakistan television in the 1970s

In the years following, Akif went on to perform on various television shows including, "Aaghosh-e-Kohistan", loosely meaning "from the lap of the mountains", "Lok Tamasha", "Lok Mela", "Lok Virsa" and "Nandara".[5] Akif represented North-West Frontier Province, now Khyber Pakthunkhwa, regularly alongside established artists from other provinces, performing often as the star attraction on Pakistan Television and other regional channels.

Soon, Akif's fan base spilled across the border into Afghanistan, and his songs were granted increased radio airtime. Akif regularly travelled to Afghanistan to record songs on Radio Afghanistan in Kabul and to cater to the demand of his growing fan base. Here Akif met and produced songs with Qamar Gula's husband Mohammad Din Zakhil, a harmonium player and Gul Alam, a noted tabla player, who was also Nashenas's personal musician at the time.

In 1974, a 27-year-old Akif was invited by Chaklala Television to sing alongside Naheed Akhtar, Tahira Syed and Roshan Ara Begum, three senior figures of the music industry, for the show "Mehfil". However, Akif was vehemently against performing duets and perceived such requests to be insults to his artistic individuality.[9] He rejected producers' requests for him to sing with Tahira Syed, and instead sang a solo of Qateel Shifai's song, "Gungunati Si Koi Raat Bhi Aajati Hai". The producers reformatted the track as if Akif was serenading Tahira Syed. Known for his fiery temperament, Akif argued with the producers for not complying with his wishes and for falsely representing his version of the song.

Akif was known industry-wide for his angry disposition and principled nature. During a live television show in 1978 at "Lok Tamasha" in Shakarparian, Islamabad, Akif stopped mid-performance. Due to faulty technical equipment Akif was seen gesturing to Azhar Lodhi, the presenter and Tufail Niazi, the director that he was unable to hear the music properly. When they signalled for him to continue, Akif lost his temper, and in an act of rage kicked a prop stool into the air, threw his microphone to the ground and walked off stage.

On another occasion in 1988, at a patriotic concert organised for Pakistan government's chief guests and ministers at Liaquat Memorial Hall, Rawalpindi, Akif refused to sing in a group behind lead singer, Shaukat Ali.[3] He ignored the producer's instructions and left the venue from the back exit during the performance, resulting in a three-month ban from the music scene. However, this became a turning point in Akif's career as his comeback track "Zam Da Husn Jazeero Ta"[10] went on to become one of his most successful releases.

Akif was regularly banned from television throughout his career for submitting scathing interviews to publications with complaints about the music industry's lack of creativity and unwillingness to experiment.[2]

Although Akif was primarily a Pashto singer, he possessed wide crossover appeal and gained popularity in non-Pashto speaking regions of Pakistan.

In 1982, music director and close friend, Sohail Rana of Shalimar Recording Company invited Akif to Karachi to produce an album in Urdu. On arrival, one of Akif's most notable performances was at the Ali Bhai Auditorium where Kamal Irani the presenter of the show lost control of the frenzied crowd and had to have the lights switched off so Akif could escape the building unscathed.

Akif performed in various venues in Karachi, however, the opportunity to record an album never materialised.[5] Despite Sohail Rana's persistence Akif refused to commit to an album, choosing instead to return to Kohat for the birth of his son, Mohammad Ali Khan.

Akif's distinctive singing style had started to garner interest in India. So profound was his impact that according to an article published in the Frontier Post, "Frontier's Voice with a touch of Saigal" by Afzal Hussain Bokhari, Akif was a favourite of Bollywood film actor Raj Kapoor. When Kapoor came across Akif's audio cassette he was so impressed he likened Akif's voice to that of his close friend Mukesh, and insisted Akif be invited to Bombay as a vocalist for his future films.[5]

That same year, at a blood donation charity event organised by the Fatimid Foundation at Pearl Continental Hotel in Peshawar, Pakistan, guest of honour and film actor Dilip Kumar is said to have approached Akif after his performance. Kumar took Akif aside to compliment him for his energetic delivery and deep voice. As a fellow Pathan, he especially praised Akif for his bold representation of their people in the music industry.

Fazal Malik Akif with Mahjabeen

In 1985, Akif and Ghulam Ali, who affectionately referred to Akif as "vakeel sahib" or "Mr. Lawyer", were asked to sing a set of private performances at the Marriott Hotel, Islamabad. Akif also performed alongside Mehdi Hassan and Farida Khanum at the annual Doctor's Association event in Peshawar, which was attended by the Pakistani film actor Mohammad Ali. He has also performed on shows along with Alamgir, Munni Begum, Akhlaq Ahmed, Tina Sani and Mahjabeen Qizilbash.

In the late 1980s, Akif twice toured the Middle East including Dubai, Abu Dhabi, Sharjah and Qatar, alongside actresses and dancers Parveen Babi, Sonia and Rukhsana, as well as actors Badar Munir and Asif Khan, to showcase his music to a wider audience.[3] At one particular performance in Dubai, his female back-up dancers gave such an impassioned performance that the wooden stage floor had to be mopped to clear the blood from their bare feet.

To meet the growing demand from his female fans, Akif was regularly requested to attend private functions. At an event organised by the International Women's Association in Peshawar, Akif performed alongside Asad Amanat Ali Khan and Khyal Mohammad. When Akif took to the stage, the female audience broke into rapturous screams and applause, many of them standing on their seats in an attempt to gain Akif's attention. On leaving the venue Akif was swarmed by his female fans, several of them requesting his autograph on high value rupee notes with the promise of never spending them.

Akif was regularly invited to judge local talent shows and particularly made appearances at school competitions to inspire young children. To this day Akif is impersonated in Pakistani talent competitions, with aspiring stars mimicking his signature voice and black beard.

Akif is known for his bass, thick and baritone voice. During his early years of performing on the radio, Akif was frequently mistaken to be a much older and heavier man. His female fan base grew following his performances on television, with hordes of women sending letters to local newspapers, radio stations and television channels requesting Akif's personal contact details and hand in marriage.[11]

Fazal Malik Akif & Zarsanga with their band in March 1991 at Hackney Empire in London

During a trip to Peshawar in 1990, Anne Hunt of World Circuit Records, came across Akif at a show at Nishtar Hall, Peshawar. Anne Hunt and Mary Farquharson, of what was then Arts Worldwide, were in search of musicians who were popular locally but little known to the wider western public. Hunt was seeking artists that encompassed musical excellence in their respective genres, and saw in Akif a global star relevant for the western music market. Hunt organised for Akif and his band, Walidad on tabla, Aman Shah on dholak, Musafir on harmonium and Amir Hamza on rubab, to travel to the United Kingdom as part of the "Jashan-e-Bahar" festival from the 7–21 March 1991, alongside other artists including Abida Parveen, Aziz Mian, Zarsanga, Allan Fakir and Farida Khanum.[2][12] On arrival in the United Kingdom in March 1991, Akif performed with his band in various cities including venues in Hackney[1] and Greenwich[1][13] in London, Manchester[14] and Birmingham.[1][2] He was interviewed on BBC radio and TV Asia,[15] and went on to perform on Channel 4 for the series Mahfil.[16]

Akif headlined along with Hangama and Farishta on 26 April 1992 for the Afghan Festival. He also regularly performed at charity concerts, including an event at Ganesh Hall, London in support of the Guyana Care centre.

In April 1994, Akif was invited as the honorary guest to the launch of Safeer magazine.[17] The event took place at Sanam restaurant in Manchester and was hosted by the magazine's chief editor, Mohammad Azhar. A review of Akif's future Eid show performance went on to feature in the magazine.[18]

On 22 October 1994, his 47th birthday, Akif headlined at the Gracie Fields Theatre in Rochdale, Lancashire as part of the North West Asian Talents Promotion event. This is believed to be one of Akif's final live performances.

Akif & Abida Parveen in Manchester on 4 December 1994

Akif decided to remain in the United Kingdom with the intention of producing more musical material for his next album. However, his family circumstances forced him to retire from the music business. During his retirement Akif went on to host various radio programmes on Asian Sound and Kismat radio stations.

Despite repeated requests for him to return to Pakistan, he decided not to return at the time and is remembered as having disappeared from the music industry at the peak of his career.

In 2003, Akif finally returned to Pakistan after a thirteen-year hiatus and was embraced by the music fraternity. Peshawar Television Centre produced a one-off comeback programme titled Yaad Girina[19] where Akif spoke on his musical career and performed a series of his hit songs. The show was attended by an audience of old musical associates and friends, which included producers, directors, composers, performers and lyricists such as Mohammad Azam Azam. The programme ended with a 56-year-old Akif performing his famous song "Zam Da Husn Jazeero Ta" in a split screen format displaying him singing the same song years earlier at Nishtar Hall, Peshawar.

Now residing in Manchester, Akif focuses on writing and painting. His two children have established a production company, which aims to promote a collection of his released and unreleased songs, along with an anthology of Akif's poetry.

On 26 August 2016, Coke Studio uploaded a contemporary rendition of Akif's song "Dilruba Na Raazi" on their YouTube channel. Performed and further composed by Zeb Bangash, Faakhir Mehmood and Strings, the song is a huge hit and has garnered millions of views.[20]

Side A – Dilruba Na Raazi,[22] Lag May Da Husn, Ze Yo Patang, Laila Da Bungro Shrang Day, Kahin Chan Chan Churiya (Urdu)

Side B – Meena Meena Meena Bus, Sheeno, Saqi Se La Bundaway, Sur Salu Pa Sar, Meena Kay Mayan,[23] Mastay Mangay

Side A – Baraan Wai Baraan,[24] Ma Waaya Bia Bia, Moray,[25] Da Ghudar Ghara

Side B – Kha Shwa Laila, Raaka Saqi Raaka,[26] Ashna Waaday, Nun Da Skalo Ehtimaam, Raasha Janana Zama

• Khyber Mail (North-West Frontier Province's only English publication) – Announcement about Akif's upcoming performance on 5 June at the Khyber Intercontinental, Peshawar. Akif was performing alongside Chakori and The Inspirations band, 4 June 1976, back cover
• Ikhbara Film, article about Fazal Malik Akif, December 1977
• Daily Hurriyat Karachi, article about Fazal Malik Akif, June 1978, page 1-2
• Funkaar Naama, article titled, "Fazal Malik ka usool hai kay wo doh gaana kabhi nahi gaatay", November 1978

• Daily Mashriq newspaper, Fazal Malik Akif noted as a speaker in public speaking event, 19 January 1984, page 3
• The Frontier Post, article titled, "Frontier's voice with a touch of Saigal" by Afzal Hussain Bokhari, 13 December 1986, page 3
• Gulf Weekly magazine, article titled, "I could have made millions" by Neena Gopal, 3 July 1987, page 13
• TV Tempo International magazine, article by Farida Noor, April 1988, page 86-88
• Awaz Peshawar, article titled, "Fazal Malik Akif ki duniya mein", September 1989, page 2
• Fortnightly Faasla (member of Audit Bureau of Circulations, London), article titled, "Munfarad gulokaar, Fazal Malik Akif" by Salman Amir, edition 31, page 56-57
• Fortnightly Faasla (member of Audit Bureau of Circulations, London), letters written by fans for a collection of famous personalities including; Mehdi Hassan, Rekha, Anil Kapoor, Chunky Pandey, Aamir Khan, Raaj Kumar, Vinod Khanna, Govinda, Juhi Chawla and Fazal Malik Akif, article titled, "Aap kay paighaam sitaaron kay naam", page 48
• Film Asia magazine, article titled, "Madhur awaaz ka malik, Fazal Malik Akif. Das zabaano mein gaanay vala gulokaar" by Amjad Aziz Malik, page 89-92

• The Jiddat Daily Peshawar newspaper, article about Fazal Malik Akif, 19 May 1990
• Awaz Peshawar, article about Fazal Malik Akif, September 1990, page 1
• The Daily Jang London, article titled, "Jashan-e-Bahar", 9 and 10 March 1991, page 1-2
• The Daily Jang London, article titled, "Songs of love and war" by Jang correspondent, 21 March 1991, page 6
• The Daily Jang London, article titled, "Zarsanaga and Fazal-e-Malik Akif – Tradition and Innovation from Pakistan's Frontier" by Trevor Parsons, 23 and 24 March 1991, page 6
• The Daily Jang London, article titled, "Manchester mein Pashto tanzeem", 30 January 1994, page 10
• The Daily Jang London, article titled, "Statement about North-West Frontier Province" by Fazal Malik Akif, 14 February 1994, page 3
• Safeer magazine, article about Fazal Malik Akif's performance at Sanam restaurant in Manchester, July–September 1994, page 85
• The Daily Jang London, article titled, "Hak tau ye hai kay hak ki baat karo" by Fazal Malik Akif, 21 March 1995, page 6

Akif was a regular contributor to Aatish newspaper and Aina magazine between 1992 and 1995. His most notable submissions were his many shairs and nazams which included "Inqilaab aur Jihad", "Aaj ka Musalmaan" and "Aay mairay watan".

Akif was also mentioned in various publications in Pakistan and Afghanistan, including Weekly Mussawar, a Lahore newspaper, Akhbar Khawateen and Hamlal. Some of the known articles are;

• "Sarhad kay gulokaar"
• "Khumaar bhari aankhein"
• "Pakistan ka nojavaan shaair"
• "A singer like this is born once in a lifetime"
• "Main insaan kay banai huay kanoon ko nahi maanta"

• The Express Tribune, article titled, "Singer Fazal Malik Akif claims 'Dilruba Na Raazi' is his original; asks Faakhir for apology" by Rahul Aijaz, 2 February 2017[27]
• Parhlo.com, article titled, "Coke Studio's Dilruba Na Raazi Might Have Been Copied And The Singer's Daughter Seems Angry!" by Daniyal Shahid, 3 February 2017[28]